25 celebrities in the nude. From leaked photos to the ones hard to find.

Work That Body: Male Bodies in Digital Culture explores the recent rise in different types of men using digital media to sexualise their bodies. It argues that the male body has become a key site in contemporary culture where neoliberalism’s hegemony has been both secured and contested since 2008. It does this by looking at four different case studies: the celebrity male nude leak; the rise of young men sharing images of their muscular bodies on social media; RuPaul's Drag Race body transformational tutorial, and the rise of chemsex. It finds that on the one hand digital media has enabled men to transform their bodies into tools of value-creation in economic contexts where the historical means they have relied on to create value have diminished. On the other it has also allowed them to use their bodies to form intimate collective bonds during a moment when competitive individualism continued to be the privileged mode of being in the world. It therefore offers a unique contribution not only to the field of digital cultural studies but also to the growing cultural studies literature attempting to map the historical contradictions of the austerity moment.

Cult hero, radio personality, and internet maven, Mr. Skin has penned the essential guide to celebrity nudity in a combination of hard, reliable data and hilarious, captivating entertainment.

Originally collected in Sex, Drugs, and Cocoa Puffs and now available both as a stand-alone essay and in the ebook collection Chuck Klosterman on Media and Culture, this essay is about porn.

From Naked Juice® to nude yoga, contemporary society is steeped in language that draws a connection from nudity to nature, wellness, and liberation. This branding promotes a "free and natural" lifestyle to mostly white and middle-class Americans intent on protecting their own bodies—and those of society at large—from overwork, environmental toxins, illness, conformity to body standards, and the hyper-sexualization of the consumer economy. How did the naked body come to be associated with "naturalness," and how has this notion influenced American culture? Free and Natural explores the cultural history of nudity and its impact on ideas about the body and the environment from the early twentieth century to the present. Sarah Schrank traces the history of nudity, especially public nudity, across the unusual eras and locations where it thrived—including the California desert, Depression-era collectives, and 1950s suburban nudist communities—as well as the more predictable beaches and resorts. She also highlights the many tensions it produced. For example, the blurry line between wholesome nudity and sexuality became impossible to sustain when confronted by the cultural challenges of the sexual revolution. Many longtime free and natural lifestyle enthusiasts, fatigued by decades of legal battles, retreated to private homes and resorts while the politics of gay rights, sexual liberation, environmentalism, and racial equality of the 1970s inspired a new generation of radical advocates of public nudity. By the dawn of the twenty-first century, Schrank demonstrates, a free and natural lifestyle that started with antimaterialist, back-to-the-land rural retreats had evolved into a billion-dollar wellness marketplace where "Naked™" sells endless products promising natural health, sexual fulfilment, organic food, and hip authenticity. Free and Natural provides an in-depth account of how our bodies have become tethered so closely to modern ideas about nature and identity and yet have been consistently subjected to the excesses of capitalism.

First Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.

Includes an appendix listing body doubles for modest celebrities, a chart showing how nude scenes can advance a plot, and a wish list of celebrities who should and should not undress.

The Greeks honored Zeus, the Romans revered Juno, but modern civilization worships a different sort of god: Celebrity. Face it, we follow the stars’ every move, fashion choice, and deliciously dishy affairs. Now Kathryn Petras and Ross Petras, authors of Unusually Stupid Americans, pull the demanding divas, screwball stars, and celebu-twits off their pedestals–and prove it doesn’t take a degree in rocket science to become famous. Cases in point: • Courtney Love misses an important court date relating to “possession of a controlled substance” because she can’t find a professional bodyguard at the last minute. • Mariah Carey’s entourage includes a skirt-from-touching-floor specialist, a towel hand-off person, and a professional drink holder/lifter. • Savvy traveler Paris Hilton concludes that all of Europe is, “like, French.” • Mensa candidate and rocker Tommy Lee is pretty sure that Winston Churchill was president during the Civil War, that the numeric equivalent of pi is “the two-equals-MC-squared thing,” and that an isosceles triangle is “somewhere in Bermuda.” Feuds, faith, family, money, sex, tantrums, travel–no star-studded stone is left unturned. Filled with jaw-dropping anecdotes, quirky quotes, and special stupid-celebrity awards, Unusually Stupid Celebrities provides a red-faced glimpse of the red carpet.

As film and television become ever more focused on the pornographic gaze of the camera, the human body undergoes a metamorphosis, becoming both landscape and building, part of an architectonic design in which the erotics of the body spread beyond the body itself to influence the design of the film or televisual shot. The body becomes the mise-en-scène of contemporary moving imagery. Opening The Space of Sex, Shelton Waldrep sets up some important tropes for the book: the movement between high and low art; the emphasis on the body, looking, and framing; the general intermedial and interdisciplinary methodology of the book as a whole. The Space of Sex's second half focuses on how sex, gender, and sexuality are represented in several recent films, including Paul Schrader's The Canyons (2013), Oliver Stone's Savages (2012), Steven Soderbergh's Magic Mike (2012), Lars Von Trier's Nymphomaniac (2013), and Joseph Gordon-Levitt's Don Jon (2013). Each of these mainstream or independent movies, and several more, are examined for the ways they have attempted to absorb pornography, if not the pornography industry specifically, into their plot. According to Waldrep, the utopian elements of seventies porn get reprocessed in a complex way in the twenty-first century as both a utopian impulse-the desire to have sex on the screen, to re-eroticize sex as something positive and lacking in shame-with a mixed feeling about pornography itself, with an industry that can be seen in a dystopian light. In other words, sex, in our contemporary world, still does not come without compromise.

Drawing on a wealth of examples, the author addresses a topic that has been largely ignored within cultural studies, despite its ability to shock, titillate or entertain. 'Nudity' is a blend of meaningful minutiae and big philosophical questions about the most unnatural state of nature in the modern West.