Between 1933 and 1935, Lorena Hickok traveled across thirty-two states as a "confidential investigator" for Harry Hopkins, head of FDR's Federal Emergency Relief Administration. Her assignment was to gather information about the day-to-day toll the Depression was exacting on individual citizens. One Third of a Nation is her record, underscored by the eloquent photographs of Dorothea Lange, Walker Evans, and others, of the shocking plight of millions of unemployed and dispossessed Americans.

"Some anthologies seem slapdash or opportunistic; others are labors of love, informed by a mastery of a particular field and a passion for sharing the heterogeneous richness of their documents. "Building the Nation" is happily one of the latter. . . . Vastly useful."--"Preservation"

At its height in 1935, the New Deal devoted roughly $27 million ($320 million today) to supporting tens of thousands of needy writers, dancers, actors, musicians, and visual artists, who created over 100,000 worksbooks, murals, plays, concertsthat were performed for or otherwise imbibed by millions of Americans. But why did the government get so involved with the arts in the first place? Musher addresses this question and many others by exploring the political and aesthetic concerns of the 1930s, as well as the range of responsesfrom politicians, intellectuals, artists, and taxpayersto the idea of active government involvement in the arts. In the process, she raises vital questions about the roles that the arts should play in contemporary society."