Color your world blue. Indigo is one of the colors of the rainbow, as easily recognized as it is fashionable. From its origins as a naturally produced dye, most common in India, to its ubiquitous appearance in blue jeans today, indigo has traveled far and wide. Nicola Gouldsmith shows you how to use indigo to dye fabric in different ways, including dip-dyeing, tie-dyeing, batik, shibori, and arashi, as well as basic plain dyeing. She then shows you how to use the results of your dyeing to make beautiful items to wear, and for the home, such as a tie-dyed t-shirt, a batik wall hanging, and a dip-dyed shawl. With the help of the clear step-by-step instructions for each project, a full section in each chapter explaining the relevant method of dyeing, and a techniques section to explain any sewing or other skills needed, you will soon be able to create your own indigo world.

The Cost of Our Clothes -- The Fibershed Movement -- Soil-to-Soil Clothing and the Carbon Cycle -- The False Solution of Synthetic Biology -- Implementing the Vision with Plant-Based Fibers -- Implementing the Vision with Animal Fibers and Mills -- Expanding the Fibershed Model -- A Future Based in Truth.

Like cotton, indigo has defied its humble origins. Left alone it might have been a regional plant with minimal reach, a localized way of dyeing textiles, paper, and other goods with a bit of blue. But when blue became the most popular color for the textiles that Britain turned out in large quantities in the eighteenth century, the South Carolina indigo that colored most of this cloth became a major component in transatlantic commodity chains. In Red, White, and Black Make Blue, Andrea Feeser tells the stories of all the peoples who made indigo a key part of the colonial South Carolina experience as she explores indigo's relationships to land use, slave labor, textile production and use, sartorial expression, and fortune building. In the eighteenth century, indigo played a central role in the development of South Carolina. The popularity of the color blue among the upper and lower classes ensured a high demand for indigo, and the climate in the region proved sound for its cultivation. Cheap labor by slaves—both black and Native American—made commoditization of indigo possible. And due to land grabs by colonists from the enslaved or expelled indigenous peoples, the expansion into the backcountry made plenty of land available on which to cultivate the crop. Feeser recounts specific histories—uncovered for the first time during her research—of how the Native Americans and African slaves made the success of indigo in South Carolina possible. She also emphasizes the material culture around particular objects, including maps, prints, paintings, and clothing. Red, White, and Black Make Blue is a fraught and compelling history of both exploitation and empowerment, revealing the legacy of a modest plant with an outsized impact.

Prakash Kumar documents the history of agricultural indigo, exploring the effects of nineteenth-century globalisation on this colonial industry. Charting the indigo culture from the early modern period to the twentieth century, Kumar discusses how knowledge of indigo culture thrived among peasant traditions on the Indian subcontinent in the early modern period and was then developed by Caribbean planters and French naturalists who codified this knowledge into widely disseminated texts. European planters who settled in Bengal with the establishment of British rule in the late eighteenth century drew on this information. From the nineteenth century, indigo culture became more modern, science-based and expert driven, and with the advent of a cheaper, purer synthetic indigo in 1897, indigo science crossed paths with the colonial state's effort to develop a science for agricultural development. Only at the end of the First World War, when the industrial use of synthetic indigo for textile dyeing and printing became almost universal, did the indigo industry's optimism fade away.

Indigo is the rich, electrifying history of a precious dye: its relationship to the trans-Atlantic slave trade, its profound influence on fashion, and its spiritual significance - all very much alive today. But it is also the story of a personal quest: Catherine McKinley's ancestors include a clan of Scots who wore indigo tartan, several generations of Jewish 'rag traders' and Massachusetts textile factory owners, and African slaves who were traded along the same Saharan routes as indigo. Her journey takes her to nine West African countries and is resplendent with powerful lessons of heritage and history which shape the way she understands her world at home.

This long-awaited guide serves as a tool to explain the general principles of natural dyeing, and to help dyers to become more accomplished at their craft through an increased understanding of the process. Photos of more than 450 samples demonstrate the results of actual dye tests, and detailed information covers every aspect of natural dyeing including theory, fibers, mordants, dyes, printing, organic indigo vats, finishing, and the evaluation of dye fastness. Special techniques of printing and discharging indigo are featured as well. The book is intended for dyers and printers who wish to more completely understand the "why" and the "how," while ensuring safe and sustainable practices. Written by a textile engineer and chemist (Boutrup) and a textile artist and practitioner (Ellis), its detailed and tested recipes for every process, including charts and comparisons, make it the ideal resource for dyers with all levels of experience.

Indigo tells the compelling and comprehensive story of the world's oldest, most magical and best-loved dye.

The ultimate reference on indigo dyeing techniques across the world, and a compendium of the most beautiful samples of indigo textiles Gloriously pieced together, much like the fine garments it portrays, this colorful book takes the reader on an international tour of indigo-colored textiles, presenting a huge swathe of remarkable clothing, people, and fabric. Catherine Legrand has spent more than twenty years traveling and researching the subject, and she has a deep knowledge of the ancient techniques, patterns, and clothing traditions that characterize ethnic textile design. The book explores the production of indigo textiles throughout America, China, India, Africa, Central Asia, Japan, Laos, and Vietnam. It features more than 500 color photographs and is completed by specially commissioned drawings that provide close-ups of patterns and cloths.

In The Political Economy of Indigo in India, 1580-1930: A Global Perspective Ghulam A. Nadri explores the dynamics of the indigo industry and trade from a long-term perspective and examines the local and global forces that affected the potentialities of production in India and elsewhere and caused periods of boom and slump in the industry. Using the commodity chains conceptual framework he examines the stages in the trajectory of indigo from production to consumption. Nadri shows convincingly that the growth or decline in indigo production and trade in India was a part of the global processes of production, trade, and consumption and that indigo as a global commodity was embedded in the politics of empire and colonial expansion.