ONE OF PEOPLE MAGAZINE’S BEST NEW BOOKS “A searing and intimate memoir about love turned deadly.” —The BBC “An intimate illumination of sisterhood and loss.” —People When Sheila Kohler was thirty-seven, she received the heart-stopping news that her sister Maxine, only two years older, was killed when her husband drove them off a deserted road in Johannesburg. Stunned by the news, she immediately flew back to the country where she was born, determined to find answers and forced to reckon with his history of violence and the lingering effects of their most unusual childhood—one marked by death and the misguided love of their mother. In her signature spare and incisive prose, Sheila Kohler recounts the lives she and her sister led. Flashing back to their storybook childhood at the family estate, Crossways, Kohler tells of the death of her father when she and Maxine were girls, which led to the family abandoning their house and the girls being raised by their mother, at turns distant and suffocating. We follow them to the cloistered Anglican boarding school where they first learn of separation and later their studies in Rome and Paris where they plan grand lives for themselves—lives that are interrupted when both marry young and discover they have made poor choices. Kohler evokes the bond between sisters and shows how that bond changes but never breaks, even after death. “A beautiful and disturbing memoir of a beloved sister who died at the age of thirty-nine in circumstances that strongly suggest murder. . . . Highly recommended.” —Joyce Carol Oates

LONGLISTED FOR THE NATIONAL BOOK AWARD • “This exquisite debut wrestles with gender, siblinghood, family, and what it means to be Muslim in America—all through the lens of love.”—Time “Haunting . . . a knife-sharp story of self-discovery.”—People WINNER OF THE CAROL SHIELDS PRIZE FOR FICTION • ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker, NPR, Time, Vox, PopSugar, Autostraddle In this heartrending, lyrical debut work of fiction, the acclaimed author of If They Come for Us traces the intense bond of three orphaned siblings who, after their parents die, are left to raise one another. The youngest, Kausar, grapples with the incomprehensible loss of their parents as she also charts out her own understanding of gender; Aisha, the middle sister, spars with her “crybaby” younger sibling as she desperately tries to hold on to her sense of family in an impossible situation; and Noreen, the eldest, does her best in the role of sister-mother while also trying to create a life for herself, on her own terms. As Kausar grows up, she must contend with the collision of her private and public worlds, and choose whether to remain in the life of love, sorrow, and codependency that she’s known or carve out a new path for herself. When We Were Sisters tenderly examines the bonds and fractures of sisterhood, names the perils of being three Muslim American girls alone against the world, and ultimately illustrates how those who’ve lost everything might still make homes in one another. LONGLISTED FOR THE ASPEN WORDS LITERARY PRIZE AND THE CENTER FOR FICTION FIRST NOVEL PRIZE

Presents a story of three sisters who's choice of husband dictates whether they have homes, and whether, in their homes, they will be allowed to flourish, be tamed or repressed.

THE BLOCKBUSTER HIT—Over two million copies sold! A New York Times, USA Today, Wall Street Journal, and Publishers Weekly Bestseller “Poignant, engrossing.”—People • “Lisa Wingate takes an almost unthinkable chapter in our nation’s history and weaves a tale of enduring power.”—Paula McLain Memphis, 1939. Twelve-year-old Rill Foss and her four younger siblings live a magical life aboard their family’s Mississippi River shantyboat. But when their father must rush their mother to the hospital one stormy night, Rill is left in charge—until strangers arrive in force. Wrenched from all that is familiar and thrown into a Tennessee Children’s Home Society orphanage, the Foss children are assured that they will soon be returned to their parents—but they quickly realize the dark truth. At the mercy of the facility’s cruel director, Rill fights to keep her sisters and brother together in a world of danger and uncertainty. Aiken, South Carolina, present day. Born into wealth and privilege, Avery Stafford seems to have it all: a successful career as a federal prosecutor, a handsome fiancé, and a lavish wedding on the horizon. But when Avery returns home to help her father weather a health crisis, a chance encounter leaves her with uncomfortable questions and compels her to take a journey through her family’s long-hidden history, on a path that will ultimately lead either to devastation or to redemption. Based on one of America’s most notorious real-life scandals—in which Georgia Tann, director of a Memphis-based adoption organization, kidnapped and sold poor children to wealthy families all over the country—Lisa Wingate’s riveting, wrenching, and ultimately uplifting tale reminds us how, even though the paths we take can lead to many places, the heart never forgets where we belong. Publishers Weekly’s #3 Longest-Running Bestseller of 2017 • Winner of the Southern Book Prize • If All Arkansas Read the Same Book Selection This edition includes a new essay by the author about shantyboat life.

