In this flawless novella, Mona Simpson turns her powers of observation toward characters who, unlike Ann and Adele August in her bestselling Anywhere but Here, choose to stay rather than go. As a high school student in Green Bay, Bea Maxwell raised money for good causes; later, she became a successful real estate agent and an accomplished knitter. The one thing missing from her life is a romantic relationship. She soon settles comfortably into the role of stylish spinster and do-gooder. Woven into Bea's story are stories of other lifelong residents of Green Bay and the changes time brings to a town and its residents. This pure and simple work once again proves Mona Simpson one of the defining writers of her generation.

In this flawless novella, Mona Simpson turns her powers of observation toward characters who, unlike Ann and Adele August in her bestselling Anywhere but Here, choose to stay rather than go. As a high school student in Green Bay, Bea Maxwell raised money for good causes; later, she became a successful real estate agent and an accomplished knitter. The one thing missing from her life is a romantic relationship. She soon settles comfortably into the role of stylish spinster and do-gooder. Woven into Bea's story are stories of other lifelong residents of Green Bay and the changes time brings to a town and its residents. This pure and simple work once again proves Mona Simpson one of the defining writers of her generation.

A wonderfully provocative and appealing novel, from the much-loved author of Anywhere But Here and A Regular Guy, her first in ten years. It tells the story of two women whose lives entwine and unfold behind the glittery surface of Hollywood. Claire, a composer and a new mother, comes to LA so her husband can follow his passion for writing television comedy. Suddenly the marriage—once a genuine 50/50 arrangement—changes, with Paul working long hours and Claire left at home with a baby, William, whom she adores but has no idea how to care for. Lola, a fifty-two-year-old mother of five who is working in America to pay for her own children’s higher education back in the Philippines, becomes their nanny. Lola stabilizes the rocky household and soon other parents try to lure her away. What she sacrifices to stay with Claire and “Williamo” remains her own closely guarded secret. In a novel at turns satirical and heartbreaking, where mothers’ modern ideas are given practical overhauls by nannies, we meet Lola’s vast network of fellow caregivers, each with her own story to tell. We see the upstairs competition for the best nanny and the downstairs competition for the best deal, and are forced to ask whether it is possible to buy love for our children and what that transaction costs us all. We look into two contemporary marriages—one in America and one in the Philippines—and witness their endangerment, despite the best of intentions. My Hollywood is a tender, witty, and resonant novel that provides the profound pleasures readers have come to expect from Mona Simpson, here writing at the height of her powers.

Anywhere But Here is a moving, often comic portrait of wise child Ann August and her mother, Adele, a larger-than-life American dreamer. As they travel through the landscape of their often conflicting ambitions, Ann and Adele bring to life a novel that is a brilliant exploration of the perennial urge to keep moving, even at the risk of profound disorientation. Simpson's first novel is ultimately a heart-rendering tale of a mother and daughter's invaluable relationship.

In her highly acclaimed first novel, Anywhere But Here, Simpson created one of the most astute yet vulnerable heroines in contemporary fiction. Now Mayan Atassi--once Mayan Stevenson--returns in an immensely powerful novel about love and lovelessness, fathers and fatherlessness, and the loyalties that shape us even when they threaten to destroy us. Now a woman of twenty-eight and finally on her own in medical school, Mayan becomes obsessed with the father she never knew, leading her to hire detectives to dredge up the past, thus eroding her savings, ruining her career, and flirting with madness in a search spanning two continents. "Ratifies the achievement of Anywhere But Here, attesting to its author's...dazzling literary gift and uncommon emotional wisdom." --New York Times "A breathtaking piece of fiction; Simpson is a writer who can break our heart and mend it in the same sentence." --Cleveland Plain Dealer

"A novel about an eavesdropping boy working to discover the obscure mysteries of his unraveling family. He uncovers instead what he least wants to know: the workings of his parents' private lives. And even then he can't stop snooping"--

Anywhere But Here and The Lost Father have established Mona Simpson as one of our most accomplished writers. In her new novel--the portrait of a legendary, quintessentially American entrepreneur trapped by the age he helped to define--she brilliantly extends her achievement. More powerfully than ever before, Simpson uncovers the nature of longing and belonging, of blood relations and the human heart.

