She was just 17, a high school dropout named Milly Jones, found walking down the middle of the highway, engulfed in flames. Even in a tough Mississippi county like Tibbehah, it shatters the community, and it is up to Sheriff Quinn Colson, back on the job after a year away, and his deputy Lillie Virgil, to investigate what happened, and why. Before long, however, accusations start to fly; national media and federal authorities descend; and what seemed like a senseless act of violence begins to appear like something even more disturbing - with more victims waiting in the shadows.

The Turn of the Screw by Henry James is a classic ghost story that continues to captivate readers over a century after its initial publication. Set in the late 19th century, the novella follows a young governess who is hired to care for two young children, Flora and Miles, at the remote and eerie Bly Manor. As the governess begins her duties, she becomes increasingly convinced that the manor is haunted by the spirits of the previous governess, Miss Jessel, and her lover, Peter Quint, who both died under mysterious circumstances. The story unfolds as the governess tries to protect the children from the malevolent ghosts, while also questioning her own sanity and the motives of the children in their interactions with the spirits. One of the most intriguing aspects of The Turn of the Screw is its unreliable narrator. The story is told through the perspective of the governess, whose mental state and perceptions of events are constantly called into question. This creates a sense of ambiguity and uncertainty, leaving readers to question whether the ghosts are real or just figments of the governess's imagination. James masterfully plays with the theme of perception and reality, leaving readers to draw their own conclusions about the events at Bly Manor. Another striking element of the novella is its use of Gothic elements. The isolated location, the decaying mansion, and the presence of ghosts all contribute to the eerie atmosphere of the story. James also incorporates psychological horror, as the governess's fears and paranoia intensify throughout the story, building tension and suspense. The Turn of the Screw is a prime example of Gothic literature, with its exploration of the dark side of human nature and the blurred lines between the living and the dead. One of the most controversial aspects of the novella is its ambiguous ending. The governess's final confrontation with the ghosts and the fate of the children are left open to interpretation, inviting readers to ponder the true meaning of the story. Some critics argue that the ghosts are a product of the governess's overactive imagination, while others believe that they are real and that the children are in danger. This open-ended conclusion has sparked countless debates and interpretations, making The Turn of the Screw a thought-provoking and enduring piece of literature. In addition to its literary merits, The Turn of the Screw also offers insight into the societal norms and expectations of the time period in which it was written. James explores themes of gender roles and class distinctions through the character of the governess, who is expected to be subservient and obedient to her male employer and to maintain the social hierarchy between herself and the children. The story also touches on the taboo subject of sexual relationships, particularly in regards to the ghosts and their influence on the children. Ultimately, The Turn of the Screw is a haunting and enigmatic work that continues to captivate readers with its complex characters, Gothic atmosphere, and thought-provoking themes. It is a testament to Henry James's mastery of storytelling and his ability to create a sense of unease and suspense that lingers long after the final page. A must-read for anyone interested in Gothic literature, psychological thrillers, or the blurred lines between reality and the supernatural.

