How one man brought the Olympics to Los Angeles, fueling the city's urban transformation. Dreamers and Schemers chronicles how Los Angeles’s pursuit and staging of the 1932 Olympic Games during the depths of the Great Depression helped fuel the city’s transformation from a seedy frontier village to a world-famous metropolis. Leading that pursuit was the “Prince of Realtors,” William May (Billy) Garland, a prominent figure in early Los Angeles. In important respects, the story of Billy Garland is the story of Los Angeles. After arriving in Southern California in 1890, he and his allies drove much of the city’s historic expansion in the first two decades of the twentieth century. Then, from 1920 to 1932, he directed the city’s bid for the 1932 Olympic Games. Garland’s quest to host the Olympics provides an unusually revealing window onto a particular time, place, and way of life. Reconstructing the narrative from Garland’s visionary notion to its consequential aftermath, Barry Siegel shows how one man’s grit and imagination made California history.

Applying feminist theory to some lesser-known works by well known authors and painters, Munich (English, SUNY, Stony Brook) explores the psychological and cultural implications of the Victorian (male) treatment of the Perseus and Andromeda myth and its medieval analog, the legend of St. George and the dragon. With 31 photographs of the works discussed. Annotation copyright by Book News, Inc., Portland, OR

This, the third volume to appear in the New Oxford History of England, covers the period from the repeal of the Corn Laws to the dramatic failure of Gladstone's first Home Rule Bill. In his magisterial study of the mid-Victorian generation, Theodore Hoppen identifies three defining themes. The first he calls `established industrialism' - the growing acceptance that factory life and manufacturing had come to stay. It was during these four decades that the balance of employment shifted irrevocably. For the first time in history, more people were employed in industry than worked on the land. The second concerns the `multiple national identities' of the constituent parts of the United Kingdom. Dr Hoppen's study of the histories of Ireland, Scotland, Wales, and the Empire reveals the existence of a variety of particular and overlapping national traditions flourishing alongside the increasingly influential structure of the unitary state. The third defining theme is that of `interlocking spheres' which the author uses to illuminate the formation of public culture in the period. This, he argues, was generated not by a series of influences operating independently from each other, but by a variety of intermeshed political, economic, scientific, literary and artistic developments. This original and authoritative book will define these pivotal forty years in British history for the next generation.

Nowadays pageants often take the form of parades of effervescent young women competing for popular recognition in hyped up media events. However, these “beauty pageants” are a mere pastiche of the elaborate historical parades of the medieval period that took significant, social, religious, or civic events and their protagonists, as subjects. Pageants were historically characterized by resplendent costuming and elaborate processions that were often given to much pomp and ceremony. Pageantry has formed an important part of the civic life of most societies, both ancient and modern, serving a variety of cultural and political purposes. The use of drama and public spectacle as an instrument of civic, social, and religious activism has recently become the focus of renewed academic inquiry. The essays in this interdisciplinary anthology provide carefully researched insights into the phenomenon of pageantry over the centuries and across broad cultural boundaries.

Brought vividly to life on screen, the myth of ancient Rome resonates through modern popular culture. Projecting the Past examines how the cinematic traditions of Hollywood and Italy have resurrected ancient Rome to address the concerns of the present. The book engages contemporary debates about the nature of the classical tradition, definitions of history, and the place of the past in historical film.

Art historian Eleanor Pearson DeLorme and her erudite coauthor, Charles Pearson DeLorme, lead us through a virtual gallery of great paintings by masters of Western art: from Rubens and Brueghels Garden of Eden to Signorellis Testament and Death of Moses. They tell two stories: that of the great story of Gods redemption and that of the lives and times of the masters who labored to portray Gods story, which is, at the same time, our own.

Katherine Soniat's new collection, The Swing Girl, contemplates the present through the fragmented lens of history. She swings the reader out across time, to ancient Greece and China, and into the chaos of contemporary war in Serbia and Iraq. Her poems move between present culture and the ghosts of history, between modern metaphor and the rhetoric of myth.

"In this study, Isobel Hurst brings together two lines of enquiry in recent criticism: the Romantic and Victorian reception of ancient Greece and Rome, and women as writers and readers in the nineteenth century."--BOOK JACKET.

A Companion to the Classical Tradition accommodates the pressing need for an up-to-date introduction and overview of the growing field of reception studies. A comprehensive introduction and overview of the classical tradition - the interpretation of classical texts in later centuries Comprises 26 newly commissioned essays from an international team of experts Divided into three sections: a chronological survey, a geographical survey, and a section illustrating the connections between the classical tradition and contemporary theory