Spengler's work describes how we have entered into a centuries-long "world-historical" phase comparable to late antiquity, and his controversial ideas spark debate over the meaning of historiography.

Since its publication in 1918, Oswald Spengler's The Decline of the West has been the object of academic controversy and opprobrium. In their efforts to dispose of it, scholars have resorted to a variety of tactics: bitter invective, icy scorn, urbane mockery, or simply pretending that the book is not there. Yet generations of readers have refused to be warned off, finding in Spengler a prophetic voice and a source of profound intellectual excitement. H. Stuart Hughes's Oswald Spengler offers a judicious and objective reading of Spengler's works that admirably fills the gap between hypercritical invective and naïve enthusiasm. This pioneering volume makes clear why Spengler's pessimistic reading of the fate of European civilization continues to resonate with contemporary anxieties. Despite the author's self-imposed intellectual and social isolation, Spengler's work was as Hughes demonstrates, a part of the enormous effort of intellectual reevaluation that has characterized the early twentieth century. Viewing Spengler in the broadest possible perspective, the author places his thought in its cultural relationship to that of such predecessors as Giambattista Vico, Friedrich Nietzsche, and Nikolai Danilevsky and contemporaries including Benedetto Croce, Henri Bergson, and Vilfredo Pareto. A chapter of Hughes's book is devoted to Spengler's influence on later cyclical thinkers such as Arnold Toynbee and Pitirim Sorokin. Another chapter clarifies the essentially antagonistic relationship between his thought and Nazi ideology. Throughout, Hughes is carefully attuned to the complex and often bewildering shifts of Spengler's ideas and manner, providing a unified picture of the sober historian; the lofty seer; the cool, detached observer; and the impassioned participant. In his introduction to this new edition, Hughes comments on the timeliness of Spengler's message with respect to technology and environmental issues and draws some unexpected and fascinating parallels between Spengler's thought and that of Ludwig Wittgenstein. Oswald Spengler offers an illuminating view of the achievements and limitations of one of the most influential and representative figures of the twentieth century. It will be of concern to intellectual historians, philosophers, political scientists, and sociologists.

Oswald Spengler was one of the most important thinkers of the Weimar Republic, but very little has been published on his politics, philosophy and life, especially in the English-language.Oswald Spengler and the Politics of Decline transforms the pre-existing picture of Spengler by demonstrating how Spengler’s radical opposition to liberal democracy was an unwavering facet of his thought from 1918 onwards. It adopts a completely novel approach by placing a new emphasis on his political activities and writings, and is unique in explaining the interplay between Spengler’s meta-historical considerations on world history and the practical demands of Realpolitik throughout the complex discourse of German national renewal.

Oswald Spengler (1880--1936) is best known for The Decline of the West, in which he propounded his pathbreaking philosophy of world history and penetrating diagnosis of the crisis of modernity. This monumental work launched a seminal attack on the idea of progress and supplanted the outmoded Eurocentric understanding of history. His provocative pessimism seems to be confirmed in retrospect by the twentieth-century horrors of economic depression, totalitarianism, genocide, the dawn of the nuclear age, and the emerging global environmental crisis. In Prophet of Decline, John Farrenkopf takes advantage of the historical perspective the end of the millennium provides to reassess this visionary thinker and his challenging ideas on world history and politics and modern civilization. Farrenkopf's assessment ranges widely, placing Spengler's philosophy in its intellectual historical context and covering Spengler's ideas on democracy, capitalism, science and technology, cities, Western art, social change, and human exploitation of the environment. He also illuminates the implications of Spengler's thought for contemplating from a fresh perspective the future of the United States, the leading power of the West. Prophet of Decline is highly relevant today as many take the opportunity at the turn of the century to ponder again the direction in which humankind and our global community are moving and approach with concern the uncertain future amid globalization, hypercomplexity, and accelerating change. An interdisciplinary book about an interdisciplinary thinker, it is a substantial contribution to the literature of historical philosophy, political science, international relations, and German studies.

Reprint Edition. First published in 1934, the majority of this book was developed just prior to the Nazi seizure of power, with additional material which reflects on its aftermath. It assessed the decline of European power and the crisis of Western civilization in the face of conflict between the ruling class and the lower classes, arguing that only by adherence to their inherited 'Prussianism' would Germany have the solidity to be able to combat these dangers. Despite the influence of his previous writings on key Nazi figures, his criticisms of National Socialism led to the book being banned, although not before it had been widely distributed throughout Germany. Contents: Introduction; The Political Horizon World Wars and World Powers The White World-Revolution The Colored World-Revolution; Indexution; Index

In this revised edition of Man and Technics, Oswald Spengler's predictions have proven remarkably accurate after over ninety years. He foresaw the environmental consequences of industrialization, leading to species extinction. Spengler predicted that low-wage labor from Third World countries would outcompete Western workers, causing industrial production to shift to regions like East Asia, India, and South America. He argued that technology alienates humanity from nature, dominating our culture. Despite mastering nature, man becomes enslaved by technology. Spengler believed the West would grow disillusioned with its artificial lifestyle and eventually despise the civilization it created. The relentless progress of technology ensures the self-destruction of the high-tech West from within. He envisioned a future where our cities crumble like ancient palaces. Whether this prophecy will come true remains to be seen.

Since its first publication in two volumes between 1918-1923, The Decline of the West has ranked as one of the most widely read and most talked about books of our time. In all its various editions, it has sold nearly 100,000 copies. A twentieth-century Cassandra, Oswald Spengler thoroughly probed the origin and "fate" of our civilization, and the result can be (and has been) read as a prophesy of the Nazi regime. His challenging views have led to harsh criticism over the years, but the knowledge and eloquence that went into his sweeping study of Western culture have kept The Decline of the West alive. As the face of Germany and Europe as a whole continues to change each day, The Decline of the West cannot be ignored. In this engrossing and highly controversial philosophy of history, Spengler describes how we have entered into a centuries-long "world-historical" phase comparable to late antiquity. Guided by the philosophies of Goethe and Nietzsche, he rejects linear progression, and instead presents a world view based on the cyclical rise and decline of civilizations. He argues that a culture blossoms from the soil of a definable landscape and dies when it has exhausted all of its possibilities. Despite Spengler's reputation today as an extreme pessimist, The Decline of the West remains essential reading for anyone interested in the history of civilization.

The Decline of the West by German historian Oswald Spengler, originally published in German as Der Untergang des Abendlandes (Vols. I and II in resp. 1918 and 1922), became an instant success in Germany after its defeat in World War I.

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