Kate is at a loss. She meets a boy with curious powers and a bizarre history - but he thinks he is very ordinary. How can she convince him that he has a gift, a gift that he must use to unravel mysteries that have hung over his family for generations? And even if she does persuade him, will his talents prove powerful enough to overcome what lies ahead?

Sensing that her new classmate, Jarrod, has supernatural powers similar to her own, Kate Warren tries to inform Jarrod of the gift he possesses, but he does not believe her until his power reaches a dangerous level.

'Tis the Season for Witches, Elves, and a Legion of Ghosts Not so very long ago, Yuletide was as much a chilling season of ghosts and witches as it was a festival of goodwill. In The Old Magic of Christmas, you'll rub elbows with veiled spirits, learn the true perils of elves, and discover a bestiary of enchanted creatures. Rife with the more frightful characters from folklore and the season's most petulant ghosts, this book takes you on a spooky sleigh ride from the silvered firs of a winter forest to the mirrored halls of the Snow Queen. Along the way, you'll discover how to bring the festivities into your home with cookie recipes and craft instructions, as well as tips for delving more deeply into your relationship with the unseen. Praise: "Steeped in history and adorned with a bit of enchantment, The Old Magic of Christmas is the perfect book to read by a winter's fire with a mug of mulled cider in hand."--Deborah Blake, author of The Witch's Broom "...[A] fascinating journey into the stories behind the tinsel and bows."--Doreen Shababy, author of The Wild & Weedy Apothecary "...[A]n intriguing little tome that explores the darker side of the Yuletide holiday."--Ellen Dugan, author of The Enchanted Cat

I'm good at two things: finding treasure and killing demons. Lying low is a close third-but not because I want to be good at hiding. I have to be. I'm a FireSoul, one of the unlucky few to inherit a piece of the dragon's soul. Being born with the dragon's covetousness should be a sweet gig - I have the power to find and steal any type of treasure, including the powers of other supernaturals. But it doesn't come without a price - stealing powers requires that I kill, and others would destroy me if they discover what I am. In a world full of magic, hiding my species is the only way to survive. Finding magical artifacts is the only way to pay the bills. It's a dangerous job when you can barely use your magic, but that's one of the things I like about it. When Aidan Merrick, the most powerful shifter in the city, hired me to find an ancient scroll, I didn't want to take the job. His immense amount of power reminds me of too much of murky memories from a past I can't remember. But I don't have a choice. The scroll reveals what I am. And if anyone finds out, I'm dead.

Ancient Greeks and Romans often turned to magic to achieve personal goals. Magical rites were seen as a route for direct access to the gods, for material gains as well as spiritual satisfaction. In this survey of magical beliefs and practices from the sixth century B.C.E. through late antiquity, Fritz Graf sheds new light on ancient religion. Graf explores the important types of magic in Greco-Roman antiquity, describing rites and explaining the theory behind them. And he characterizes the ancient magician: his training and initiation, social status, and presumed connections with the divine world. With trenchant analysis of underlying conceptions and vivid account of illustrative cases, Graf gives a full picture of the practice of magic and its implications. He concludes with an evaluation of the relation of magic to religion.

In the religious systems of ancient Mesopotamia, Egypt, and the Mediterranean, gods and demigods were neither abstract nor distant, but communicated with mankind through signs and active intervention. Men and women were thus eager to interpret, appeal to, and even control the gods and their agents. In Prayer, Magic, and the Stars in the Ancient and Late Antique World, a distinguished array of scholars explores the many ways in which people in the ancient world sought to gain access to--or, in some cases, to bind or escape from--the divine powers of heaven and earth. Grounded in a variety of disciplines, including Assyriology, Classics, and early Islamic history, the fifteen essays in this volume cover a broad geographic area: Greece, Egypt, Syria-Palestine, Mesopotamia, and Persia. Topics include celestial divination in early Mesopotamia, the civic festivals of classical Athens, and Christian magical papyri from Coptic Egypt. Moving forward to Late Antiquity, we see how Judaism, Christianity, and Islam each incorporated many aspects of ancient Near Eastern and Graeco-Roman religion into their own prayers, rituals, and conceptions. Even if they no longer conceived of the sun, moon, and the stars as eternal or divine, Christians, Jews, and Muslims often continued to study the movements of the heavens as a map on which divine power could be read. The reader already familiar with studies of ancient religion will find in Prayer, Magic, and the Stars both old friends and new faces. Contributors include Gideon Bohak, Nicola Denzey, Jacco Dieleman, Radcliffe Edmonds, Marvin Meyer, Michael G. Morony, Ian Moyer, Francesca Rochberg, Jonathan Z. Smith, Mark S. Smith, Peter Struck, Michael Swartz, and Kasia Szpakowska. Published as part of Penn State's Magic in History series, Prayer, Magic, and the Stars appears at a time of renewed interest in divination and occult practices in the ancient world. It will interest a wide audience in the field of comparative religion as well as students of the ancient world and late antiquity.

Both a love story and a tribute to the entertainment mecca, this exploration shines a spotlight on one of the hottest acts in Las Vegas in the late 1950s and early 1960s. The illuminating depiction showcases the unlikely duo--a grizzled, veteran trumpeter and vocalist molded by Louis Armstrong and a meek singer in the church choir--who went on to invent "The Wildest." Bringing together broad comedy and finger-snapping, foot-stomping music that included early forays into rock and roll, Prima and Smith's act became wildly popular and attracted all kinds of star-studded attention. In addition to chronicling their relationships with Ed Sullivan, Frank Sinatra, Robert Mitchum, and other well-known entertainers of the day--and their performance of "That Old Black Magic" at President John F. Kennedy's inauguration--the narrative also examines the couple's ongoing influence in the entertainment world. Running concurrent with their personal tale is their role in transforming Las Vegas from a small resort town in the desert to a booming city where the biggest stars were paid tons of money to become even bigger stars on stage and television.

For a thousand generations, desert shamans of the far West sought order in the stars and in the mysteries and wonder of their grand, if unforgiving landscape. When summoned, they doctored the stricken, be they stoic elders or frightened little children. They conjured rains. Taking leave of reality, they rode whirlwinds and soared in magical flight. They epitomized a native American ability "to relate to the land in ways beyond a Western way of thinking." They're gone now. But there remain telling accounts of how, day-to-day, they lived: how omens foretold a shaman's destiny, how he learned his craft, how he could exercise his power for both good and evil. How a shaman could travel to the land of the dead and (hopefully) return. Drawing on the lore of a dozen tribes, Old Magic conjures the year-to-year life of a shaman - a life of service to his people, a life fraught with torment and danger, a life often taking a man or woman to the edge of madness.

An investigation into the influence of the Golden Dawn on the pioneers of modern Gardnerian Witchcraft.