This volume examines analogies between marital and political ideology in early modern culture, analyzing sixteenth- and seventeenth-century marriage tracts and the appropriation of their rhetoric by Shakespeare, Mary Wroth, Francis Beaumont and John Fletcher, and John Webster. Just as the marriage tracts draw explicitly on political metaphors to prescribe marital decorum, early modern political treatises adopt the language of the marriage tracts, using their construction of the family unit as a model for exercising power. on important, often subversive, meanings when they are redeployed in prose fiction and drama. The woman's place within these marital and political discourses and how she fares within early modern domestic and political hierarchies are the book's primary concerns. Included here are detailed discussions of Wroth's Urania, Shakespeare's Taming of the Shrew, Titus Andronicus, Othello, and The Tempest, Beaumont and Fletcher's The Maid's Tragedy, and Webster's The Duchess of Malfi. Sid Ray is Associate Professor of English at Pace University in New York.

How Confident Are You? Marjorie Hansen Shaevitz has won national awards for her work in women's health and has enjoyed the success some people only dream of: a prosperous professional life; a long, happy marriage; two Stanford-educated children; and a bestselling book, The Superwoman Syndrome, which coined a term for a generation of women. Despite all of her accomplishments, however, she struggled with the issue of confidence. After conducting extensive research, she found that she was far from alone: Many women experience the paradox of enjoying success in their business and personal lives while lacking confidence in themselves. The Confident Woman focuses on the issues that women face in growing up as girls in this society. Using a series of seven steps, complete with techniques and questions, Shaevitz presents an accessible and proven program that helps women regain their confidence. It is written for women of all ages, ending with an epilogue for mothers who want practical tips for raising confident daughters. In clear, concise prose -- filled with anecdotes and humor -- The Confident Woman focuses on what women say they want: practical advice that they can use now.

Hildur Rúnarsdottir is the only police detective working on the isolated west coast of Iceland. She is desperate to forget her traumatic past by burying herself in her cases alongside her new trainee, Jakob Johanson. But Jakob's life has its own complications, and it soon becomes clear that neither can run from their pasts for long. When a local man is found with his throat slit, underneath an avalanche that has buried much of the evidence, Hildur and Jakob must set their own problems aside and unravel the dark secrets to expose a killer . . . Translated by Kristian London

Cover -- Half Title -- Titel Page -- Copyright Page -- Dedication -- Contents -- List of Figures -- Acknowledgments -- Introduction -- 1 "Unquiet all night": Curtain Lectures and a Wife's Speech to Her Husband -- 2 "Their whispers, one in another's ear": Imagining Private Speech Between Women -- 3 "I know thy thoughts": Witches Speak to Their Audiences -- 4 Regret, Reconsideration, and Reclamation: Audiences Witness Women's Death Speech -- Afterword -- Index

In 1714, king George I ushered in a remarkable 123-year period of energy that changed the face of Britain and ultimately had a profound effect on the modern era. The pioneers of modern capitalism, industry, democracy, literature, and even architecture flourished during this time and their innovations and influence spread throughout the British empire, including the United States. Now this rich cultural period in Britain is effectively surveyed and summarized for quick reference in a first-of-its-kind encyclopedia, which contains entries by British, Canadian, American, and Australian scholars specializing in everything from finance and the fine arts to politics and patent law. More than 380 illustrations, mostly rare engravings, enhance the coverage, which runs the whole gamut of political, economic, literary, intellectual, artistic, commercial, and social life, and spotlights some 600 prominent individuals and families.

This is an informative and interesting guide to the comedies of love - The Two Gentlemen of Verona, The Taming of the Shrew, Love's Labour's Lost, A Midsummer Nights Dream, Much Ado About Nothing, As You Like it and Twelfth Night - which were written in the early part of Shakespeare's career. As well as supplying dramatic and critical analysis, this study sets the plays within their wider social and artistic context. Michael Mangan begins by considering the social function of laughter, the use of humour in drama for handling social tensions in Elizabethan and Jacobean society and the resulting expectations the audience would have had about comedy in the theatre. In the second section he discusses the individual plays in the light of recent critical and theoretical research. The useful reference section at the end gives the reader a short bibliographic guide to key historical figures relevant to a study of Shakespeare's comedies and a detailed critical bibliography.

Although in its infancy, the history of women in Wales and Scotland before and during the Reformation is now thriving. A longer tradition of historical studies has shed light on many areas of women's experience in England. Drawing on this historiography, Christine Peters examines the significance of contrasting social, economic and religious conditions in shaping the lives of women in Britain. Gender assumptions were broadly similar in England, Wales and Scotland, but female experience varied widely. Women in Early Modern Britain, 1450-1640 explores how this was influenced by various factors, including changes in clanship and inheritance, the employment of single women, the punishment of pregnant brides and scolds, the introduction of Protestantism, and the fusion of fairy beliefs with ideas of demonological witchcraft. Peters' text is the first comparative survey and analysis of the diversity of women's lives in Britain during the early modern period.

This is an examination, from a feminist historian's standpoint, of the background to the present system of regulating prostitution in Britain - which is generally admitted to be not only unjust and discriminatory, but ineffective even in achieving its stated aims. Concentrating on the 1950s, and especially on the Wolfenden Report and the 1959 Street Offences Act, it is a thorough exposure of the sexual double standard and general misogynist assumptions underlying legislation relating to prostitution. In addition to the detailed analysis of the 1950s legislation and the background to it, there is an exposition of the subsequent workings of the Act, and of attempts to amend or repeal it.