Rokudenashiko's mission is to demystify female genitalia, a mission that has led to a vulva-shaped kayak and her arrest.

A sly debut story collection that conjures the experience of adolescence through the eyes of Chinese American girls growing up in New York City—for readers of Zadie Smith and Helen Oyeyemi. Winner of the Los Angeles Times Book Prize • Winner of the PEN/Robert W. Bingham Prize for Debut Fiction • Finalist for the New York Public Library’s Young Lions Fiction Award NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New Yorker • NPR • O: The Oprah Magazine • The Guardian • Esquire • New York • BuzzFeed A fresh new voice emerges with the arrival of Sour Heart, establishing Jenny Zhang as a frank and subversive interpreter of the immigrant experience in America. Her stories cut across generations and continents, moving from the fraught halls of a public school in Flushing, Queens, to the tumultuous streets of Shanghai, China, during the Cultural Revolution of the 1960s. In the absence of grown-ups, latchkey kids experiment on each other until one day the experiments turn violent; an overbearing mother abandons her artistic aspirations to come to America but relives her glory days through karaoke; and a shy loner struggles to master English so she can speak to God. Narrated by the daughters of Chinese immigrants who fled imperiled lives as artists back home only to struggle to stay afloat—dumpster diving for food and scamming Atlantic City casino buses to make a buck—these seven stories showcase Zhang’s compassion, moral courage, and a perverse sense of humor reminiscent of Portnoy’s Complaint. A darkly funny and intimate rendering of girlhood, Sour Heart examines what it means to belong to a family, to find your home, leave it, reject it, and return again. Praise for Sour Heart “[Jenny Zhang’s] coming-of-age tales are coarse and funny, sweet and sour, told in language that’s rough-hewn yet pulsating with energy.”—USA Today “One of the knockout fiction debuts of the year.”—New York “Compelling writing about what it means to be a teenager . . . It’s brilliant, it’s dark, but it’s also humorous and filled with love.”—Isaac Fitzgerald, Today “[A] combustible collection . . . in a class of its own.”—Booklist (starred review) “Gorgeous and grotesque . . . [a] tremendous debut.”—Slate

Banned in Cuba but celebrated throughout the Spanish-speaking world, this picaresque novel in stories chronicles the misadventures of Pedro Juan, a former Cuban journalist living from hand to mouth in the squalor of contemporary Havana, half disgusted and half fascinated by the depths to which he has sunk. Like the lives of so many of his neighbors in the crumbling, once-elegant apartment houses that line Havana's waterfront, Pedro Juan's days and nights have been reduced by the so-called special times -- the harsh recession that followed the Soviet Union's collapse -- to the struggle of surviving the daily grit through the escapist pursuit of sex. Pedro Juan scrapes by under the shadow of hunger -- all the while observing his lovers and friends, strangers on the street, and their suffering with an unsentimental, mocking, yet sympathetic eye.

This entertaining and insightful book is the first devoted exclusively to the films that have earned a special place in motion picture history by pushing the “cinematic envelope” with their treatment of provocative subjects and themes. Obscene, Indecent, Immoral & Offensive: 100+ Years of Controversial Cinema chronicles the history of Hollywood censorship and the films that were banned, censored, and condemned by the Production Code Administration and the Legion of Decency. Stephen Tropiano offers readers insightful and accessible analysis of films that were branded “controversial” at the time of their release due to explicit language, nudity, graphic sex, violence, and their treatment of “adult” subject matter and themes. The films profiled include The Birth of a Nation, Anatomy of a Murder, Who's Afraid of Virginia Woolf?, Baby Doll, Blackboard Jungle, Bonnie and Clyde, The Wild Bunch, A Clockwork Orange, Natural Born Killers, Caligula, Rosemary's Baby, Life of Brian, The Last Temptation of Christ, and The Passion of the Christ.

In Obscene Pedagogies, Carissa M. Harris investigates the relationship between obscenity, gender, and pedagogy in Middle English and Middle Scots literary texts from 1300 to 1580 to show how sexually explicit and defiantly vulgar speech taught readers and listeners about sexual behavior and consent. Through innovative close readings of literary texts including erotic lyrics, single-woman's songs, debate poems between men and women, Scottish insult poetry battles, and The Canterbury Tales, Harris demonstrates how through its transgressive charge and galvanizing shock value, obscenity taught audiences about gender, sex, pleasure, and power in ways both positive and harmful. Harris's own voice, proudly witty and sharply polemical, inspires the reader to address these medieval texts with an eye on contemporary issues of gender, violence, and misogyny.

One of the most important rural women writers, Janet Kauffman, presents this collection of fifteen stories of a world that is succumbing to the ceaseless erosion of what is tender, innocent, natural, and true.

During the period 1900-1940 novels and poems in the UK and US were subject to strict forms of censorship and control because of their representation of sex and sexuality. At the same time, however, writers were more interested than ever before in writing about sex and excrement, incorporating obscene slang words into literary texts, and exploring previously uncharted elements of the modern psyche. This book explores the far-reaching literary, legal and philosophical consequences of this historical conflict between law and literature. Alongside the famous prosecutions of D. H. Lawrence's The Rainbow and James Joyce's Ulysses huge numbers of novels and poems were altered by publishers and printers because of concerns about prosecution. Far from curtailing the writing of obscenity, however, censorship seemed to stimulate writers to explore it further. During the period covered by this book novels and poems became more experimentally obscene, and writers were intensely interested in discussing the author's rights to free speech, the nature of obscenity and the proper parameters of literature. Literature, seen as a dangerous form of corruption by some, was identified with sexual liberation by others. While legislators tried to protect UK and US borders from obscene literature, modernist publishers and writers gravitated abroad, a development that prompted writers to defend the international rights of banned authors and books. While the period 1900-1940 was one of the most heavily policed in the history of literature, it was also the time when the parameters of literature opened up and writers seriously questioned the rights of nation states to control the production and dissemination of literature.

Love is a tragedy designed for two.What would you endure to see it through?I was nothing.He was both madness and paradise.I was innocent.He was twisted, harboring sadistic secrets.I was a malignant obsession.Now I am his most prized possession. A Dahlia Saga NovelThis Saga contains extreme dark themes.Each book can be read as a complete standalone, however, this is the recommended reading order.Macabre (previously titled Mercy)Obscene (previously the Obscene duet)DepravityMalevolence (Coming soon!)Iniquity (Coming Soon!)