From the winner of the PEN/Voelker Award, poems of love, terror, rage, and desire. Here I am, not a practical man, But clear-eyed in my contact lenses, Following no doubt a slightly different line than the others, Seeking sexual pleasure above all else, Despairing of art and of life, Seeking protection from death by seeking it On a racebike, finding release and belief on two wheels . . . --from "The Death of the Shah" The poems in Ooga-Booga are about a youthful slave owner and his aging slave, and both are the same man. This is the tenderest, most savage collection yet from Frederick Seidel, "the most frightening American poet ever" (Calvin Bedient, Boston Review).

It has been a few years since the deaths of Tamir Rice, Michael Brown, Eric Garner, Tanisha Anderson, Freddie Gray and Sandra Bland. A mysterious condition invades the U.S., erasing the Black individual's ability to speak any known language. A bizarre new dialect has surfaced instead. Unable to comprehend their surroundings, they take to the streets and do what they can to survive. This sparks nationwide panic, triggering a government mandate to capture Black people and transport them to isolation camps. Marketing executive Vanessa Landing risks everything to fight for their freedom, not realizing the web of deception awaiting her, nor the liberating love that will transform her from an insecure corporate pawn into the fierce warrior she was meant to be.

When my youngest child was just a tiny tot, there was a season when we had a difficult time helping her overcome her fear of "monsters" at bedtime. This is a book about helping small children overcome their fear of monsters by taking matters into their own hands and replacing fear with laughter. Monsters may "seem" scary, but as my little one realized, they really don't have to be.

A rhyming children's book that exposes children to rhythm and musical meter. Ooga Booga Music Monster turns story time into music and movement time. These preschool-tested stories get children up and moving as they sway like grass, swim like an octopus, and fly like a dragon! Each story features a different musical meter, as well as a familiar chorus that teaches your child their first musical interval: the minor third.This music and movement book for kids comes with accompanying songs available for free on youtube! Teach children early music concepts with this adorable little monster who is still learning how to share.Musical Concepts:* Rhythm* Meter* Tempo* Dynamics* Intervals* PhrasingSocial Development:* Sharing* Non-violence* EmpathyLanguage Development:* New Vocabulary* Rhyming* Dyslexic-friendly font

An examination of Lee Lozano's greatest experiment in art and endurance—a major work of art that might not exist at all. The artist Lee Lozano (1930–1999) began her career as a painter; her work rapidly evolved from figuration to abstraction. In the late 1960s, she created a major series of eleven monochromatic Wave paintings, her last in the medium. Despite her achievements as a painter, Lozano is best known for two acts of refusal, both of which she undertook as artworks: Untitled (General Strike Piece), begun in 1969, in which she cut herself off from the commercial art world for a time; and the so-called Boycott Piece, which began in 1971 as a month-long experiment intended to improve communication but became a permanent hiatus from speaking to or directly interacting with women. In this book, Sarah Lehrer-Graiwer examines Lozano's Dropout Piece, the culmination of her practice, her greatest experiment in art and endurance, encompassing all her withdrawals, and ending only with her burial in an unmarked grave. And yet, although Dropout Piece is among Lozano's most important works, it might not exist at all. There is no conventional artwork to be exhibited, no performance event to be documented. Lehrer-Graiwer views Dropout Piece as leveraging the artist's entire practice and embodying her creative intelligence, her radicality, and her intensity. Combining art history, analytical inquiry, and journalistic investigation, Lehrer-Graiwer examines not only Lozano's act of dropping out but also the evolution over time of Dropout Piece in the context of the artist's practice in New York and her subsequent life in Dallas.

Bert and Ernie have great adventures! Where will their dreams take them next? Come along to the land of dinosaurs!

A whole new look for this enduring Scholastic Canada Classic! An updated look for a classic story, written and illustrated by two of the top names in Canadian children's books! Daniel's family has a little problem. Daniel's baby sister, Louise, just won't stop crying. Everyone in the family tries to soothe her. Her mother sings a lullaby; her father rocks her in his arms; Grandma gives her a bottle; Grandpa plays a tune on his harmonica. But nothing works! Little Louise just goes on crying until big brother Daniel appears on the scene and tells her, "Oonga Boonga." Like magic, Louise's tears stop. But the funny thing is, these whimsical words don't work when the grown-ups say them. Daniel has the magic touch with his little sister!

This is a catalog with full-page color reproductions of sheets selected from Morton's notebook and sketchbook from 1968 to 1977. Back material includes an exhibition checklist, a 3-page essay by Allen Schwartzman titled Ree Morton - a reconsideration; an afterword by Barbara Zucker, and acknowledgments by Janie Cohen. The catalog was published on the occasion of an exhibition by the same title held at the Robert Hull Fleming Museum, University of Vermont.

“A page-turner. The portrait of Africa that emerges is disturbing, tender, and harsh. . . . A tremendous read. I couldn’t put it down.” —Abraham Verghese, New York Times–bestselling author of The Covenant of Water A seasoned war correspondent, Jeffrey Gettleman has covered every major conflict over the past twenty years, from Afghanistan to Iraq to the Congo. For the past decade, he has served as the East Africa bureau chief for the New York Times, fulfilling a teenage dream. At nineteen, Gettleman fell in love, twice. On a do-it-yourself community service trip in college, he went to East Africa—a terrifying, exciting, dreamlike part of the world in the throes of change that imprinted itself on his imagination and on his heart. But around that same time he also fell in love with a fellow Cornell student—the brightest, classiest, most principled woman he’d ever met. To say they were opposites was an understatement. She became a criminal lawyer in America; he hungered to return to Africa. For the next decade he would be torn between these two abiding passions. A sensually rendered coming-of-age story, Love, Africa is a tale of passion, violence, far-flung adventure, tortuous long-distance relationships, screwing up, forgiveness, parenthood, and happiness that explores the power of finding yourself in the most unexpected of places. “Aptly displays why [Gettleman's] a Pulitzer Prize winner and a New York Times bureau chief . . . there's a thrilling immediacy and attention to detail in Gettleman's writing that puts the reader right beside him. . . . An absolute must-read.” —Booklist, starred review “Love, Africa offers a key to understanding humankind’s past and future and a key to understanding our hearts.” —Sheryl Sandberg

“An important resource for students of modern replication studies . . . Of interest to anyone studying folk technologies in general.” ―The Journal of the Royal Anthropological Institute Making arrowheads, blades, and other stone tools was once a survival skill and is still a craft practiced by thousands of flintknappers around the world. In the United States, knappers gather at regional “knap-ins” to socialize, exchange ideas and material, buy and sell both equipment and knapped art, and make stone tools in the company of others. In between these gatherings, the knapping community stays connected through newsletters and the Internet. In this book, avid knapper and professional anthropologist John Whittaker offers an insider’s view of the knapping community. He explores why stone tools attract modern people and what making them means to those who pursue this art. He describes how new members are incorporated into the knapping community, how novices learn the techniques of knapping and find their roles within the group, how the community is structured, and how ethics, rules, and beliefs about knapping are developed and transmitted. He also explains how the practice of knapping relates to professional archaeology, the trade in modern replicas of stone tools, and the forgery of artifacts. Whittaker's book thus documents a fascinating subculture of American life and introduces the wider public to an ancient and still rewarding craft. “This is a superb book, authored by one of the only people with both the anthropological background and the connections in the world of contemporary flintknapping to write it. It really is unlike any work I’m aware of in lithics studies.” —Michael Stafford, Director, Cranbrook Institute of Science