A Trilogy bringing together titles by John O’Meara that are also individually available from iUniverse. The Modern Debacle Containing close readings of work by Beckett, Hemingway, and T.S.Eliot; Tennessee Williams, Chekhov, Arthur Miller, and Brecht; Plath, Hughes, and Robert Graves, and W.B. Yeats. “beautifully and fluently written and ingenious in its combination of catastrophes” --Anthony Gash, Drama Head, The University of East Anglia Myth, Depravity, Impasse An in-depth study of Robert Graves, the modern theory of myth and Ted Hughes, with further reference to Shakespeare and to Keats. “I am very sympathetic to the cause of myth and especially in relation to literature” --Michael Bell , author of Literature, Modernism and Myth in a letter to John O’Meara This Life, This Death An extensive study of Wordsworth’s great life-crisis, with additional reference to S.T. Coleridge, and to P.B. Shelley. “Of this Wordsworth book, one recognizes its truth, its breadth of coverage and awareness, and above all its depth...” --Richard Ramsbotham, editor of Vernon Watkins, New Selected Poems, Carcanet Press.

A Trilogy bringing together titles by John OMeara that are also individually available from iUniverse. The Modern Debacle Containing close readings of work by Beckett, Hemingway, and T.S.Eliot; Tennessee Williams, Chekhov, Arthur Miller, and Brecht; Plath, Hughes, and Robert Graves, and W.B. Yeats. beautifully and fluently written and ingenious in its combination of catastrophes --Anthony Gash, Drama Head, The University of East Anglia Myth, Depravity, Impasse An in-depth study of Robert Graves, the modern theory of myth and Ted Hughes, with further reference to Shakespeare and to Keats. I am very sympathetic to the cause of myth and especially in relation to literature --Michael Bell, author of Literature, Modernism and Myth in a letter to John OMeara This Life, This Death An extensive study of Wordsworths great life-crisis, with additional reference to S.T. Coleridge, and to P.B. Shelley. Of this Wordsworth book, one recognizes its truth, its breadth of coverage and awareness, and above all its depth... --Richard Ramsbotham, editor of Vernon Watkins, New Selected Poems, Carcanet Press

Goddess as Nature makes a significant contribution to elucidating the meaning of a female and feminist deity at the beginning of the twenty-first century. Bridging the gap between the emergent religious discourse of thealogy - discourse about the Goddess - and a range of analytical concerns in the philosophy of religion, the author argues that thealogy is not as incoherent as many of its critics claim. By developing a close reading of the reality-claims embedded within a range of thealogical texts, one can discern an ecological and pantheistic concept of deity and reality that is metaphysically novel and in need of constructive philosophical, thealogical and scholarly engagement. Philosophical thealogy is, in an age concerned with re-conceiving nature in terms of agency, chaos, complexity, ecological networks and organicism, both an active possibility and a remarkably valuable academic, feminist and religious endeavour.

Beginning with the Paleolithic Age and drawing on ancient Greek, Chinese, Native American, and Near Eastern cultures, Adele Getty portrays the myriad historical and mythological perspectives of the female archetype. Illustrated.

Oracle decks have long been embraced as a tool for divination, self-reflection and creative inspiration. This Deck and Guidebook embraces all of these uses, while being centered on contemporary, feminist interpretations of myths. On each card, there is a message to help gain more clarity and perspective. Inclusive and diverse, the women portrayed offer their wisdom on the power of archetypes as a gift to others as they navigate their own lives.Goddess on Earth: ORACLE is a 45-card deck structured around the five elements; EARTH, WATER, AIR, FIRE and SPIRIT. The 144 page, soft covered, 6"x 6.5" Guidebook is a beautifully designed gem. The in-depth book offers readers deeper knowledge about the attributes of the myths, the perspectives of the women portrayed, and a specific action to reflect upon; an invaluable resource of wisdom. The cards are 3.5" x 5", printed on heavyweight 400gsm stock with rounded gold foiled edges, and a soft laminate varnish. The cards and book are packaged together in a deluxe, foil-stamped, magnetic closure box.

