In this cultural history of evangelical Christianity and popular music, David Stowe demonstrates how mainstream rock of the 1960s and 1970s has influenced conservative evangelical Christianity through the development of Christian pop music. For an earlier

James, an outgoing and confident man, spends his days running a small local bar in northern Canada. His days pass by contently, but uneventfully, watching out for his co-workers and ensuring his bar runs smoothly. Things haven't always been easy for him, though. As quiet as his life has become, it has been at the expense of an all but chequered past; a past of hardship, trouble and crime. James is a survivor, and his struggles have seen him thrive but at a cost, not just in lives. Apart from his colleague, Ben, and the town's local priest, James is all alone - in order to survive, he had to abandon his loved ones long ago. Unfortunately, for James, you can only run away from your past for so long. You can avoid facing it for a time, but you can't hide forever. One day, your past deeds will find a way to catch up to you.

Kent Anderson's stunning debut novel is a modern classic, a harrowing, authentic picture of one American soldier's experience of the Vietnam War--"unlike anything else in war literature" (Los Angeles Review of Books). Hanson joins the Green Berets fresh out of college. Carrying a volume of Yeats's poems in his uniform pocket, he has no idea of what he's about to face in Vietnam--from the enemy, from his fellow soldiers, or within himself. In vivid, nightmarish, and finely etched prose, Kent Anderson takes us through Hanson's two tours of duty and a bitter, ill-fated return to civilian life in-between, capturing the day-to-day process of war like no writer before or since.

"An intimate memoir of the author's long friendship with notoriously difficult author, Gore Vidal"--Provided by publisher.

When Detective Catrin Price returns to Cardiff after 12 years of self-imposed exile she is determined to lay to rest the ghosts of her unhappy past. Then her ex-boyfriend Rhys, once a promising young policeman but now a washed-up junkie, is found dead on one of her first nights on patrol. The official verdict is an accidental overdose, but Cat is convinced that there is something more to his death, something that will explain why the man who saved her life was so unwilling to save his own. Rhys had always been haunted by the mysterious disappearance of Owen Face, the troubled lead singer of rock band Seerland, who was last seen at a notorious suicide spot. No body was ever found and when Cat joins forces with one of Rhys' former colleagues, now a wealthy business man obsessed with all things Seerland-related, they begin to wonder whether the rumours that Face is still alive may be true. But when Cat is stalked by a meancing figure with a striking resemblance to a serial rapist Rhys famously put away, she begins to realise her life may also be in danger.

Details the 1895 arrest and trial of a medical student for the grisly murder of two young women inside San Francisco's Emmanuel Baptist Church in what the press of the day characterized as a reenactment of Dr. Jekyll and Mr. Hyde.

Madeline Bean, caterer to the stars, is in the middle of the biggest job of her career. She and her partner Wesley have pulled off Hollywood's most outrageous A-list Halloween party for notorious producer Bruno Huntley, complete with an eerie fortuneteller who is astonishingly accurate, and exotic food that's to die for. Before long, Bruno is thrashing and writhing out on the dance floor. Just one problem: he's not standing up, And soon, he's not even breathing. The newly late Mr. Huntley was poisoned, that's certain. But the number of suspects with a yen to send Bruno to the devil could fill an audition for extras in the next Quentin Tarantino flick. When Wesley is arrested for the murder because of a long-standing dispute with the maniacal mogul, Madeline knows he couldn't be guilty. But to prove it, she has to wade through the muck of a mudslinging family, outrun a pair of crazed canines, dodge a pair of well-aimed bullets, and expose a slew of secrets that could put a soap opera to shame. Somebody's cooked up a murder, and it's up to Madeline to find out who--before she faces a fadeout of her own.

In Kyle McCord's mercurial and visionary new book, Sympathy from the Devil, we see a bold refiguring of the moral imagination that, like a Dante without a Beatrice, wanders hell bereft of the traditional compass that would clarify the archetypes. Here the eye opens wide its compassion in the dark. Play transgresses and so, in opposition to the self-servitude of sublimity and rapture, sheds light on cruelties and exclusions suffered in the name of the ideal. Everywhere we look in this book, we find the generosity and precision of paradox. The pleasure of absurdity may distance heartbreak, but it likewise binds us to it, such that the poet's lightness of touch and ranginess of sensibility becomes indistinguishable from his vision, the sense that one half of sympathy is always the embrace, the other the letting go. A stunning collection. --Bruce Bond, Author of The Visible// In Kyle McCord's new book Gabriel empathizes, the Devil sympathizes, and an exhausted God watches a televangelist. Moving, imaginative and full of surprising turns, McCord's poems are alive with both the world and the dead who "have no word for intimate, and a thousand words for blind." I love the abundance of these poems, their humor, the music that made my ears howl and purr. When I dream about McCord's poems dreaming of me, I ride an aging mechanical bull, werewolves take over the city, Abraham Lincoln begs to rip off my blouse, God's love vanishes into my body like bread. I wake up hungry, afraid, laughing. --Traci Brimhall, Author of Our Lady of the Ruins// "What do you want from any of us, reader?" asks the first poem in Kyle McCord's Sympathy from the Devil, bristling a bit, cocking its chin, letting us know that what follows will never be exactly what we expect. The book brims with wily intelligence and unsettling humor that challenge and surprise and thrill and move us so that in the end what we want is everything this terrific book has to give. -Corey Marks, Author of The Radio Tree

Founded as a local college ministry in 1951, Campus Crusade for Christ has become one of the world's largest evangelical organizations, today boasting an annual budget of more than $500 million. Nondenominational organizations like Campus Crusade account for much of modern evangelicalism's dynamism and adaptation to mainstream American culture. Despite the importance of these ''parachurch'' organizations, says John Turner, historians have largely ignored them. Turner offers an accessible and colorful history of Campus Crusade and its founder, Bill Bright, whose marketing and fund-raising acumen transformed the organization into an international evangelical empire. Drawing on archival materials and more than one hundred interviews, Turner challenges the dominant narrative of the secularization of higher education, showing how Campus Crusade helped reestablish evangelical Christianity as a visible subculture on American campuses Beyond the campus, Bright expanded evangelicalism's influence in the worlds of business and politics. As Turner demonstrates, the story of Campus Crusade reflects the halting movement of evangelicalism into mainstream American society: its awkward marriage with conservative politics, its hesitancy over gender roles and sexuality, and its growing affluence. JOHN G. TURNER is assistant professor of history at the University of South Alabama.

Catalogus bij een tentoonstelling over de relatie tussen rockmuziek en avantgardistische kunst sinds de zestiger jaren.