Nosetalgia is the first and only book of its kind in the world. And it literally stinks! It has 14 nostalgic scratch-and-sniff spots to take you back.In the hyper-protective, safety-conscious world we live in, we can consider it a badge of honor that as kids we breathed in the deliciously noxious smells of damp mimeograph paper, model airplane glue, Wite-Out, rubber cement, Magic Markers, and Superelastic Bubble Plastic and lived to tell about it. Very few things transport you in time like your sense of smell. It is the oldest, most primal sense and the one most tied to memory. And while we can identify over 10,000 individual smells, it is still the most underappreciated of all our senses. The authors of Nosetalgia: The Smells That Take You Back present a way to help release stored and oft-forgotten childhood memories. This unique book features 96 pages of vibrant, full-color photos of a wide variety of items from the '50s, '60s, '70s, and '80s, from Lip Smackers to Odorama memorabilia. To complete the experience, there are 14 scratch-and-sniff scent spots, from menthol (recalling Vick's VapoRub) to coconut (Coppertone suntan lotion and the smell of piña coladas) and a variety of bubblegums, perfumes, and colognes to help trigger smell memories for the reader. It is a scratch-and-sniff book for grownups who want to relive the glory days of their childhoods. People the world over continue to ride the wave of nostalgia that has swept the entire globe. Nosetalgia will be a coffee-table must-have. It is something people will flip through again and again and will tell their friends about.

"Antiracism Inc. considers new ways of struggling toward racial justice in a world that constantly steals and misuses radical ideas and practices. The critical essays, interviews, and poetry collected here focus on people and methods that do not seek inclusion in the hierarchical order of gendered racial capitalism. Rather, they focus on aggrieved peoples who have always had to negotiate state violence and cultural erasure, but who also work to build the worlds they envision. These collectivities seek to transform social structures and establish a new social warrant guided by what W.E.B. Du Bois called 'abolition democracy, ' a way of being and thinking that privileges people, mutual interdependence, and ecological harmony over individualist self-aggrandizement and profits. Further, these aggrieved collectivities reshape social relations away from the violence and alienation inherent to gendered racial capitalism, and towards the well-being of the commons."--Provided by publisher

Showcases a broad range of cutting-edge creative material where artistic passion and commercial purpose come together in a fusion of dynamic design for the purpose of influencing, convincing, and even shocking, today's consumer.

This volume focuses on emotions of people in Southeast Europe. Grief and sadness take on different forms of expression. In the era of socialist rule laughter could express political resistance; for labour migrants visiting their country of origin evokes feelings of being at home. Cities attract visitors by appealing to emotions and people try to relive times of national glory by historical re-enactments. Gossip is a means of expressing emotions, smells and rituals become expressions of remembered emotions. Emotions are a factor researchers must always take seriously, both of the people studied and their own.

“If you love a good enemies-to-lovers trope, run—don’t walk—to the nearest bookstore or library near you.” —BuzzFeed "I couldn’t put it down!” —New York Times bestselling author Simone Elkeles When Tyson Trice finds himself tossed into the wealthy community of Pacific Hills, he expects not to belong. Not that he cares. After recovering from being shot and surviving the rough streets of Lindenwood, he doesn’t care about anyone or anything. Golden girl Nandy Smith has spent most of her life building the pristine image it takes to make it in Pacific Hills. After learning that her parents are taking in a troubled teen boy, Nandy fears her summer plans and her reputation will go up in flames. The wall between their bedrooms feels as thin as the line between love and hate. But their growing attraction won't be denied. Soon Trice is bringing Nandy out of her shell and Nandy's trying to melt the ice around Trice's heart. But with the ever-present pull back to Lindenwood, it’ll be a wonder if Trice makes it through this summer at all. Also by Whitney D. Grandison: The Right Side of Reckless

“I bestow on you a special award - that of High Priestess of the Fragrance World with power of divination.” Jean Pierre Lippman President, Christian Dior, On the occasion of the June l985 Fragrance Foundation Awards Ceremony “In ‘Spritzing to Success’ Annette reveals how she deliberately and successfully transcended the fickle limitations of fashion and fragrance trends. She took a tiny industry under her wing and before she could count to ten (years) the fragrance world was spritzing to success with her.” Carmen Dell’Orefice Legendary model “Annette Green was ‘the Mother of Invention’ creating the legacy of the Fragrance Foundation and the Wardrobe of Fragrance concept. Her mark upon the fragrance industry is immeasurable. A trail blazer in business, she is a role model to women everywhere.” Marc Rosen Renown Beauty & Fragrance Package Designer “Thanks to the industry’s ‘unsinkable Molly Brown,’ fragrance has become a universal language and the essence of the global economy.” Burt Tansky, President, Bergdorf Goodman and Lawrence Aiken, President Sanofi Beaute and Chairman of the Fragrance Foundation at 1993 Fashion Institute of Technology ceremonies at which Annette Green was honored with its ‘One Person Makes a Difference’ annual award. “Annette Green has long been the workhorse of the Fragrance Foundation. Tonight she is our muse.” Philip Shearer, President, Perfume and Beauty Division, Cosmair and Board Chairman, the Fragrance Foundation who announced the creation of the Annette Green Perfume Museum at the 1999 “FiFi” Awards ceremony. Annette Green brought the art and science of fragrance together as few industry leaders have done before her and since. For those of us with an academic interest in fragrance, she has been a champion of basic research and an enthusiast for the science of smell and its special connection to human pleasure. Gary Beauchamp, Ph. D. Distinguished Member, Director and President Emeritus Monell Chemical Senses Center

The crack cocaine years: from deviant globalization to the 'get money' culture of late twentieth-century America.

We cannot blame Charles Dickens for not meeting our national Arts treasure Philip P. Pirip, but: go blame yr rottern Fate; whos flushs beat yr faces straights It could be said, though, Dickens did lend his major characters to Philip P. Pirip, although ‘lend’ might not be the best word; rather freedom opened the door to its wide-open spaces to allow them to escape and give vent to their grievances with their famous author, seeing as to how he never once mentioned the fabulous Surnevv diamonds that they once had their hands on and now wanted back at whatever cost to literature. Fabulous royalties might have been Charles Dickens’s lot but the diamonds were the only avenue for riches beyond creative writing for Miss Haversham, Estella, Mister Jaggers, Compeyson, Orlick, Biddy and a whole cast of actors and naked ‘actrusses’ who now demanded their jewel dues and were willing to kill for them. That escape fell to them after ‘Great Expectations’ found its way onto one of the heaps in the rubbish tip that was beloved of Pirip and in fact the location of his Tiphome, a dump in itself. From that fact, it was only a short fictional distance for the Dickens’s characters to land on Pirip’s lap with a vengeance. They came to lap but I stukk out tongue, ‘take thapt’! How our hero struggles with them might not be in any universal history books but, in artistic circles, it set the standard for the license to cull.