Each year, Kolkata's Durga Puja scales new heights as the most spectacular and extravagant event in the city's calendar. From the turn of the twenty-first century, the festival has taken on a particular artistic dispensation that is unique to the contemporary city, demanding a new order of attention and analysis. Based on field-research conducted between 2002 and 2012, this book unravels the anatomy of this newly-congured 'art' event, by tracking the new production processes, the mounting trends of publicity and sponsorship as well as the practices of mass spectatorship that make for the transformed visual culture of the festival. This new visual aesthetic, it is argued, has become the most important marker of the rapidly mutating identity of today's Durga Puja in Kolkata, bringing into the fray new categories of artists and designers, new genres of public art, and new spaces for art production and reception in the city. The book's central concern lies in conceptualizing a specically contemporary and artistic history of the urban festival. In keeping with its title, the book examines the diversity of images and practices - from the consumerist spectacle and the bonanza of awards to the efflorescence of public installations and art and craft productions - that unfurls in this season 'in the name of the goddess'. While proling the Durga Pujas as Kolkata's biggest public art event, the book also addresses the ambivalence of the designations of 'art' and 'artist' in this eld of production and viewership. One of the main aims of this study has been to lay open the claims of 'art' in this festival both as a set of insistent projections as well as a mesh of incomplete formations. The new artistic nomenclature of the festival, it is shown, is not easily secured and has to struggle to assert itself within the body of the religious event and the ephemeral mass spectacle.

The religious landscape in Asia has long been diverse, with various forms of syncretic traditions and pragmatic practices continuously having been challenged by centrifugal forces of differentiation. This anthology explores representations and managements of religious diversity in Japan, China, South Korea, Vietnam, the Philippines, Indonesia, Sri Lanka, India and diaspora religions originating in these countries, seen through the lenses of history, identity, state, ritual and geography. In addition to presenting empirical cases, the chapters also address theoretical and methodological reflections using Asia as a laboratory for further comparative research of the relevance and use of 'religious diversity'. Contributors are: Donald Baker, Ugo Dessi, Chung Van Hoang, Ayelet Harel-Shalev, Noa Levy, Gideon Elazar, Santosh K. Singh, Yu Tao, Ed Griffith, Satoko Fujiwara, Uwe Skoda, Tudor Silva, Martin Tsang, Marianne Q. Fibiger, Jørn Borup, and Lene Kühle. Religious Diversity in Asia was made possible by a framework grant from the Danish Agency for Science, Technology and Innovation allowing the grant holder (Jørn Borup) and two colleagues (Marianne Q. Fibiger and Lene Kühle) to host a workshop at Aarhus University and to co-arrange workshops in Delhi and Nagoya. We would like to thank professors Arshad Alam and Michiaki Okuyama for hosting these latter workshops at Jawaharlal Nehru University and Nanzan University, and we would like to thank Professor Chong-Suh Kim for the invitation for Jørn Borup to visit Seoul National University. We would also like to extend our gratitude to all the scholars who participated in the workshops and to all the authors we subsequently invited to contribute to our endeavor to create this academically relevant volume.

Durga Puja is here! What does it mean to a child? Step into this book and watch the festival come alive!This book is part of the series 'From The Toddler Diaries' and celebrates Durga Puja as experienced by 3 year old Riya. This artfully portrayed '5 Days of Pujo' appeals to young and old alike. Shashti, Saptami, Ashtami, Navami and Bijoya Dashami - the cultural colors have a pronounced Bengali connection, but are universal to Durga Puja celebrations across several communities. With 5 star reviews, this book is easy to read and is enthusiastically endorsed by kids and their parents alike!From The Toddler Diaries is a series of illustrated books which celebrates the spectrum of Indian festivals as experienced by a toddler. Presented in poetry and color, 'From The Toddler Diaries' is designed to drape parents and children in vivid hues of India's cultural fabric. The inspiration behind this collection comes from an appreciation of a child's clarity in perception, which becomes magical because of its simplicity. Also, check out 'Celebrate Holi With Me!', which is part of this series.A charming and informative book. A great way to introduce children to the culture.~ Chitra Banerjee Divakaruni, Award winning author of 'The Mistress of Spices' and 'Before We Visit the Goddess'When I read Shoumi Sen's Celebrate Durga Puja With Me, brilliantly illustrated by Abira Das, I must admit that I want to witness at least one Durga Pujo in my life?~ TokaBox

Explores the contemporary nature and the diverse narratives, rituals, and performances of the Navar?tri festival. Nine Nights of the Goddess explores the festival of Navarātri—alternatively called Navarātra, Mahānavamī, Durgā Pūjā, Dasarā, and/or Dassain—which lasts for nine nights and ends with a celebration called Vijayadaśamī, or "the tenth (day) of victory." Celebrated in both massive public venues and in small, private domestic spaces, Navarātri is one of the most important and ubiquitous festivals in South Asia and wherever South Asians have settled. These festivals share many elements, including the goddess, royal power, the killing of demons, and the worship of young girls and married women, but their interpretation and performance vary widely. This interdisciplinary collection of essays investigates Navarātri in its many manifestations and across historical periods, including celebrations in West Bengal, Odisha, Karnataka, Maharashtra, Tamil Nadu, Uttar Pradesh, and Nepal. Collectively, the essays consider the role of the festival's contextual specificity and continental ubiquity as a central component for understanding South Asian religious life, as well as how it shapes and is shaped by political patronage, economic development, and social status.

This book is compiled with the goal of explaining the hidden history, significance, and meaning of the mantras used in common Hindu puja rituals performed by the Bengalis to the Bengali immigrants.

During a nine-day period every autumn, Hindus in India and throughout the world worship the Great Goddess, Durgā--the formidable deity who is loved like a mother. One of the most dramatic and popular of these celebrations is the Durgā Pūjā, a rite noted for its visual pageantry, ritual complexity, and communal participation. In this book, Hillary Peter Rodrigues describes the Bengali style of Durgā Pūjā practiced in the sacred city of Banaras from beginning to end. A romanization of the Sanskrit litany is included along with an English translation. In addition to the liturgical description, Rodrigues provides information on the rite's component elements and mythic aspects. There are interpretive sections on puja, the Great Goddess, women's roles in the ritual, and the socio-cultural functions of the ritual. Rodrigues maintains that the Durgā Pūjā is a rite of cosmic rejuvenation, of empowerment at both the personal and social levels, and a rite that orchestrates manifestations of the feminine, both Divine and human.

"Amazzone's voice is strong and clear. Goddess Durga promises the transformation, empowerment, and dignity that is our birthright."--Marisa Tomei, Academy Award-winning actor.