This is the first extended analysis of Simon’s novels, examining the relationship between the work of the French Nobel prize-winning novelist Claude Simon and that of a number of visual artists whose work he has used as stimuli in the production of his novels.

The Apocalypse of Enoch and Bhuśunda The Apocalypse of Enoch and Bhuśunda challenges the underlying assumptions of the classical roots of civilization by restoring the original context of creation mythology. In this second volume of A Chronology of the Primeval Gods and the Western Sunrise, ancient myths from multiple geographies are correlated to spikes in cosmic rays over the past 120,000 years – as documented in ice core data. The chronology and content of these myths tell us that the primary forces behind these cataclysms were the most ancient gods - hyper-nova at the Galactic Center associated with Sgr A*(The Dragon), Sgr West (The Beast) and Sgr East (Hiranyâksha and Hiranyakas'ipu), with secondary supernova seen as the birth of new, destructive gods. Ancient myth has documented the cataclysmic destruction of the world on at least twenty occasions with four major geo-polar migrations, which has resulted in a shift of the earth’s equator on at least one occasion. Multiple myths are shown to represent a view of the sky that can only be seen from the Antarctic region. Multiple versions of the myths of Orion are analyzed, showing clear linkages between the Vedic myth of Trisanku, the Book of Genesis, Senmut's Tomb, and the myths of Prajāpati Daksa representing the oldest version of the Orion myth – older than Trishanku and Genesis by 20,000 years! The stunning conclusion explains how the “Watchers” of Enoch were the Vedic descendants of Ila and Iksvaku. These descendants of the seventh Manu had been observing and recording the stars as a source of cataclysm for at least 15,000 years prior to Enoch, thus allowing Enoch to prophesize a ‘new heaven.’ That prophecy became the foundation for St John’s Book of Revelations, which is shown to be a description of a series of cataclysms attributed to Sgr West. The book offers a new theory for explaining geo-polar migration. That theory suggests small shifts in the location of the earth’s center of gravity underlie each migration, but that there are multiple causes for the shifts.

"The sky was our original calendar, our original storybook, the first illustrated edition, the prototype GPS. Beyond its pragmatic usefulness, the sky was the domain of spirit, traversed by deities and a place to which human souls departed. Let's re-enchant it, shall we?"–Renna Shesso Impeccably researched by one of the most eclectic pagan scholars working today, this book aims to reengage our fascination with the planets and stars. Shesso looks at the mythology, legend, science and lore about the planets and most significant stars in a chapter-by-chapter format. Included are nearly 150 diagrams and illustrations—of the heavens, astrological views, depictions of gods and goddesses, sky totems, Tarot symbols, star charts, and more. Anyone with even a vaguely pagan bent, anyone with a reverence for the natural world, who has ever marveled at the night sky will love this enchanted view of the planets and stars. Previously published as A Magical Tour of the Night Sky 9781578634958

A Cyclops is popularly assumed to be nothing more than a flesh-eating, one-eyed monster. In an accessible, stylish, and academically authoritative investigation, this book seeks to demonstrate that there is far more to it than that - quite apart from the fact that in myths the Cyclopes are not always one-eyed! This book provides a detailed, innovative, and richly illustrated study of the myths relating to the Cyclopes from classical antiquity until the present day. The first part is organised thematically: after discussing various competing scholarly approaches to the myths, the authors analyse ancient accounts and images of the Cyclopes in relation to landscape, physique (especially eyes, monstrosity, and hairiness), lifestyle, gods, names, love, and song. While the man-eating Cyclops Polyphemus, famous already in the Odyssey, plays a major part, so also do the Cyclopes who did monumental building work, as well as those who toiled as blacksmiths. The second part of the book concentrates on the post-classical reception of the myths, including medieval allegory, Renaissance grottoes, poetry, drama, the visual arts, contemporary painting and sculpture, film, and even a circus performance. This book aims to explore not just the perennial appeal of the Cyclopes as fearsome monsters, but the depth and subtlety of their mythology which raises complex issues of thought and emotion.

Elegant, slippery, and provocative, Antiquity is a queer Lolita story by prize-winning Swedish author Hanna Johansson—a story of desire, power, obsession, observation, and taboo On a Greek island rich with ancient beauty, a lonely woman in her thirties upends the relationship between a mother and her teenage daughter. Lust and admiration for Helena, a chic older artist, brings Antiquity’s unnamed narrator to Ermoupoli, where Helena’s daughter, Olga, seems at first like an obstacle and a nuisance. But the unpredictable forces of ego and desire take over, leading our narrator down a more dangerous path, and causing the roles of lover and beloved, child and adult, stranger and intimate to become distorted. As the months go by, the fragile web connecting the three women nears rupture, and the ominous consequences of their entanglement loom just beyond a summer that must end. With echoes of Death in Venice, Call Me by Your Name, and The Lover, but wholly original and contemporary, Antiquity probes the depths of memory, beauty, morality, and the narratives that arrange our experience of the world.

By triangulating the Greco-Roman world, classical reception, and disability studies, this book presents a range of approaches that reassess and reimagine traditional themes, from the narrative voice to sensory studies. It argues that disability and disabled people are the ‘forgotten other’ of not just Classics, but also the Humanities more widely. Beyond the moral merits of rectifying this neglect, this book also provides a series of approaches and case studies that demonstrate the intellectual value of engaging with disability studies as classicists and exploring the classical legacy in the medical humanities. The book is presented in four parts: ‘Communicating and controlling impairment, illness and pain’; ‘Using, creating and showcasing disability supports and services’; ‘Real bodies and retrieving senses: disability in the ritual record’; and ‘Classical reception as the gateway between Classics and disability studies’. Chapters by scholars from different academic backgrounds are carefully paired in these sections in order to draw out further contrasts and nuances and produce a sum that is more than the parts. The volume also explores how the ancient world and its reception have influenced medical and disability literature, and how engagements with disabled people might lead to reinterpretations of familiar case studies, such as the Parthenon. This book is primarily intended for classicists interested in disabled people in the Greco-Roman past and in how modern disability studies may offer insights into and reinterpretations of historic case studies. It will also be of interest to those working in medical humanities, sensory studies, and museum studies, and those exploring the wider tension between representation and reality in ancient contexts. As such, it will appeal to people in the wider Humanities who, notwithstanding any interest in how disabled people are represented in literature, art, and cinema, have had less engagement with disability studies and the lived experience of people with impairments. FREE CHAPTER AVAILABLE! Please go to https://bit.ly/3pzpO7n to access the Introduction, which we have made freely available.

Most of the constellations, the patterns of stars found in the night sky, are connected with the ancient myths which people developed to give meaning to what they saw in the sky, based on the experience of their culture. The ideas of modern astronomy play a similar role for us today. They are stories which help us understand the phenomena we discover when we look deeper into the sky than is possible with eyes alone. In this book, the ancient sky stories and those of modern astronomy are woven together in a unique way. Coverage includes twenty-four important constellations as well as the sun and the moon and the sky as a whole. For each of these, one of the old stories is tied together with the astronomical understanding of a key feature in that part of the sky, allowing one story to serve as a reminder for the other.

Employing the methodologies of the new art history as well as some tools provided by poststructuralism, historiography, and analytic philosophy, Poussin's Paintings offers a novel approach to the art of Poussin. David Carrier begins with a comprehensive analysis of Poussin's self-portraits, which provides the starting point for a critical discussion of the traditional strategies of Poussin scholarship and for an evaluation of the status of this artist. Carrier shows that Poussin can be properly understood only by seeing how his visual and political culture differs from ours. Carrier examines the traditional approaches of Poussin scholars, noting the limitations of their views and showing how they not only shape our image of the artist but also restrict out ability to properly grasp his concerns. Carrier also considers the important conceptual claims of connoisseurs and reveals how their work invokes an implicit theory of Poussin's development. Carrier then focuses on a group of paintings concerned with erotic themes, demonstrating the inadequacy of traditional accounts of these pictures. He extends his analysis to a discussion of Poussin's landscapes, which have a different and more important place in his development than the older accounts claim. Carrier places Poussin within the artistic and political culture of seventeenth-century Rome. He asserts that artists of the time were concerned with the problem of belatedness and that Poussin attempted to return to the tradition of the High Renaissance, reworking images from that tradition in response to his own visual culture. Carrier argues that Poussin's art is thus best understood as a response to that setting for baroque art, and he relates Poussin's work to the later tradition of French history painting.

Three mind controllers abduct Mary Byram. They show her the government’s secret mind control center in Virginia, explain to her that she’s been a subject in their mind control program her whole life, and reveal that even her husband was one of them. The mountains and an island paradise set the scenes for this novel about a girl on the run.