I turn to where I left my baby in his pushchair and pull up short. With a racing heart, I look around wildly, fear gripping my stomach. I only looked away for a moment. The pushchair and my baby are gone. Kelly is taking her twin daughters to their first day of school, ushering them into the classroom, her heart breaking to think they might not need her any more, when she turns around and sees that her newborn baby is gone. As a desperate search ensues, baby Noah is quickly found – parked in front of a different classroom. But when Kelly reaches forward to comfort him, she finds something tucked beside his blanket. A locket that belonged to her sister Freya. A locket Kelly hasn’t seen since the day Freya died. And then Kelly’s perfectly-ordered life begins to unravel… We Were Sisters is a heart-pounding suspense thriller that will grip you until the very last page. Fans of Behind Closed Doors, Gone Girl and The Girl on the Train won’t be able to stop reading this incredible book. What readers are saying about We Were Sisters: ‘I started reading it and didn't stop reading until 2 am. It was impossible to put down… thrilling and mysterious the entire way and by the end, my jaw dropped. The ending wasn't something I expected at all.’ Living My Best Book Life, 5 stars ‘I couldn’t wait to get to the next chapter to find out what happened next. I just couldn’t get enough of this book and stayed up all night reading. I absolutely loved this book.’ Goodreads reviewer, 5 stars ‘Had me on the edge of my seat and my heart pounding throughout!! From suspected murder to manipulation to kidnapping you definitely won't be disappointed!!’ Goodreads reviewer, 5 stars ‘I loved this book from start to finish… I was kept on my toes trying to work out how the pieces fitted together, at one point I was so convinced I’d cracked it that I actually gasped out loud! And yet I still didn't see the ending coming… Once I started I couldn’t put it down until I had finished.’ Four More Chapters, 5 stars ‘Another page-turner from an author whose books I will jump at any opportunity to read… This one did not disappoint and kept me fully engaged until the final page… compelling.’ Goodreads reviewer ‘Definitely a thriller that I didn't want to put down… You won't want to stop reading this book once you start!’ Goodreads reviewer, 5 stars ‘What an amazing breath of fresh air!! I've been waiting so long for a book like this.’ Goodreads reviewer, 5 stars ‘Incredibly suspenseful and kept me guessing until almost the very last page.’ Cay Costa ‘Drew me right in from the first pages… full of twists and turns… A book that kept me up late guessing to the end.’ Goodreads reviewer, 5 stars ‘Very twisty and very emotional… this book keeps you wanting to read till the last page, I so loved this story. Highly recommend.’ Goodreads reviewer, 5 stars ‘Loved this book… Gripping and well written. Another great author to add to my list of must reads. A brilliant book.’ Goodreads reviewer ‘I really enjoyed this, it was fast-paced with a compelling narrative. I found myself getting dragged into the narrator’s own doubts about her sanity, and the ending was not what I expected. Couldn’t put it down!’ Goodreads reviewer ‘A fantastic and engrossing thriller. I could not put it down.’ Goodreads reviewer, 5 stars

Raina Telgemeier’s #1 New York Times bestselling, Eisner Award-winning companion to Smile! Raina can't wait to be a big sister. But once Amara is born, things aren't quite how she expected them to be. Amara is cute, but she's also a cranky, grouchy baby, and mostly prefers to play by herself. Their relationship doesn't improve much over the years, but when a baby brother enters the picture and later, something doesn't seem right between their parents, they realize they must figure out how to get along. They are sisters, after all.Raina uses her signature humor and charm in both present-day narrative and perfectly placed flashbacks to tell the story of her relationship with her sister, which unfolds during the course of a road trip from their home in San Francisco to a family reunion in Colorado.

An “eerie, elliptical masterpiece set in a South African boarding school in the early 1960s. . . . First-rate psychological suspense . . . played out flawlessly” (Kirkus Reviews). The members of an elite girls swim team are the reigning queens at their South African boarding school. And then Italian student Fiamma Coronna joins their ranks. Beautiful, athletic, and suddenly commanding all the coach’s attention, Fiamma is the envy of every girl on the team—until the summer she walks into the rural grasslands surrounding the school and disappears. Forty years later, the former teammates return to the school for a reunion, and the memory of that summer emerges like a long buried secret, the shocking, violent truth of what really happened to Fiamma no longer able to be contained . . . “Riveting . . . while evocative of The Prime of Miss Jean Brodie and Picnic at Hanging Rock, Kohler’s writing is so smoothly confident and erotic that she has produced a tale resonant with a chilling power all its own.” —Elle “A stunning and singular tale of the passion and tribalism of adolescence, Cracks lays bare the violence that lurks in the heart of even the most innocent. Shocking, reminiscent of Lord of the Flies . . . conjures up the wildness of the veld and the passion and drama of adolescence . . . peculiarly satisfying.” —The Times Literary Supplement “A disturbing, note-perfect novel. Dissection of evil has rarely been so extravagantly executed.” —San Francisco Chronicle “Polished, compact and chilling . . . Powerful.” —Publishers Weekly A Library Journal and Newsday Best Book of the Year, now a major motion picture starring Eva Green

