This is a second edition printing of a previously published work.

My name is Alice Long, and I've always known I was different.When I was little I used to climb up to the highest branches of the housetree at night, and watch the starships docking at the orbital stations high above. Forty meters off the ground, watching ships thirty thousand kilometers overhead, with senses that could pick out radar pings and comm chatter as easily as the ships themselves. It all seemed perfectly natural at the time.There were other kids with mods at the orphanage, but nothing like that. I learned fast to downplay my abilities, keep my mouth shut and try to blend in. Even as a kid I knew not to trust the Matrons. What would they do, if they realized the Adjustments that were supposed to make me a meek little herd animal didn't do anything?Then I messed up, and gave myself away.Now I'm on the run, hoping against hope that the Matrons won't try too hard to find me. Hoping to survive all the awful things that can happen to a girl on her own in space. Kidnappers, slavers, pirates and yakuza - no matter where I go, trouble always seems to find me.Good thing I'm not as helpless as I look.

Reproduction of the original: The Last Waif by Horace Fletcher

The Country Waif (Franöoise le Champi) is the second of the three pastoral novels which rank along with George Sand's autobiographical writing as her finest work. Although simple in themselves, these tales have behind them much of the complex experience of her extraordinary life. As Mrs. Zimmerman writes in the introduction, they reflect Sand's "youthful romanticism, her later championing of the working classes, and her desire to record in fiction that was both poetic and factual the lives of the people and the region she knew best." Set in the countryside of the author's native province of Berry, The Country Waif tells the story of Franöois, an orphan boy placed in a rural foster home, and Madeline, the miller's wife who befriends him. Sand's contemporary, Turgenev, wrote that it was "in her best manner, simple, true, affecting." The book has been admired by writers as diverse as Willa Cather (she found it "supremely beautiful") and Andrä Malraux, who considered it a masterpiece. As well as examining the setting, language, and narrative mode of the novel, the introduction looks at Sand's life, in part from the feminist perspective, with attention to the sociopolitical background of the post-Napoleonic era, when Aurore Dudevant felt impelled to rebel against her status as a country wife and to become George Sand.

"The Waif Woman" by Robert Louis Stevenson was a short story that didn't see the light of day until two decades after Stevenson's death. The author is famed for his stories of adventure and supernatural events, however, this story was suppressed by request of the writer. Written as a magical fairytale or myth, Stevenson weaves an atmosphere in his signature style. Thus, it is fortunate that this story was found and published before it could fade into obscurity forever.

That Last Waif; or, Social Quarantine is a work by Horace Fletcher. Fletcher was an American food faddist and author, here appealing for better support of children born into unfortunate and poor environments. Excerpt: "Social Quarantine is of first importance because a strict recognition of it applied to children during the habit-forming period of their growth will render greatest aid to morals and religion and also to health. An appreciation of God and that stimulating, rational and healthful reverence for good that constitutes true religion must needs follow as a natural result of Perfect Moral and Social Quarantine."

A memoir in essays that expands on the viral sensation “The Crane Wife” with a frank and funny look at love, intimacy, and self in the twenty-first century. From friends and lovers to blood family and chosen family, this “elegant masterpiece” (Roxane Gay, New York Times bestselling author of Hunger) asks what more expansive definitions of love might offer ​us all. A BEST BOOK OF THE YEAR: TIME, THE GUARDIAN, GARDEN & GUN "Hauser builds their life's inventory out of deconstructed personal narratives, resulting in a reading experience that's rich like a complicated dessert—not for wolfing down but for savoring in small bites." —The New York Times “Clever, heartfelt, and wrenching.” —Time “Brilliant.” —Oprah Daily Ten days after calling off their wedding, CJ Hauser went on an expedition to Texas to study the whooping crane. After a week wading through the gulf, they realized they'd almost signed up to live someone else's life. What if you released yourself from traditional narratives of happiness? What if you looked for ways to leave room for the unexpected? In Hauser’s case, this meant dissecting pop culture touchstone, from The Philadelphia Story to The X Files, to learn how not to lose yourself in a relationship. They attended a robot convention, contemplated grief at John Belushi’s gravesite, and officiated a wedding. Most importantly, they mapped the difference between the stories we’re asked to hold versus those we choose to carry. Told with the late-night barstool directness of your wisest, most bighearted friend, The Crane Wife is a book for everyone whose path doesn't look the way they thought it would; for everyone learning to find joy in the not-knowing and to build a new sort of life story, a new sort of family, a new sort of home to live in.