This book looks at how the British Labour Party came to terms with the 1960's 'cultural revolution', specifically changes to: the class structure, place of women, black immigration, the generation gap and calls for direct political participation.

This volume provides a new study on the Co-operative Movement's engagement with film for educational, cultural and publicity purposes. It provides insights into the political and commercial use of cinema in the 20th century and significantly extends our understanding of the achievements of workers' cinema in Britain.

A landmark new history of the great English county of Lancashire, exploring its people's impact on Britain and beyond.

After winning the vote in 1918, many thousands of working class women joined the Labour Party and Co-operative Movement. This book is about their struggle to find a place in the male world of organised labour politics. In the twenties, labour women challenged male leaders to give them equal status and support for their reform programmes, but the ideas were rejected. For most labour women, dedication to the class cause far outweighed their desire for power, and the struggle for 'women-power' was abandoned. Consequently, despite the common reform agendas of labour women and the middle class feminists of the era, a working alliance was never achieved. Labour Women uses oral and questionnaire testimony to draw a portrait of grass-roots activists. It contrasts labour women's failure to win power in the national organisations with their great achievements in community politics, poor law administration and municipal government.

The co-operative movement has played a notable role in the retail, wholesale, productive, political, educational and cultural life of Britain. As a movement it has consciously represented consumer interests and has carried out work in the arena of consumer protection. However, its study has suffered relative neglect when compared to research into the Labour Party, trade unions and the wider politics of retail and consumption. This book reassesses the impact of the co-operative movement on various communities in Britain during the period 1914-1960, providing a comprehensive account of the grass roots influence of co-operatives during both war and peace. This is a national study with a local dimension. It considers how national directives and perspectives were locally applied, if indeed they were applicable within the context of individual societies. Each chapter focuses on a different aspect of the co-operative movement by examining various societies in England, Scotland and Wales. Particular attention is paid to the midlands, due to the movement's expansion here during the interwar period, with consideration also given to comparative developments in Europe. The author explores: the movement's relationship with other labour organizations; its cultural and social aspects (including the role sport played in co-operative societies); the politicization of the movement and local response to the formation of the Co-operative Party; the education of co-operators; what co-operative membership entailed and how co-operative ideology was expressed; the economic impact membership could have on families (including the provision of financial assistance and credit); and the co-operative movement's development alongside consumer activism. The book is a major national study of the growth of Co-operation during this crucial period of British social, economic and consumer history. Given the few modern scholarly works on Co-operation, it is a timely and much needed reassessment.

A major contribution to women's history, labour history, and economic and social history. This book examines three different groups of women - in coal mining communities, in inshore fishing communities and in agricultural labour. It demonstrates how the work these groups undertook was fundamental in shaping their experiences as women in different ways and shows that women's experiences varied within class as well as between classes. The book illustrates how mining women, despite being restricted to domestic roles, created, through meticulous housekeeping, a power base in their homes and rendered their husbands dependent on them, while a minority took so active a role in politics that they were said to be 'the backbone of the Labour Party'; how fisher women, engaging ina household economy reminiscent of pre-modern times, exercised great influence on financial decision making through their roles in baiting lines and selling fish; and how some single female agricultural labourers exercised considerable autonomy whereas those who were tied in a family economy had little independence. Overall, the book makes a very significant contribution to women's history, to labour history and to economic and social history. "This is a tremendously useful and relevant book for historians of women as well as social and labor historians." - Professor Joan Scott, Institute of Advanced Studies, Princeton University VALERIE HALL is Professor Emerita of History at William Peace University, North Carolina

"I wish the Handbook of Ethnography had been available to me as a fledgling ethnographer. I would recommend it for any graduate student who contemplates a career in the field. Likewise for experienced ethnographers who would like the equivalent of a world atlas to help pinpoint their own locations in the field." - Journal of Contemporary Ethnography "No self-respecting qualitative researcher should be without Paul Atkinson′s handbook on ethnography. This really is encyclopaedic in concept and scope. Many "big names" in the field have contributed so this has to be the starting point for anyone looking to understand the field in substantive topic, theoretical tradition and methodology." - SRA News Ethnography is one of the chief research methods in sociology, anthropology and other cognate disciplines in the social sciences. This Handbook provides an unparalleled, critical guide to its principles and practice. The volume is organized into three sections. The first systematically locates ethnography firmly in its relevant historical and intellectual contexts. The roots of ethnography are pinpointed and the pattern of its development is demonstrated. The second section examines the contribution of ethnography to major fields of substantive research. The impact and strengths and weaknesses of ethnographic method are dealt with authoritatively and accessibly. The third section moves on to examine key debates and issues in ethnography, from the conduct of research through to contemporary arguments. The result is a landmark work in the field, which draws on the expertise of an internationally renowned group of interdisicplinary scholars. The Handbook of Ethnography provides readers with a one-stop critical guide to the past, present and future of ethnography. It will quickly establish itself as the ethnographer′s bible.

This extensively researched text concerning the life and career of Liverpool-born Black jazz musician Gordon Stretton not only contributes to the important debate concerning the transoceanic pathways of jazz during the 20th century, but also suggests to the jazz fan and scholar alike that such pathways, reaching as they also did across the Atlantic from Europe, are actually part of a largely ignored therefore partially-hidden history of 20th century jazz performance, industry and influence. The work also exists to contribute to a more complete picture of the significance of diaspora studies across the spectrum of popular music performance, and to award to those Liverpool musicians who were not contributors to the city’s musical visage post-rock ‘n’ roll, a place in popular music history. Gordon Stretton was a jazz pioneer in several senses: he emerged from a poverty-stricken, racially marginalized upbringing in Liverpool to develop a popular music career emblematic of Black diasporan experience. He was a child dancer and singer in the Lancashire Lads (the troupe which was also part of a young Charlie Chaplin’s development), a well-respected solo touring artist in the UK as ‘The Natural Artistic Coon’, a chorister and musical director with the Jamaican Choral Union and, having encountered syncopated music, a jazz percussionist, multi-instrumentalist and vocalist (not to mention a ground-breaking bandleader). All of these musical experiences took place through time on his own terms as he learnt his craft ‘on the hoof’ via many different encounters with musical genres from Liverpool to London, Paris, Brussels, Rio, and Buenos Aires. Gordon Stretton was truly a transoceanic jazz pioneer.