When Granddad picks Ava up from school one Thursday afternoon, she's quiet. She doesn't want to talk about the lockdown drill that has stirred up her worries. How can she be so afraid in a place that has always felt so safe? Granddad doesn’t talk much either; he just offers creativity and companionship. And with his gentle encouragement, Ava begins to sense that although the world can be scary, it is still a beautiful place. With tender insight, One Thursday Afternoon sheds light on how an unpredictable world can make a child feel, reminding us that big fears can become smaller when we take time together to look, listen, and create. An author’s note about the story’s real-life inspiration and recommendations for how adults can help children overcome fear is included. "Adults may learn a trick or two from Granddad’s model of patience, acceptance, communication, and support, while sensitive children will see they are not alone and that it’s OK to feel upset. . . . A sweet,specific, and straightforward tale of dealing with good and bad in the world." —Kirkus Reviews

Tibor, a Hungarian eco activist, has some shocking news for the residents of the West African village of Nunsa: they are at the centre of a new Bermuda Triangle in which industrial pollution, HIV/AIDS, and terrorism combined to create an environment from which no one may escape alive. In Hungary, Tibor has problemsa frustrated girlfriend, a wayward brother, and the mysterious whereabouts of his mothers corpse. But these are dwarfed by the daunting mission he undertakes in Africa. Tibor becomes a messiah figurethe strange white manand leads them in a struggle against global industry. Faced with ignorance, corruption, and assassination plots, Tibor must adopt increasingly extreme methods. But how far is he prepared to go in his campaign of terror? Is terrorism the only means of change? Will even that be enough to prevent the ultimate threat to all living creaturesthe death of eternity?

Themba Limba is a family man who is caught between his flourishing career as a teacher and municipal councillor in the township of Sekunjalo, and his overriding sexual interests. Despite his attempts to maintain his status in the community, his actions eventually lead to his downfall. What follows is an account - sometimes tragic, occasionally humorous, and always compelling - of Themba's efforts to regain his dignity and pride in the eyes of his family and community. *When a Man cries *is an uncompromising and engrossing novel about the challenges of manhood in contemporary South African society. It interrogates the dynamics of township life and the human and socio-economic realities of the most impoverished communities in post-apartheid South Africa.

Brian Daldorph first entered the Douglas County Jail classroom in Lawrence, Kansas, to teach a writing class on Christmas Eve 2001. His last class at the jail for the foreseeable future was mid-March 2020, right before the COVID-19 lockdown; the virus is taking a heavy toll in confined communities like nursing homes and prisons. Words Is a Powerful Thing is Daldorph’s record of teaching at the jail for the two decades between 2001 and 2020, showing how the lives of everyone involved in the class—but especially the inmates who came to class week after week—benefited from what happened every Thursday afternoon in that jail classroom, where for two hours inmates and instructor became a circle of ink and blood, writing together, reciting their poems, telling stories, and having a few good laughs. Words Is a Powerful Thing brings into the light the works of fifty talented inmate writers whose work deserves attention. Their poetry speaks of “what really matters” to all of us and gives the reader sustained insight into the role that creativity plays in aiding survival and bringing positive change for inmates, and, in turn, for all of us. Daldorph’s account of his teaching experience not only takes the reader inside the daily life at a county jail but also sets the work done in the writing class within the larger context of inmate education is the US corrections system, where education is often one of the few lifelines available to inmates. Words Is a Powerful Thing provides a teaching guide for instructors working with incarcerated writers, offering an extensive examination of both the challenges and benefits. When Brian Daldorph decided the story of his classroom experiences and the great writing produced by the inmates deserved to be told to wider audiences, he struggled with how to bring it all together. Not long after, an inmate wrote a poem titled “Words Is a Powerful Thing,” offering Daldorph a title, concept, and purpose: to show that the poetry of inmates speaks not just to other inmates but to all of us.