The present volume brings together contributions which explore artworks – including literature, visual arts, film and performances – as dynamic sites of worlding. It puts emphasis on the processes of creating or doing worlds, implying movement as opposed to the boundary drawing of area studies. From such a processual perspective, Africa is not a delineated area, but emerges in a variety of relations which can reach across the continent, but also the Indian Ocean, the Atlantic or Europe. Contributors are: Thierry Boudjekeu, Elena Brugioni, Ute Fendler, Sophie Lembcke, Gilbert Ndi Shang, Samuel Ndogo, Duncan Tarrant, Kumari Issur, CJ Odhiambo, Michaela Ott, Peter Simatei, Clarissa Vierke, Chinelo J. Enemuo.

Illustrator and concept artist Devin Elle Kurtz shares her journey, from childhood ambitions to be an artist and finding the best educational fit, to working in the industry as she continues to develop her craft. The Art of Devin Elle Kurtz bursts with the stunning color, light, and storytelling that Devin has mastered, using traditional and digital methods. This is a unique opportunity to learn from a young industry professional. Devin recalls navigating educational opportunities, looking for the combination of formal classes and personal study that suited her needs. Color and light play a huge part - whether she uses traditional or digital techniques - and specially commissioned tutorials give aspiring artists the chance to sample her methods while evolving their skills. Readers will also enjoy the intriguing subject of storytelling, as Devin explores the themes that feature the most in her own work, including where they originated from. These insights and reflections are not only fascinating, but also help readers unlock their own authentic storytelling potential.Devin has been handpicked to join the ranks of superstar artists who have produced their Art of... books with 3dtotal Publishing, creating the unique blend of advice, tutorials, inspiration, and galleries that we love to see.

Hans van Maanen is professor of art and society at the Department of Arts, Culture & Media Studies of the University of Groningen, the Netherlands.

Part of a new series of beautiful gift art books, The World's Great Masterpieces of Art highlights the most popular art from the beginning of the twelfth century to the Pop Art movement of the twentieth century. With a fresh and thoughtful introduction to the history of art, discussing the work of some of the most famous artists in the world, the book goes on to showcase key works in all their glory. This is a sumptuous treat for the eyes, with something for everyone.

1. Getting To Know Leonardo Da Vinci 2. Getting To Know Rembrandt 3. Getting To Know Vincent Van Gogh 4. Getting To Know Claude Monet Running Time: 01:26:58 SKU PV000124.

"Bill Traylor (ca. 1853-1949) is regarded today as one of the most important American artists of the twentieth century. A black man born into slavery in Alabama, he was an eyewitness to history--the Civil War, Emancipation, Reconstruction, Jim Crow segregation, the Great Migration, and the steady rise of African American urban culture in the South. Traylor would not live to see the civil rights movement, but he was among those who laid its foundation. Starting around 1939, Traylor--by then in his late eighties and living on the streets of Montgomery--took up pencil and paintbrush to attest to his existence and point of view. In keeping with this radical step, the paintings and drawings he made are visually striking and politically assertive; they include simple yet powerful distillations of tales and memories as well as spare, vibrantly colored abstractions. When Traylor died, he left behind more than one thousand works of art. In Between Worlds: The Art of Bill Traylor, Leslie Umberger considers more than two hundred artworks to provide the most comprehensive and in-depth study of the artist to date; she examines his life, art, and powerful drive to bear witness through the only means he had, pictures. The author draws on a wealth of historical documents--including federal and state census records, birth and death certificates, slave schedules, and interviews with family members-- to clarify the record of Traylor's personal history and family life. The story of his art opens in the late 1930s, when Traylor first received attention for his pencil drawings on found board, and concludes with the posthumous success of his oeuvre"--

"This exhibition was organized to help celebrate the sesquicentennial of the San Francisco Art Institute (SFAI)"--Acknowledgements.

A best book of the year from New York Public Library, NPR, the Financial Times, Book Riot, and The Sunday Times (London). An “exquisite” (The Washington Post) “hauntingly beautiful” (Associated Press) portrait of the Metropolitan Museum of Art and its treasures by a former New Yorker staff who spent a decade as a museum guard. Millions of people climb the grand marble staircase to visit the Metropolitan Museum of Art every year. But only a select few have unrestricted access to every nook and cranny. They’re the guards who roam unobtrusively in dark blue suits, keeping a watchful eye on the two million square foot treasure house. Caught up in his glamourous fledgling career at The New Yorker, Patrick Bringley never thought that he’d be one of them. Then his older brother was diagnosed with fatal cancer and he found himself needing to escape the mundane clamor of daily life. So he quit The New Yorker and sought solace in the most beautiful place he knew. To his surprise and your delight, this temporary refuge becomes Bringley’s home away from home for a decade. We follow him as he guards delicate treasures from Egypt to Rome, strolls the labyrinths beneath the galleries, wears out nine pairs of company shoes, and marvels at the beautiful works in his care. Bringley enters the museum as a ghost, silent and almost invisible, but soon finds his voice and his tribe: the artworks and their creators and the lively subculture of museum guards—a gorgeous mosaic of artists, musicians, blue-collar stalwarts, immigrants, cutups, and dreamers. As his bonds with his colleagues and the art grow, he comes to understand how fortunate he is to be walled off in this little world, and how much it resembles the best aspects of the larger world to which he gradually, gratefully returns. In the tradition of classic workplace memoirs like Lab Girl and Working Stiff, All the Beauty in the World is an “empathic” (The New York Times Book Review), “moving” (NPR), “consoling, and beautiful” (The Guardian) portrait of a great museum, its hidden treasures, and the people who make it tick, by one of its most intimate observers.

Discusses the life and work of French post-impressionist artist Henri Matisse.