Plant shutdowns in Canada and the United States from 1969 to 1984 led to an ongoing and ravaging industrial decline of the Great Lakes Region. Industrial Sunset offers a comparative regional analysis of the economic and cultural devastation caused by the shutdowns, and provides an insightful examination of how mill and factory workers on both sides of the border made sense of their own displacement. The history of deindustrialization rendered in cultural terms reveals the importance of community and national identifications in how North Americans responded to the problem. Based on the plant shutdown stories told by over 130 industrial workers, and drawing on extensive archival and published sources, and songs and poetry from the time period covered, Steve High explores the central issues in the history and contemporary politics of plant closings. In so doing, this study poses new questions about group identification and solidarity in the face of often dramatic industrial transformation.

"Rita Hadra Rusco, a North Manitou Islander for nearly fifty years, has turned her love for the island into a warm story reflecting not only the island's history but the character, romance and determination of its people."--Back cover.

She couldn't deny him this one chance Catriona found life on the remote Shetland islandhard enough without Brett Simon's maddening demands. If only her brother, Magnus, hadn'tagreed to all Brett's oil company to research a new terminal here—and to use their homeas a hotel! But Catriona didn't dare oppose Magnus. A terrible accident had shatter hisspirit, and this project seem to mean the world to him. The longer Brett stayed, though,the more Catriona felt her own sanity was at stake. Brett wanted more, much more, than shecould give him… Originally published in Sep 1982.

Born in Los Angeles at the dawn of the 1960s to parents who quickly departed, Kathryn Harrison was received by her maternal grandparents as a late-life child. Harry Jacobs and Margaret Sassoon, true wandering Jews, had emigrated to L.A. after leading whirlwind lives in Shanghai, London, Alaska, Russia, and beyond. Harrison grew up in their fading Tudor mansion on Sunset Boulevard, a kingdom inhabited by gleaming memories from their extraordinary past. Their photos, letters, and souvenirs sparked endless family stories that spanned cultures, dynasties, and continents—until declining finances forced them to sell the house in 1971, and night fell fast. Vivid and poignant, filled with the wisdom of retrospect and the wonder of childhood, On Sunset seeks to recover a foundational time in her life, affirming the power of storytelling and the endurance of memory.

Contains over 750 alphabetically-arranged entries that provide information about the rock group Grateful Dead, featuring profiles of band members and associated musicians, filmmakers, photographers, composers, and others, and descriptions of the band's albums and solo releases.

The unforgettable story of one woman who leaves behind her hardscrabble childhood in Alaska to travel the country via freight train—a beautiful memoir about forgiveness, self-discovery, and the redemptive power of nature, perfect for fans of Wild or Educated. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE PHILADELPHIA INQUIRER • “An urgent read. A courageous life. Quinn’s story burns through us and bleeds beauty on every page.”—Noé Álvarez, author of Spirit Run: A 6,000-Mile Marathon Through North America’s Stolen Land After a childhood marked by neglect, poverty, and periods of homelessness, with a mother who believed herself to be the reincarnation of the Virgin Mary, Carrot Quinn moved out on her own. She found a sense of belonging among straight-edge anarchists who taught her how to traverse the country by freight trains, sleep in fields under the stars, and feed herself by foraging in dumpsters. Her new life was one of thrilling adventure and freedom, but still she was haunted by the ghosts of her lonely and traumatic childhood. The Sunset Route is a powerful and brazenly honest adventure memoir set in the unseen corners of the United States—in the Alaskan cold, on trains rattling through forests and deserts, as well as in low-income apartments and crowded punk houses—following a remarkable protagonist who has witnessed more tragedy than she thought she could ever endure and who must learn to heal her own heart. Ultimately, it is a meditation on the natural world as a spiritual anchor, and on the ways that forgiveness can set us free.

Digging the Vein's unnamed narrator has a problem: He has a burgeoning drug habit and a wife he's only known for two days, but no job, no money, and no way out. As the narrator's life crumbles, the pills, booze, and problems multiply until he hits on a brilliant solution: heroin. Soon the narrator is associating with a cabal of street freaks. Just as the comedy is piling up, things go sour, making Digging the Vein a brutal look at a self-destructed, marginal life.