Joanna Russ's On Strike Against God is remarkable for its deft intertwining of many themes: not only the overt one of coming out, but many intricately (and inevitably) interlaced stories of alienation, a search for community and rebellion against how our society defines women.

A radical novel of love, gender, and being seen for who you are from the groundbreaking author of The Female Man. Meet Esther, an English professor. Since her divorce more than a decade ago, she has lived in a kind of limbo—a sexless, cold, and self-contained existence. Though surrounded by so-called intellectuals, she is still boxed into life according to her gender, expected to defer to her male colleagues and mocked for her feminist beliefs. But when Esther’s feelings for her friend Jean take a turn from the platonic to the passionate, a new world opens up before her. Lost in a tumult of lust and happiness, she is unprepared for the patriarchal voices in her own head that threaten to derail her newfound freedom. Societal chaos would ensue if she were to follow her heart. It would open the floodgates to boys wearing pink! And girls, blue! How would the world survive? In On Strike Against God, Hugo and Nebula Award–winning author Joanna Russ turns from science fiction to 1970s small-town life, where desire simmers in the shadows, rebellion is taking root, and humor becomes a weapon against the status quo. “An engrossing, darkly funny, and genre-defying classic. Russ’s voice is raw and unfiltered here, delivering the same ironic humor, wry wit, and devastating insight into messy human conceptions of gender and sexuality that permeate her science fiction work. Perfect for fans of Kelly Link and Carmen Maria Machado.” —Kameron Hurley, author of The Light Brigade “A master of putting the truth in fiction, from her SF to her realist work, and On Strike Against God is filled to the brim with honesty.” —Tor.com Praise for Joanna Russ “She was brilliant in a way that couldn’t be denied. . . . She was here to imagine, to invent wildly, and to undo the process, as one of her heroines puts it, of ‘learning to despise one’s self.’” —The New Yorker

Overly concerned about what people think of you? Edward T. Welch uncovers the spiritual dimension of people-pleasing—what the Bible calls fear of man—and points the way through a true knowledge of God, ourselves, and others.

One woman resists the demands of her fellow stranded survivors on an inhospitable planet in this “elegant and electric . . . tour-de-force” (Samuel R. Delany). In this stunning and boldly imagined novel, an explosion leaves the passengers of a starship marooned on a barren alien planet. Despite only a slim chance for survival, most of the strangers are determined to colonize their new home. But the civilization they hoped for rapidly descends into a harsh microcosm of a male-dominated society, with the females in the group relegated to the subservient position of baby-makers. One holdout wants to accept her fate realistically and prepare for death. But her desperate fellow survivors have no intention of honoring her individual right to choose. They’re prepared to force her to submit to their plan for reproduction—which will prove to be a grave mistake . . . In Hugo and Nebula Award–winning author Joanna Russ’s trailblazing body of work, “her genius flows and convinces, shames and alarms” (The Washington Post).

Building on years of research and teaching, experienced author and theologian David Wells offers a remedy for evangelicalism’s superficial theology and weightless conception of God: a journey to discover the paradoxical nature of his holiness and love. We all struggle, at times, to hold that paradox together, commonly resulting in problems such as liberalism or legalism. Yet understanding how God’s holiness is inextricably bound to his love is what enables us to live between the two extremes and defines our life of service in this world. In the vein of classics such as Packer’s Knowing God, Wells’s biblical theology is written at an accessible level so that all readers can cultivate a balanced vision of the God who belongs in the center of it all.

A call to action to address people's psychological and social motives for a belief in God, rather than debate the existence of God With every argument for theism long since discredited, the result is that atheism has become little more than the noises reasonable people make in the presence of unjustified religious beliefs. Thus, engaging in interminable debate with religious believers about the existence of God has become exactly the wrong way for nonbelievers to try to deal with misguided—and often dangerous—belief in a higher power. The key, author James Lindsay argues, is to stop that particular conversation. He demonstrates that whenever people say they believe in "God," they are really telling us that they have certain psychological and social needs that they do not know how to meet. Lindsay then provides more productive avenues of discussion and action. Once nonbelievers understand this simple point, and drop the very label of atheist, will they be able to change the way we all think about, talk about, and act upon the troublesome notion called "God."

"The Rain God is a lost masterpiece that helped launch a legion of writers. Its return, in times like these, is a plot twist that perhaps only Arturo Islas himself could have conjured. May it win many new readers." — Luis Alberto Urrea, bestselling author of The House of Broken Angels and The Hummingbird’s Daughter "Rivers, rivulets, fountains and waters flow, but never return to their joyful beginnings; anxiously they hasten on to the vast realms of the Rain God." A beloved Southwestern classic—as beautiful, subtle and profound as the desert itself—Arturo Islas's The Rain God is a breathtaking masterwork of contemporary literature. Set in a fictional small town on the Texas-Mexico border, it tells the funny, sad and quietly outrageous saga of the children and grandchildren of Mama Chona the indomitable matriarch of the Angel clan who fled the bullets and blood of the 1911 revolution for a gringo land of promise. In bold creative strokes, Islas paints on unforgettable family portrait of souls haunted by ghosts and madness--sinners torn by loves, lusts and dangerous desires. From gentle hearts plagued by violence and epic delusions to a child who con foretell the coming of rain in the sweet scent of angels, here is a rich and poignant tale of outcasts struggling to live and die with dignity . . . and to hold onto their past while embracing an unsteady future.

Four alternate selves from radically different realities come together in this “dazzling” and “trailblazing work” (The Washington Post). Widely acknowledged as Joanna Russ’s masterpiece, The Female Man is the suspenseful, surprising, darkly witty, and boldly subversive chronicle of what happens when Jeannine, Janet, Joanna, and Jael—all living in parallel worlds—meet. Librarian Jeannine is waiting for marriage in a past where the Depression never ended, Janet lives on a utopian Earth with an all-female population, Joanna is a feminist in the 1970s, and Jael is a warrior with claws and teeth on an Earth where male and female societies are at war with each other. When the four women begin traveling to one another’s worlds, their preconceptions on gender and identity are forever challenged. With “palpable anger . . . leavened by wit and humor” (The New York Times), Russ both employs and upends genre conventions to deliver a wickedly satiric and exhilarating version of when worlds collide and women get woke. This ebook includes the Nebula Award–winning bonus short story “When It Changed,” set in the world of The Female Man.

“Essential and thoroughly engaging...Harvey Cox’s ingenious sense of how market theology has developed a scripture, a liturgy, and sophisticated apologetics allow us to see old challenges in a remarkably fresh light.” —E. J. Dionne, Jr. We have fallen in thrall to the theology of supply and demand. According to its acolytes, the Market is omniscient, omnipotent, and omnipresent. It can raise nations and ruin households, and comes complete with its own doctrines, prophets, and evangelical zeal. Harvey Cox brings this theology out of the shadows, demonstrating that the way the world economy operates is shaped by a global system of values that can be best understood as a religion. Drawing on biblical sources and the work of social scientists, Cox points to many parallels between the development of Christianity and the Market economy. It is only by understanding how the Market reached its “divine” status that can we hope to restore it to its proper place as servant of humanity. “Cox argues that...we are now imprisoned by the dictates of a false god that we ourselves have created. We need to break free and reclaim our humanity.” —Forbes “Cox clears the space for a new generation of Christians to begin to develop a more public and egalitarian politics.” —The Nation