Spanning a century, from Kate Chopin and Fannie Hurst to J. California Cooper and Elana Dykewomon, this bold and deeply satisfying anthology of women's stories explores women's relationships to, and perceptions of, their physical selves. Addressing the peculiarities, the pleasures, and the shames of body politics, these stories of bodies that refuse to be contained offer a variety of perspectives on fully inhabiting the flesh. Whether celebrating bodies deemed transgressive or simply daring to acknowledge that such bodies exist, these diverse literary representations of fatness render the excessive body brilliantly, unapologetically visible. Book jacket.

This acclaimed post-apocalyptic novel of hope and terror from an award-winning author "pairs well with 1984 or The Handmaid's Tale" and includes a foreword by N. K. Jemisin (John Green, New York Times). When global climate change and economic crises lead to social chaos in the early 2020s, California becomes full of dangers, from pervasive water shortage to masses of vagabonds who will do anything to live to see another day. Fifteen-year-old Lauren Olamina lives inside a gated community with her preacher father, family, and neighbors, sheltered from the surrounding anarchy. In a society where any vulnerability is a risk, she suffers from hyperempathy, a debilitating sensitivity to others' emotions. Precocious and clear-eyed, Lauren must make her voice heard in order to protect her loved ones from the imminent disasters her small community stubbornly ignores. But what begins as a fight for survival soon leads to something much more: the birth of a new faith . . . and a startling vision of human destiny.

'Featuring loveable characters, daring deeds and exciting characters, this larger-than-life, laugh-out-loud picture book is perfect for imaginations and destined to be a repeat read at bedtime.' - SLOAN! Magazine Watch out! A Giant Baby has been spotted in the kingdom! Summon the special advisors. Send out the knights in shining armour. Let loose the monster-size bear! Can anyone defeat this Giant Baby and bring peace back to the kingdom? A hilarious celebration of playtime and imagination, sure to entertain young and old alike. Featuring loveable characters, daring deeds and exciting adventures, this larger-than-life, laugh-out-loud picture book is perfect for igniting giant imaginations and destined to be a repeat read at bedtime.

Funny, light-hearted monster stories that are perfect for young readers, brought to us by the esteemed Dr. Roach. Billy's new pet hamster is a huge disappointment. Despite his name, Hercules is perhaps the world's laziest rodent. He does nothing besides sleep, eat, and sleep some more. So when Billy sees an advertisement on television for a power snack, he decides that's just the thing to put some hurry into Hercules. But when the formula begins working too well, Billy realizes he may have one massive, hungry problem on his hands.

From nineteenth-century paintings of fires raging through New York City to scenes of Manhattan engulfed by a gigantic wave in the 1998 movie Deep Impact, images of the city’s end have been prolific and diverse. Why have Americans repeatedly imagined New York’s destruction? What do the fantasies of annihilation played out in virtually every form of literature and art mean? This book is the first to investigate two centuries of imagined cataclysms visited upon New York, and to provide a critical historical perspective to our understanding of the events of September 11, 2001. Max Page examines the destruction fantasies created by American writers and imagemakers at various stages of New York’s development. Seen in every medium from newspapers and films to novels, paintings, and computer software, such images, though disturbing, have been continuously popular. Page demonstrates with vivid examples and illustrations how each era’s destruction genre has reflected the city’s economic, political, racial, or physical tensions, and he also shows how the images have become forces in their own right, shaping Americans’ perceptions of New York and of cities in general.

Stories and a novella. In Little Sisters of the Apocalypse, the novella, a motorcycle gang of nuns tries to save from outlaws an island of women, abandoned by the men who have gone to war. In River, a computer becomes possessive of a family.

The best stories from a master of speculative fiction Called "one of our brightest cultural commentators" by Publishers Weekly, Kit Reed draws from life—with a difference. This new collection brings together thirty-four of her strong, original stories, from early classics like "The Wait" and "Winter" to six never-before-collected short stories, including "The Legend of Troop 13" and "Wherein We Enter the Museum." An early favorite, "Automatic Tiger," is the first in a series of Reed's stories about animals. There's a monkey who grinds out bestsellers with the help of a "creative writing" app. Her uncanny black dog can enter a crowded room and sit down at the feet of the next man to die. Her characters confront war in various arenas: mother/daughter battles, the war of the sexes, the struggles of men scarred by war. Kit Reed's self-described "transgenred" fiction is confirmation of an "extraordinary talent" (The Financial Times). The range and complexity of her work speaks for itself in The Story Until Now.

Visionary stories expose the humor and horror of contemporary women's lives.