Nowhere is a fast-paced conspiracy thriller by debut author Jon Robinson. 'No one's coming for us. Not our families, not the police. No one.' Alyn, Jes, Ryan and Elsa are Nowhere. A concrete cube in the middle of a dense forest. Imprisoned inside are one hundred teenagers from all over the country. They're all criminals. But none of them remember committing any crimes. Who has put them there. What do their captors want? And how will they ever break free . . . ? ***an intensely gripping conspiracy thriller for 11+ readers*** *** a phenomenal debut novel, for readers who love Jason Bourne and Alex Scarrow*** Jon Robinson was born in Middlesex in 1983. When he's not writing, he works for a charity in central London. NOWHERE is his debut novel. Find out more about Jon at www.facebook.com/jonrobinsonbooks

"A resistance novel for our time." - The New York Times "A hopeful story about recovery, empathy, and the bravery of young people." - Booklist "This well-crafted and suspenseful novel touches on the topics of refugees and immigrant integration, terrorism, Islam, Islamophobia, and the Syrian war with sensitivity and grace." - Kirkus, Starred Review Fourteen-year-old Ahmed is stuck in a city that wants nothing to do with him. Newly arrived in Brussels, Belgium, Ahmed fled a life of uncertainty and suffering in Aleppo, Syria, only to lose his father on the perilous journey to the shores of Europe. Now Ahmed’s struggling to get by on his own, but with no one left to trust and nowhere to go, he’s starting to lose hope. Then he meets Max, a thirteen-year-old American boy from Washington, D.C. Lonely and homesick, Max is struggling at his new school and just can’t seem to do anything right. But with one startling discovery, Max and Ahmed’s lives collide and a friendship begins to grow. Together, Max and Ahmed will defy the odds, learning from each other what it means to be brave and how hope can change your destiny. Set against the backdrop of the Syrian refugee crisis, award-winning author of Jepp, Who Defied the Stars Katherine Marsh delivers a gripping, heartwarming story of resilience, friendship and everyday heroes. Barbara O'Connor, author of Wish and Wonderland, says "Move Nowhere Boy to the top of your to-be-read pile immediately."

Written in 1890, at the close of William Morris’s most intense period of political activism, News from Nowhere is a compelling articulation of his mature views on art, work, community, family, and the nature and structure of the ideal society. A utopian narrative of a future society, it is also an immensely entertaining novel. This Broadview edition includes a wide variety of contextualizing documents, including portions of Morris’s essays, lectures, and journalism; excerpts from precursor utopian texts; writings on Bloody Sunday, art, work, and revolution; and contemporary reviews.

What happens when an assassinated president, a world-renowned scientist, and a brilliant writer meet over a card game in the afterlife? How have the actions of these complex, talented men determined where they are now, and what will they talk about now that theyre together? Love and joy fill the highest region of the afterworld, while suffering and a sense of nothingness engulf the lowest. Between the two is Nowhere, a place of uncertainty where one may stay a long time, but no one stays forever. Inhabitants of Nowhere have done both extreme good and extreme evil in their lives on Earth. Many have also played important roles in world events. This novel tells a story of how John F. Kennedy, Albert Einstein, and Ernest Hemingway come together in the middle region of the afterworld. Maybe one day they will be forgiven for all their misdeeds and shortcomings. In the meantime, the three discuss everything from the investigation into Kennedys assassination to Hemingways religious views. Then Salvatore arrives. Sal is not famous or admired around the world for anything; he is a violent Italian criminal who loves the Virgin Mary. Will he lead the group to the region of joy and love or the region of emptiness and despair? Join these four around the card table as they challenge one anothers thinking with humor and insight about such historic events as the Vietnam War, the fall of the Berlin Wall, and more, while undergoing the process determining their own ultimate fate.

This sociological study explores the temporal and spatial facets of modern social life. Grounded in the premise that all major world events are affected fundamentally by modern technology, the contributors attempt to make sense of the "here" and the "now" that define the modern age.

An abused woman is on the run to escape her evil past. In a little town called Nowhere, she finds love, hope, and sanctuary as mysterious events unfold.

In his landmark book The Geography of Nowhere James Howard Kunstler visited the "tragic sprawlscape of cartoon architecture, junked cities, and ravaged countryside" America had become and declared that the deteriorating environment was not merely a symptom of a troubled culture, but one of the primary causes of our discontent. In Home from Nowhere Kunstler not only shows that the original American Dream -- the desire for peaceful, pleasant places in which to work and live -- still has a strong hold on our imaginations, but also offers innovative, eminently practical ways to make that dream a reality. Citing examples from around the country, he calls for the restoration of traditional architecture, the introduction of enduring design principles in urban planning, and the development of public spaces that acknowledge our need to interact comfortable with one another.

“Reminiscent of Louis Sachar’s Holes with its quirky characters and unique desert setting, this is a middle-grade read that will easily transport readers somewhere special.” —School Library Journal (Starred review) When you come from Nowhere, can you ever really make it anywhere? Author Dusti Bowling (Insignificant Events in the Life of a Cactus) returns to the desert to create a gripping story about friendship, hope, and finding the power we all have within ourselves.​ Welcome to Nowhere, Arizona, the least livable town in the United States. For Gus, a bright 13-year-old with dreams of getting out and going to college, life there is made even worse by Bo Taylor, Nowhere’s biggest, baddest bully. When Bo tries to force Gus to eat a dangerously spiny cactus, Rossi Scott, one of the best racers in Nowhere, comes to his rescue—but in return she has to give Bo her prized dirt bike. Determined to buy it back, Gus agrees to go searching for gold in Dead Frenchman Mine, joined by his old friends Jessie Navarro and Matthew Dufort, and Rossi herself. As they hunt for treasure, narrowly surviving everything from cave-ins to mountain lions, they bond over shared stories of how hard life in Nowhere is—and they realize this adventure just may be their way out.

Frustrated by little brothers who follow him everywhere and wreck his toys and games, George commandeers an empty washing machine box for an imaginative escape that is free of pirates, dragons and bothersome younger siblings.

How to build a transportation system to provide mobility for all Road to Nowhere exposes the flaws in Silicon Valley’s vision of the future: ride-hailing services such as Uber and Lyft to take us anywhere; electric cars to make them ‘green’; and automation to ensure transport is cheap and ubiquitous. Such promises are implausible and potentially dangerous. As Paris Marx shows, these technological visions are a threat to our ideas of what a society should be. Electric cars are not a silver bullet for sustainability, and autonomous vehicles won’t guarantee road safety. There will not be underground tunnels to eliminate traffic congestion, and micromobility services will not replace car travel any sooner than we will see the arrival of the long-awaited flying car. In response, Marx offers a vision for a more collective way of organizing transportation systems that considers the needs of poor, marginalized, and vulnerable people. The book argues that rethinking mobility can be the first step in a broader reimagining of how we design and live in our future cities. We must create streets that allow for social interaction and conviviality. We need reasons to get out of our cars and to use public means of transit determined by community needs rather than algorithmic control. Such decisions should be guided by the search for quality of life rather than for profit.