A nostalgic memoir of the Hasty family during the year 1909 with one chapter devoted to each month of the period.

Published on the 50th anniversary of his death, this is the definitive photographic portrait of James Dean in both his professional and his private worlds, the real man behind the lingering legend.

A couple years back, I was at the Phoenix airport bar. It was empty except for one heavy-set, gray bearded, grizzled guy who looked like he just rode his donkey into town after a long day of panning for silver in them thar hills. He ordered a Jack Daniels straight up, and that's when I overheard the young guy with the earring behind the bar asking him if he had ID. At first the old sea captain just laughed. But the guy with the twinkle in his ear asked again. At this point it became apparent that he was serious. Dan Haggerty's dad fired back, "You've got to be kidding me, son." The bartender replied, "New policy. Everyone has to show their ID." Then I watched Burl Ives reluctantly reach into his dungarees and pull out his military identification card from World War II. It's a sad and eerie harbinger of our times that the Oprah-watching, crystal-rubbing, Whole Foods-shopping moms and their whipped attorney husbands have taken the ability to reason away from the poor schlub who makes the Bloody Marys. What we used to settle with common sense or a fist, we now settle with hand sanitizer and lawyers. Adam Carolla has had enough of this insanity and he's here to help us get our collective balls back. In Fifty Years We'll All Be Chicks is Adam's comedic gospel of modern America. He rips into the absurdity of the culture that demonized the peanut butter and jelly sandwich, turned the nation's bathrooms into a lawless free-for-all of urine and fecal matter, and put its citizens at the mercy of a bunch of minimum wagers with axes to grind. Peppered between complaints Carolla shares candid anecdotes from his day to day life as well as his past—Sunday football at Jimmy Kimmel's house, his attempts to raise his kids in a society that he mostly disagrees with, his big showbiz break, and much, much more. Brilliantly showcasing Adam's spot-on sense of humor, this book cements his status as a cultural commentator/comedian/complainer extraordinaire.

The realtime account of the coming out of a respected adventure survival filmmaker, taken from her journal entries as she leaves behind fear and "white male privilege" to embrace truth, grace and womanhood. Her gut-wrenching journey of love, acceptance and honesty becomes the ultimate survival show. Scottie didn't make it easy on herself. Like many late-stage trans women, Scottie had made one helluva guy; succeeding as a husband of 26 years, the only son, the big brother to three sisters and the legendary adventurer uncle to their children. Everything in her life screamed Alpha Male, Ultimate Man, Best Boy, the dude, and the man. No one could guess that Scottie, a top survival showrunner for Discovery Channel and the History Channel, known for leading uber-male productions in the world's most dangerous locations, was losing a lifelong battle for her soul. It takes true love from her wife of 26 years, for Scottie to shake off fifty years of expectations from her family, society and herself. But first, she must face her own denial to dismantle the walls of a self imposed prison. Scottie's articulate and insightful perspective shines new light on the transgender experience, but it's her deeply personal confession told with unflinching clarity, inspiring courage, and engaging humor, that makes her story a must read for any human, of any persuasion. Hers is a love story that will inspire and affirm everyone."

Predicting that the next generation will be living in a substantially different world, a forecast for the next fifty years discusses such topics as technology, health, law enforcement, and politics, and has been updated to include an all-new afterword. Reprint. 15,000 first printing.

An illustrated biography of America's favorite cartoon character, garnered from the archives of Warner Brothers Studios

In this story set in East Texas, a local seamstress named Chintana finds herself responsible for five orphans who are not only captivated by a storyteller’s tale of vengeance but by the long black box he sets before them. As midnight approaches, the box is opened, a fateful dare is made, and the children as well as Chintana come face to face with the consequences of a malice retold and now foretold.

The Battle of Algiers, a 1966 film that poetically captures Algerian resistance to French colonial occupation, is widely considered one of the greatest political films of all time. With an artistic defiance that matched the boldness of the anticolonial struggles of the time, it was embraced across the political spectrum—from leftist groups like the Black Panther Party and the Palestine Liberation Organization to right-wing juntas in the 1970s and later, the Pentagon in 2003. With a philosophical nod to Frantz Fanon, Sohail Daulatzai demonstrates that tracing the film’s afterlife reveals a larger story about how dreams of freedom were shared and crushed in the fifty years since its release. As the War on Terror expands and the “threat” of the Muslim looms, The Battle of Algiers is more than an artifact of the past—it’s a prophetic testament to the present and a cautionary tale of an imperial future, as perpetual war has been declared on permanent unrest. Forerunners: Ideas First is a thought-in-process series of breakthrough digital publications. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.