NEW YORK TIMES BESTELLER Conversations between sisters reveal a deep and constant tug between two dynamics—an impulse toward closeness and an impulse toward competition. It takes just a word from your sister to start you laughing, or to summon up a past you both share. But it also takes just a word to send you into an emotional tailspin. For many women, a sister is both a devoted friend and a fierce rival. Wise and witty, You Were Always Mom’s Favorite! will leave you with a profound new understanding of the unique and precious sister bond, as well as provide practical advice that will open up communication, dispel tensions, and make a vital connection even stronger, deeper, and more resilient.

“A debut poetry collection showcasing both a fierce and tender new voice.”—Booklist “Elegant and playful . . . The poet invents new forms and updates classic ones.”—Elle “[Fatimah] Asghar interrogates divisions along lines of nationality, age, and gender, illuminating the forces by which identity is fixed or flexible.”—The New Yorker NAMED ONE OF THE TOP TEN BOOKS OF THE YEAR BY THE NEW YORK PUBLIC LIBRARY • FINALIST FOR THE LAMBDA LITERARY AWARD an aunt teaches me how to tell an edible flower from a poisonous one. just in case, I hear her say, just in case. From a co-creator of the Emmy-nominated web series Brown Girls comes an imaginative, soulful debut poetry that collection captures the experiences of being a young Pakistani Muslim woman in contemporary America. Orphaned as a child, Fatimah Asghar grapples with coming of age and navigating questions of sexuality and race without the guidance of a mother or father. These poems at once bear anguish, joy, vulnerability, and compassion, while also exploring the many facets of violence: how it persists within us, how it is inherited across generations, and how it manifests itself in our relationships. In experimental forms and language both lyrical and raw, Asghar seamlessly braids together marginalized people’s histories with her own understanding of identity, place, and belonging. Praise for If They Come for Us “In forms both traditional . . . and unorthodox . . . Asghar interrogates divisions along lines of nationality, age, and gender, illuminating the forces by which identity is fixed or flexible. Most vivid and revelatory are pieces such as ‘Boy,’ whose perspicacious turns and irreverent idiom conjure the rich, jagged textures of a childhood shadowed by loss.”—The New Yorker “[Asghar’s] debut poetry collection cemented her status as one of the city’s greatest present-day poets. . . . A stunning work of art that tackles place, race, sexuality and violence. These poems—both personal and historical, both celebratory and aggrieved—are unquestionably powerful in a way that would doubtless make both Gwendolyn Brooks and Harriet Monroe proud.”—Chicago Review of Books “Taut lines, vivid language, and searing images range cover to cover. . . . Inventive, sad, gripping, and beautiful.”—Library Journal (starred review)

A young woman in a vaudeville sister act must learn to forge her own path after her twin runs away to Hollywood in this “elegant, immersive . . . exploration of sisterhood, identity, ambition and betrayal” (The New York Times). “A beautifully told coming-of-age story that embraces life with a galloping energy and irresistible curiosity.”—Maggie Shipstead, bestselling author of Great Circle Leaving was my sister’s choice. I would have to make my own. All Harriet Szász has ever known is life onstage with her sister, Josie. As “The Sisters Sweet,” they pose as conjoined twins in a vaudeville act conceived of by their ambitious parents, who were once themselves theatrical stars. But after Josie exposes the family’s fraud and runs away to Hollywood, Harriet must learn to live out of the spotlight—and her sister’s shadow. As Josie’s star rises in California, the Szászes fall on hard times. Striving to keep her struggling family afloat, Harriet molds herself into the perfect daughter. She also tentatively forms her first relationships outside her family and begins to imagine a life for herself beyond the role of dutiful daughter that she has played for so long. Finally, Harriet must decide whether to honor her mother, her father, or the self she’s only beginning to get to know. Full of long-simmering tensions, buried secrets, questionable saviors, and broken promises, this is a story about how much we are beholden to others and what we owe ourselves. Layered and intimate, The Sisters Sweet heralds the arrival of an accomplished new voice in fiction.