Winner of the 1996 Shamus Award for Best First PI Novel! There are seven of them. Children—innocents—whose long-buried remains are uncovered by a flash-flood. No one knows who could have committed such a crime. Clues are scarce, and with the media turning the story into a law enforcement nightmare, time is short. Only Wil Hardesty, a private eye who has more in common with the case than anyone knows, is willing to push hard enough—and dig deep enough—to find the cruelest of killers. The killer of The Innocents … Praise for THE INNOCENTS … “Author Richard Barre kicked off his Wil Hardesty series with this smart, psychologically nuanced first novel, which garnered a 1996 Shamus Award. The plot is gripping, the dialogue sharp, and the villains very villainous indeed, but the character of Wil Hardesty is what separates this mystery from the rest of the pack. More than just another private-eye-with-a-troubled-past, Hardesty is both complicated and flawed, a very real human who brings a lifetime’s worth of pain, passion, and guilt to bear on solving this crime.” —Publishers Weekly “Sober, understated, intense.” —Kirkus Reviews “Up-close and personal narrative…nicely convoluted plot.” —Library Journal “Crisp, street-smart dialogue; a likable protagonist; and very nasty villains…a solid debut.” —Booklist “Impressive.” —San Francisco Examiner “Excellent…the writing is so good.” —The Oregonian “Walking in the shadows of everyone from Ross Macdonald to Lawrence Block, Barre still manages to find something original to say. The book’s strength comes from the chances it takes…fresh characters…clever plot twists.” —Chicago Tribune “Hardesty is remarkably evolved as a character in his first outing. [He] could be you or me or a neighbor, a person trying hard to survive a few of life’s dirtier tricks. He has stature.” —The Plain Dealer (Cleveland) “Barre delivers…an engrossing mystery that moves quickly in prose that is as sleek and muscular as its protagonist. This first outing easily handles, then transcends, the genre requisites for a lively, intense read. Reserve a long evening for this one…it delivers the tension and pace that readers demand.” —Santa Barbara News Press “One of the best mysteries of the year.” —Firsts Magazine “The Innocents is a truly powerful and moving novel, going beyond the private eye genre as only the best authors do. Let’s hope that is only the first of a long and significant series.” —Otto Penzler, Mysterious Press “Barre is a skilled writer, an uncanny observer and comes equipped with an uncommonly good ear for dialogue. Wil Hardesty, is a most welcome addition to the pantheon of private detectives.” —Ross Thomas, author of Out on the Rim “A truly powerful and moving novel…an intriguing world of mystery, deceit and murder. Richard Barre is a skilled writer and The Innocents is a gripping story.” —Michael Connelly, author of The Fifth Witness “A great read. Barre has a great command of all the elements—plot, character, and individual scenes. I suspect and hope that Wil Hardesty will be around crime fiction for many novels to come.” —James Crumley, author of Dancing Bear “Will Hardesty is a man with a lot of pain and a lot of pride, a man with a mission: a man you should meet. In a world of fake and fabrication, The Innocents is the real thing.” —Stephen Greenleaf, author of False Conception “The Innocents is a powerful novel…of action and suspense that is, in the end, a voyage of self-discovery.” —Michael Collins, author of Crimes and Misdemeanors

Sr Helen Prejean has accompanied five men to execution since she began her work in 1982. She believes the last two, Dobie Williams in Louisiana and Joseph O'Dell in Virginia, were innocent, but their juries were blocked from seeing all the evidence and their defence teams were incompetent. 'The readers of this book will be the first "jury" with access to all the evidence the trail juries never saw', she says. The Death of Innocents shows how race, prosecutorial ambition, poverty and publicity determine who dies and who lives. Prejean raises profound constitutional questions about the legality of the death penalty.

Having set out to seduce her teacher as part of a personal agenda, a sixteen-year-old schoolgirl realizes her seductive powers are greater than she realized and leaves the home of her guardian aunt and uncle in order to move in with him. Original.

Reprint of the original, first published in 1869.

The Nobel Prize winner’s catalog of his Istanbul museum is like “wandering past the illuminated windows of an arcade. . . . This book spills over with pleasure”(The New York Times). The culmination of decades of omnivorous collecting, Orhan Pamuk’s Museum of Innocence in Istanbul uses his novel of lost love, The Museum of Innocence, as a departure point to explore the city of his youth. In The Innocence of Objects, Pamuk’s catalog of this remarkable museum, he writes about things that matter deeply to him: the psychology of the collector, the proper role of the museum, the photography of old Istanbul (illustrated with Pamuk’s superb collection of haunting photographs and movie stills), and of course the customs and traditions of his beloved city. The book’s imagery is equally evocative, ranging from the ephemera of everyday life to the superb photographs of Turkish photographer Ara Güler. Combining compelling visual images and writing, The Innocence of Objects is an original work of art and literature.

The Innocents Abroad is one of the most prominent and influential travel books ever written about Europe and the Holy Land. In it, the collision of the American “New Barbarians” and the European “Old World” provides much comic fodder for Mark Twain—and a remarkably perceptive lens on the human condition. Gleefully skewering the ethos of American tourism in Europe, Twain’s lively satire ultimately reveals just what it is that defines cultural identity. As Twain himself points out, “Broad, wholesome, charitable views of men and things cannot be acquired by vegetating in one little corner of the earth all one’s lifetime.” And Jane Jacobs observes in her Introduction, “If the reader is American, he may also find himself on a tour of his own psyche.”

NOW THE NETFLIX ORIGINAL SERIES EL INOCENTE! The bestselling author and creator of the hit Netflix drama The Stranger takes readers on an electrifying ride in this thriller that peeks behind the white picket fences of suburbia—where one mistake can change your life forever. One night, Matt Hunter innocently tried to break up a fight—and ended up a killer. Now, nine years later, he’s an ex-con who takes nothing for granted. His wife, Olivia, is pregnant, and the two of them are closing on their dream house. But all it will take is one shocking, inexplicable call from Olivia’s cell phone to shatter Matt’s life a second time...