"In this authoritative three-volume annotated edition, A. L. Rowse, the noted Elizabethan scholar, sets forth his extraordinary knowledge of William Shakespeare and his time. All Shakespeare's plays and poems are included. His comedies (Volume I), histories, sonnets and other poems (Volume II), and tragedies and romances (Volume III) are photographically reproduced from the highly praised Globe edition of 1904. Dr. Rowse has written a biography of Shakespeare, introductionsto each volume and each play, as well as supervised the annotations and the selection of the 4,200 illustrations. The introductions to the volumes describe the evolution of Shakespeare's art, his approach to comedy and tragedy, his themes and poetic impulse. The introductions to the plays place each in the perspective of the entire range of his work and his milieu. The annotations elucidate not only Shakespeare's language, but the biographical, historical, topical, literary, and symbolic aspects of the plays and poems themselves. The great merit of the annotations is that they help the reader, the actor, the producer, the student to understand and appreciate better the plays of Shakespeare, and to get new meaning and insight from them. The 4,200 illustrations make this also an incomparable visual edition of Shakespeare. They show actual scenes of the plays in photographs as well as in paintings by Delacroix, Gainsborough, Blake, and others, and pictures of historic figures such as Henry VI, Henry IV, and famous Shakespearean performers from the earliest days to the present. In addition, these volumes include set and costume designs, prints, facsimiles of title pages of first editions, and many other pertinent reproductions." -Publisher.

An account of Shakespeare's plays as they were transformed from scripts into books.

This book presents lectures and notes upon Shakespeare and other dramatists, including poetry, the drama and Shakespeare; order of Shakespeare's plays; notes on Shakespeare's plays from English history; and notes on some of the plays of Shakespeare, Johnson, Beaumont and Fletcher.

Shakespeare's plays are stuffed with letters - 111 appear on stage in all but five of his dramas. But for modern actors, directors, and critics they are frequently an awkward embarrassment. Alan Stewart shows how and why Shakespeare put letters on stage in virtually all of his plays. By reconstructing the very different uses to which letters were put in Shakespeare's time, and recapturing what it meant to write, send, receive, read, and archive a letter, it throws new light on some of his most familiar dramas. Early modern letters were not private missives sent through an anonymous postal system, but a vital - sometimes the only - means of maintaining contact and sending news between distant locations. Penning a letter was a serious business in a period when writers made their own pen and ink; letter-writing protocols were strict; letters were dispatched by personal messengers or carriers, often received and read in public - and Shakespeare exploited all these features to dramatic effect. Surveying the vast range of letters in Shakespeare's oeuvre, the book also features sustained new readings of Hamlet, King Lear, Antony and Cleopatra, The Merchant of Venice and Henry IV Part One.

The text was first produced in Paignton Zoo by a group of Sulawesi Macaque monkeys as their contribution to the exhibition Generator (1 May - 22 June 2002, Spacex Gallery), curated by Spacex and STAR (Science Technology Art Research, University of Plymouth).