When it comes to Hollywood etiquette on the movie set, nobody gave better advice than Spencer Tracy. Asked by a young actor what advice the master could offer him, Tracy replied, Know your lines and don t bump into the furniture. Strangely enough, no one has collected Hollywood s movie set rules of behavior until now. Backed by the industry and film unions, there is no other resource book like Movie Sets 101: the Definitive Survivor s Guide by Paul J. Salamoff, an eighteen-year veteran of the movie industry with credits spanning over fifty films, ten television series and numerous commercials. Whether you are new to the industry, a seasoned pro or just interested in what the credits mean at the end of your favorite movie, this book is for you. Salamoff has worked in the industry as a Special F/X Make-Up Artist, Producer, Writer, Director and Executive and has compiled what he has learned throughout the years on movie sets to help others. Not only will you learn about the different jobs on the movie set but, for the first time, you ll discover the hidden rules of movie set etiquette they don t teach you in film schools, explains Salamoff. Each chapter covers a different movie set department (i.e. talent, grip, costume, electric, etc.). Offering practical advice from over 70 top industry professionals this vitally useful information is presented with wit and humor and packed with anecdotal advice that will not only help those wanting to break into film but actually help them succeed while trying.

"An extraordinarily entertaining look inside the film industry "-Pierce Brosnan, award-winning actor and producer A veteran of over fifty years in the film industry, Robert E. Relyea gives a behind-the-scenes, first-person look into Hollywood's moviemaking landscape during the pre- and post-Kennedy years in America. Not So Quiet on the Set is Elvis Presley wishing for a normal life during a break in recording the soundtrack for Jailhouse Rock. It's dealing with street gangs and studio politics while making West Side Story. It's trying to stay alive while working side by side with John Wayne on The Alamo. It's crashing an authentic Nazi warplane against a hillside in Germany during The Great Escape. It's getting fired by the studio while filming Bullitt in San Francisco and it's battling runaway budgets and Steve McQueen's demons in France while making Le Mans. Not So Quiet on the Set presents rare insights into the mechanics and politics of filmmaking and helps define a dynamic period in Hollywood history. A unique collaboration between father and son, it is a real-life adventure that not only illustrates how the movie industry really works but provides a revealing portrait of Hollywood's loss of innocence.

When it comes to Hollywood etiquette on the movie set, nobody gave better advice than Spencer Tracy. Asked by a young actor what advice the master could offer him, Tracy replied, “Know your lines and don’t bump into the furniture.” Strangely enough, no one has collected Hollywood’s movie set rules of behavior until now. Backed by the industry and film unions, there is no other resource book like ON THE SET: The Hidden Rules of Movie Making Etiquette by Paul J. Salamoff, an over twenty-year veteran of the movie industry with credits spanning over fifty films, ten television series and numerous commercials. Whether you are new to the industry, a seasoned pro or just interested in what the credits mean at the end of your favorite movie, this book is for you. Salamoff has worked in the industry as a Special F/X Make-Up Artist, Producer, Writer, Director and Executive and has compiled what he has learned throughout the years on movie sets to help others. “Not only will you learn about the different jobs on the movie set but, for the first time, you’ll discover the hidden rules of movie set etiquette they don’t teach you in film schools,” explains Salamoff. Each chapter covers a different movie set department (i.e. talent, grip, costume, electric, etc.). Offering practical advice from over 80 top industry professionals this vitally useful information is presented with wit and humor and packed with anecdotal advice that will not only help those wanting to break into film but actually help them succeed while trying.

The stories behind the other eight films, from The Adventures of Baron Munchausen and The Twilight Zone: The Movie to Apocalypse Now and The Crow, are just as astounding and gripping--this is a book film fans will devour. These bizarre, often hilarious cinematic endeavors confirm that truth is stranger than fiction, reality more volatile than narratives, and fate more improbable than plots.

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Former child actor Paul Petersen once said, "Fame is a dangerous drug and should be kept out of the reach of children." It is certainly true that many child actors have fallen prey to the dangers of fame and suffered for it later in life, but others have used fame to their advantage and gone on to even more successful careers in adulthood. This work is a compilation of interviews with 39 men and women who, as children, worked in the motion picture industry in Hollywood. They all handled their childhood celebrity differently. Lee Aaker, Mary Badham, Baby Peggy, Sonny Bupp, Ted Donaldson, Edith Fellows, Gary Gray, Jimmy Hunt, Eilene Janssen, Marcia Mae Jones, Sammy McKim, Roger Mobley, Gigi Perreau, Jeanne Russell, Frankie Thomas, Beverly Washburn, Johnny Whitaker, and Jane Withers are among those interviewed. They talk candidly about their experiences on and off the set, the people they worked with, and what they did after their careers ended. The pros and cons of being a child actor and the effects that it had on them later in life are discussed at great length.

Includes charts and text showing the progression of the portrayals of women and minorities in the media (television drama, television news, employment at local and network stations) and the effects of these portrayals on television viewers beginning in the mid-70s to 1979. Also includes response letters from the Federal Communications Commission and the U.S. Commission on Civil Rights.

Reprint of the original, first published in 1841.

Discover the critically acclaimed, #1 New York Times bestselling The Hate U Give and the highly anticipated On the Come Up from Angie Thomas in this two-book collection. FIND YOUR VOICE. MAKE SOME NOISE. The Hate U Give William C. Morris Award Winner · National Book Award Longlist · Michael L. Printz Honor Book · Coretta Scott King Author Honor Book "Absolutely riveting!" —Jason Reynolds "Stunning." —John Green "This story is necessary. This story is important."—Kirkus (starred review) "Heartbreakingly topical."—Publishers Weekly (starred review) Sixteen-year-old Starr Carter moves between two worlds: the poor neighborhood where she lives and the fancy suburban prep school she attends. The uneasy balance between these worlds is shattered when Starr witnesses the fatal shooting of her childhood best friend Khalil at the hands of a police officer. On the Come Up Sixteen-year-old Bri wants to be one of the greatest rappers of all time. Or at least win her first battle. As the daughter of an underground hip hop legend who died right before he hit big, Bri’s got massive shoes to fill. But it’s hard to get your come up when you’re labeled a hoodlum at school, and your fridge at home is empty after your mom loses her job. So Bri pours her anger and frustration into her first song, which goes viral…for all the wrong reasons. Want more of Garden Heights? Catch Maverick and Seven’s story in Concrete Rose, Angie Thomas's powerful prequel to The Hate U Give.