The widespread opinion is that Northrop Frye’s influence reached its zenith in the 1960s and 1970s, after which point he became obsolete, his work buried in obscurity. This almost universal opinion is summed up in Terry Eagleton’s 1983 rhetorical question, "Who now reads Frye?" In The Reception of Northrop Frye, Robert D. Denham catalogues what has been written about Frye – books, articles, translations, dissertations and theses, and reviews – in order to demonstrate that the attention Frye’s work has received from the beginning has progressed at a geomantic rate. Denham also explores what we can discover once we have a fairly complete record of Frye’s reception in front of us – such as Hayden White’s theory of emplotments applied to historical writing and Byron Almén’s theory of musical narrative. The sheer quantity of what has been written about Frye reveals that the only valid response to Eagleton’s rhetorical question is "a very large and growing number," the growth being not incremental but exponential.

The result is a pivotal work, redefining our understanding of one of the most important humanists of the twentieth century.

Explores the value and uses of literature in our time. Dr. Frye offers ideas for the teaching of literature at lower school levels, designed both to promote an early interest and to lead the student to the knowledge and experience found in the study of literature.

First published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.

Nortrop Frye differed from other theorists of myth in tracing all of the major literary genres--romance, comedy, satire, not just tragedy--to myth and ritual. This volume is the most thorough presentation of his thinking on the subject.

Nella Cotrupi's Northrop Frye and the Poetics of Process sheds a new conceptual light on Frye, successfully bringing him back into the central ring of contemporary critical thought. Challenging the often dismissive view of Frye's work as closed and outdated, Dr. Cotrupi explores the implications of his proposition that the history of criticism may be seen as having two main approaches — literature as "product" and literature as "process." In focusing on Frye's exploration of the process tradition Cotrupi sheds light on the agenda that Frye established for himself, when he noted at the end of Anatomy of Criticism that the reconciliatory task of criticism was to "reforge the broken link between creation and knowledge, art and science, myth and concept." Dr. Cotrupi recontextualizes Frye's thought and shows us how Frye continues to be, not only relevant, but central to a number of the key concerns in the contemporary critical scene. Re-examining Frye's place in the history of critical thought, Dr. Cotrupi builds upon Frye's original vision of the "process" tradition and suggests further directions this exploration may take. Among the current areas of critical engagement which Cotrupi examines are relativism, possible world theory, and postmodernism — making this work of interest not only to Frye scholars, but also to those interested in the debates currently rocking the world of criticism, literature and culture.

A collection of quotations from Canada’s greatest literary theorist. "There is no Canadian writer of whom we can say ... that their readers can grow up inside their work without ever being aware of a circumference." Northrop Frye came to that conclusion after a detailed study of the imaginative achievements of Canada’s writers from the earliest period to 1965, when that sentence from his study first appeared in print. Over the decades since then, the statement has come to be regarded as a benchmark of individual and national literary achievement. The Northrop Frye Quote Book is a specialized dictionary of quotations on all subjects that is based on the thoughts and writings of one person. It is the handiwork of a single contributor, albeit the cogitations of a remarkable one. It is also evidence that there is a Canadian writer of whom it may be said that we can grow up inside his work "without ever being aware of a circumference." John Robert Colombo has written, translated, edited, or compiled over two hundred books, including seven dictionaries of quotations. He is a graduate of the University of Toronto and a Fellow of the Frye Centre at Victoria University. Jean O’Grady, a graduate of the University of Toronto, served as the associate editor of The Collected Works of Northrop Frye. She is also the author of the biography of Margaret Addison, the first dean of women at Victoria College.

It is often forgotten that Northrop Frye, a scholar known chiefly for his books and articles, was also a gifted speaker who was never reluctant to be interviewed. This collection of 111 interviews and discussions with the critic assembles all of those published or broadcast on radio or television. Also included among the interviews are a number of conversations not generally known, many of them transcribed from tapes gathered from personal collections. Interviews with Northrop Frye aims to provide another view of the famous literary critic, one that supplements that which is often obtained from reading his printed works. Ranging from the earliest interviews in 1948 to discussions that took place mere months before his death in 1991, this volume is a complete portrait of Frye the conversationalist, demonstrating that he was capable of expressing his thought just as lucidly in person as he could on paper. Among the topics included are Frye’s views on teaching, writing, and Canadian literature, his opinions on the state of criticism, and a fascinating exchange concerning contemporary religion. For anyone interested in the life and career of Northrop Frye, these interviews are an ideal way to gain greater insight into the man and his work.

“Diane Dubois takes a contextual approach to Northrop Frye’s work and claims that it is best assessed in relation to his biographical circumstances. In context and in specific details, Dubois’ book seeks to illuminate Frye’s œuvre as a personal, lifelong project. This volume successfully situates Frye’s work within the social, political, religious and philosophical conditions of the time and place of conception and writing. Dubois ranges from Frye’s critical utopia and views on criticism and education through the university, church and William Blake to politics and the Canadian and academic milieu. This book, which is particularly good at tracing Frye’s academic influences and his roots in Methodism and Canada, will have a strong appeal to an international audience of general readers, students, teachers and specialists. Frye is a key figure in the cultural and literary theory of the twentieth century, and Dubois’ accomplished discussion helps us to see his work anew.” – Jonathan Hart, author of Northrop Frye: The Theoretical Imagination (1994), Interpreting Cultures (2006), Empires and Colonies (2008) and Literature, Theory, History (2011)