"This comprehensive text, highly acclaimed as the premier sourcebook on goddesses, introduces students of religion to the various manifestations and complex nature of the goddess. Often a stranger to contemporary devotees of monotheistic religions, the goddess forces the recognition of female power, which can transform deeply held beliefs. The recent renewed interest in goddesses and the rise of feminist scholarship are addressed in this well-chosen collection of essays, written by an international group of scholars. The book elucidates the diverse religious cultures and periods of history in which goddesses have played an important role by providing examples of ancient and modern goddesses in Eastern and Western religious traditions, in major world and tribal religions, and in living religions and those no longer practiced."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Nearly twenty-five hundred years ago the Greek thinker Heraclitus supposedly uttered the cryptic words "Phusis kruptesthai philei." How the aphorism, usually translated as "Nature loves to hide," has haunted Western culture ever since is the subject of this engaging study by Pierre Hadot. Taking the allegorical figure of the veiled goddess Isis as a guide, and drawing on the work of both the ancients and later thinkers such as Goethe, Rilke, Wittgenstein, and Heidegger, Hadot traces successive interpretations of Heraclitus' words. Over time, Hadot finds, "Nature loves to hide" has meant that all that lives tends to die; that Nature wraps herself in myths; and (for Heidegger) that Being unveils as it veils itself. Meanwhile the pronouncement has been used to explain everything from the opacity of the natural world to our modern angst. From these kaleidoscopic exegeses and usages emerge two contradictory approaches to nature: the Promethean, or experimental-questing, approach, which embraces technology as a means of tearing the veil from Nature and revealing her secrets; and the Orphic, or contemplative-poetic, approach, according to which such a denuding of Nature is a grave trespass. In place of these two attitudes Hadot proposes one suggested by the Romantic vision of Rousseau, Goethe, and Schelling, who saw in the veiled Isis an allegorical expression of the sublime. "Nature is art and art is nature," Hadot writes, inviting us to embrace Isis and all she represents: art makes us intensely aware of how completely we ourselves are not merely surrounded by nature but also part of nature.

In the Name of the Goddess: A Biophilic Ethic explores a dynamic, holistic ethic of interconnections, ecological sustainability, and eco-justice through goddess worship and eco-feminism. Donna Giancola proposes principles to establish social harmony and ecological balance through moral, political, and spiritual values and practices that provide a comprehensive foundation for integrating wisdom and action in daily life, communities, and international policies.

The concept goddess Natura -- one most of the of the significant allegorical figures of medieval Latin and vernacular poetry -- drew upon many strands of classical and Christian thought, from Plato's Timaeus to Boethius's Consolation of Philosophy. In what is perhaps the best history of the goddess Natura, George Economou provides a full-length study of her philosophical background and the literary traditions that contributed to her image. Economou's work focuses on the renaissance of the twelfth century, when a new kind of allegory appeared that celebrated and explored the nature of the cosmos. He analyzes the central role that Natura played in the writings of Bernard Silvestris, Jean de Meun, Alain de Lille, and Geoffrey Chaucer. This paperback edition includes a new introduction by the author and an updated bibliography.

"In Float, art is far more than decoration. It is the power of achievement and change. Out of it, we're encouraged to believe, may come the transformation of our world." — Maine Sunday Telegram"…a stellar model of eco-literature…" — Cape Ann Beacon"…witty, profound, and beautifully observed…" — Margot Livesey"[Float] is all of these things: joyful and troubling, hilarious and somber, evocative and introspective." — Necessary Fiction When everything around you is sinking, sometimes it takes desperate measures to stay afloat… When Duncan Leland looks down at the garbage-strewn beach beneath his office window, he sees the words God Help Us scrawled in the sand. While it seems a fitting message—not only is Duncan’s business underwater, but his marriage is drowning as well—he goes down to the beach to erase it. Once there, he helps a seagull being strangled by a plastic six-pack holder—the only creature in worse shape than he is at the moment. Duncan rescues the seagull, not realizing that he’s being filmed by a group of conceptual artists and that the footage will soon go viral, turning both him and the gull into minor celebrities. And when an unsavory yet very convincing local, Osbert Marpol, talks him into a not-quite-legitimate loan arrangement, Duncan can’t help but agree in a last-ditch attempt to save the jobs of his employees. For a while, it seems as if things are finally looking up for Duncan—yet between his phone-sex-entrepreneur ex-girlfriend’s very public flirtations and the ever-mysterious terms of his new loan, Duncan realizes that there’s no such thing as strings-free salvation—and that it’s only a matter of time before the tide rises ominously around him again. A wry tale of financial desperation, conceptual art, insanity, infertility, seagulls, marital crisis, jellyfish, organized crime, and the plight of a plastic-filled ocean, JoeAnn Hart’s novel takes a smart, satirical look at family, the environment, and life in a hardscrabble seaside town in Maine.