Under the headings of gender discourses, women's work and development, politics and power, and gender roles and relations, a distinguished group of feminist scholars address Arab women's lives.

Under the headings of gender discourses, women's work and development, politics and power, and gender roles and relations, a distinguished group of feminist scholars address Arab women's lives.

This all-new edition of the classic Arab Society: Social Science Perspectives, containing thirty new articles by leading scholars, examines Arab society in the 1990s. Articles by scholars from many countries explore such subjects as Arab unity and identity; demographic processes; the roles of men, women, and family; rural social change; political developments; and religious change. For students, scholars, and general readers alike, Arab Society offers up-to-date analysis and discussion of the social, political, and economic transformations that face the region today.

Joanna S. Ploeger examines the communicative practices of the Fermi National Accelerator Laboratory in suburban Chicago to show how the rhetoric of science functions as an indicator of the intellectual and political interests of scientific institutions. She delineates the rhetorical strategies by which Fermilab's founders, especially Robert R. Wilson, sought the consent, cooperation, and goodwill of its neighbors. Wilson's rhetoric was an attempt to distinguish Fermilab from other laboratories in the national network by emphasizing that Fermilab was not a nuclear-weapons laboratory and that its sole purpose was to advance theoretical physics for the sake of knowledge. To dissociate itself from weapons research, Fermilab incorporated the aesthetic of sublimity, emblematic of the laboratory's focus on high-energy physics, into the design of its buildings, grounds, public art, and outreach materials. Ploeger tests the success of Wilson's rhetoric through extensive interviews with researchers, administrators, and visitors at Fermilab. Wilson's visual rhetoric strategies were unable to counteract the persistent belief that Fermilab was involved in nuclear-weapons research. In later years the end of the cold war diminished the urgency of physics research. This change in the national climate induced Fermilab's subsequent directors to stress the many potential uses of experimental physics, thereby opening Fermilab to a variety of projects at the cost of the aesthetic Wilson had tried to project. In tracking the evolution of the lab's representation of itself to its public, Ploeger's work combines rhetorical criticism, visual rhetorics, and qualitative analysis of interview data in studying a salient example that comes into focus only when all three methods are deployed collectively.

Although much has been written about the Old Northwest, The Boundaries between Us fills a void in this historical literature by examining the interaction between Euro-Americans and native peoples and their struggles to gain control of the region and its vast resources. Comprised of twelve original essays, The Boundaries between Us formulates a comprehensive perspective on the history and significance of the contest for control of the Old Northwest. The essays examine the socio cultural contexts in which natives and newcomers lived, tradod, negotiated, interacted, and fought, delineating the articulations of power and possibility, difference and identity, violence and war that shaped the struggle. The essays do not attempt to present a unified interpretation but, rather, focus on both specific and general topics, revisit and reinterpret well-known events, and underscore how cultural, political, and ideological antagonisms divided the native inhabitants from the newcomers. Together, these thoughtful analyses offer a broad historical perspective on nearly a century of contact, interaction, conflict, and displacement. the history of early America, the frontier, and cultural interaction.

This text reveals the diversities which continue to shape women's beliefs and experiences. It includes debates on women and nationalisms, women and social policy, sexuality, black studies and ethnic studies, women and education, women and cultural production and women's studies and gender studies.

The anthology is an introduction to political cultures in the Islamic world and into relations between the West and Islam. It details its analysis in country studies on Algeria, Iran, Egypt, Morocco, Turkey, Bosnia, Israel/Palestine, Iraq, Central Asia and Pakistan.

This study explores the mother-daughter relationship as the most fundamental and most intimate female relationship and as the cornerstone of Arab family life. Drawing on autobiographical and semifictional works by women writers from across the Arab world, the study offers a first-hand account of how Arab women view and experience this primary bond. The author uses both early and contemporary writings of Arab women to illuminate the traditional and evolving nature of mother-daughter relationships in Arab families and how these family dynamics reflect and influence modern Arab life. The compelling narratives demystify the institutions of family and motherhood and show the potential of mothers and daughters to transform the patriarchal family and thus the fabric of Arab society. A groundbreaking work that fills a void in cross-cultural studies, it is of interest to scholars and students of Middle Eastern studies, women’s studies, and family studies.

The Lebanese photographer Marie al-Khazen seized every opportunity to use her camera during the years that she was active between 1920 and 1940. She not only documented her travels around tourist sites in Lebanon but also sought creative experimentation with her camera by staging scenes, manipulating shadows, and superimposing negatives to produce different effects in her prints. Within her photographs, bedouins and European friends, peasants and landlords, men and women comfortably share the same space. Her photographs include an intriguing collection portraying her family and friends living their everyday lives in 1920s and '30s Zgharta, a village in the north of Lebanon. Yasmine Nachabe Taan explores these photographs, emphasizing the ways in which notions of gender and class are inscribed within them and revealing how they are charged with symbols of women's emancipation to today's viewers, through women's presence as individuals, separate from family restrictions of that time. Images in which women are depicted smoking cigarettes, driving cars, riding horses, and accompanying men on hunting trips counteract the common ways in which women were portrayed in contemporary Lebanon.