INSTANT NATIONAL BESTSELLER One of the NHL’s most talented young stars shares his inspiring coming-of-age story about following his dreams after being diagnosed with type 1 diabetes. “Max, you have type 1 diabetes,” the doctor said. My mom and I looked at each other. For her, time stood still for a second as our entire future as a family shifted. But I had no clue what the diagnosis meant. So I said the first thing that came to mind. “Can I still play hockey?” As a kid, when Max Domi was asked what he wanted to be when he grew up, he only ever had one answer: a hockey player. Growing up the son of a professional hockey player, Max saw from an early age what it took to make the NHL: grit, talent, and the support of a team. Over countless hours in the garage, at the rink, and in the gym, Max chased his dream. It seemed that Max was born to be on the ice. But then, when he was twelve years old, Max started getting sick. And sicker. Finally, he and his family learned the awful truth: Max had type 1 diabetes. Overnight, Max and his family found their lives upended. All Max wanted was to be a normal kid, but suddenly, the simplest things—a game of basketball with friends, a family meal, a school field trip—were complicated with a thousand different considerations. Would people notice or make fun of him if he carried his blood-testing kit everywhere? Would his teammates think he was weak if his blood sugar went low at hockey practice? How much insulin did he need after a meal? And all the while, the fear of what might happen if things went wrong hung over his head. Max had to grow up quickly. As he struggled to find his new normal, Max slowly began to realize that overcoming his disease demanded the same qualities that it took to be a hockey player—mental and physical toughness, maturity, and the love and care of family and friends. Bit by bit, he learned—sometimes the hard way—not just to control his diabetes, but to turn it into an advantage. If managing his disease was going to demand that Max be stronger, more prepared, and more disciplined than anyone else, then he wouldn’t just be good at those things: he’d be the best. He’d do whatever it took to move himself closer to his dream of playing in the NHL. Inspiring, heartwarming, and exciting, No Days Off is a memoir about what it’s like to be a kid whose world is turned upside down, and what it takes to face adversity.

In this study, independent scholar Rood introduces students and the interested reader to the writings of contemporary American writer Annie Proulx. Coverage includes a discussion of the major themes in Proulx's well-known novels such as Postcards, Accordion Crimes, and The Shipping News as well as three others. Rood also provides background information on Proulx's life and her development as a writer. c. Book News Inc.

"An exciting new anthology of short fiction chosen by thirty-five of this country's most distinguished and popular fiction writers, You've Got to Read This offers readers an unusually intimate glimpse into how accomplished writers experience literature." "Here are stories that inspired today's leading novelists and short-story writers to embark on their own writing careers, stories that took their breath away and changed them, or the way they responded to literature, forever. Oscar Hijuelos confesses his debt to the great Argentine writer Jorge Luis Borges, whose brilliant story "The Aleph" inspired him to become a writer himself. Mary Gordon stands in awe of what James Joyce wrought in "The Dead," and wonders how writers who come after him can equal it. Robert Coover writes movingly of Angela Carter and her mysterious story "Reflections," while Kenneth A. McClane says that "Sonny's Blues" by James Baldwin literally saved his life." "Some of the stories presented here are classics, like Anton Chekhov's "Gooseberries," introduced by Eudora Welty, or Flannery O'Connor's "A Good Man Is Hard to Find," selected by Sue Miller. Some are less well known, like Lars Gustafsson's "Greatness Strikes Where It Pleases," introduced by Charles Baxter, or John Updike's "Packed Dirt, Churchgoing, a Dying Cat, a Traded Car," whose beauty stunned Lorrie Moore." "All were critically important to some of our finest contemporary writers - among them Annie Dillard, John Irving, Amy Tan, Louise Erdrich, Russell Banks, Jane Smiley, Bobbie Ann Mason, Tobias Wolff - and their comments about the selections offer fascinating entrances into the stories. For lovers of fiction, You've Got to Read This is a treasure trove, a dazzling collection of stories passionately and imaginatively chosen."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved