If I could turn back time… My name is Talia Perizkova, and time has been on my side…until I told it to kiss my ass during a business trip to Vegas and experienced a night for the record books with my bosses—yes, my bosses. But what happened in Sin City refuses to stay there, and time has joined forces with his pal, karma, to exact payback—from the depths of my heart. Fletcher Ford. Drake Newland. They’re two of the business world’s sexiest, most sought-after bachelors—and I’ve fallen for them both. Their passion is everything I crave, their protection is everything I need, and their love is everything my orthodox family will never let me accept. The solution, according to them, is simple. One man steps down so two of us are happy. I could find a way… But sacrifices are rarely simple, and one plus one doesn’t always equal happily ever after. The three of us have to decide—take a chance on this rare love we’ve discovered…or give in to fear and lose each other forever?

"I’m no stranger to failure, and I’m aware it can arrive at any minute—as it often has. You have to keep things close to your chest and be aware of what’s really important: the work, not everything around it. If you have faith in the work, then the people will come … it’s an artistic imperative, it has nothing to do with public perception or career or any of that crap. "The name, Swans, it’s synonymous with who I am, but it’s how it’s achieved and it’s achieved by people—those people need to have total commitment to making this sound and to making it utterly incisive and uncompromising. The work is everything and it has to—at least at the time—appear, to me, to be stellar. That’s the prerequisite. It’s an intangible thing where it really speaks and has some truth within it." —Michael Gira Over a span of some three and a half decades, Michael Gira’s Swans have risen from chaotic origins in the aftermath of New York’s No Wave scene to become one of the most acclaimed rock-orientated acts of recent years. The 1980s’ infamous ‘loudest band on the planet’ morphed repeatedly until collapsing exhausted, broken, and dispirited in the late 1990s. Swans returned triumphantly in 2010 to top end-of-year polls and achieve feted status among fans and critics alike as the great survivors and latter-day statesmen of the underground scene. Throughout, Gira’s desire has remained to create music of such intensity that the listener might forget flesh, get rid of the body, exist as pure energy—transcendent—inside of the sound. Through these pages, the musicians responsible tell the tale of one of the most significant bands of the US post-punk era. Drawing on more than 125 original interviews, Swans: Sacrifice And Transcendence is the ultimate companion to Swans and their work from the 1980s to the present day.

Raymond Donne wasn't always a schoolteacher. Not only did he patrol the streets of Williamsburg, Brooklyn, as one of New York's Finest, but being the nephew of the chief of detectives, he was expected to go on to bigger things. At least he was until the accident that destroyed his knees. Unable to do the job the way he wanted, he became a teacher in the same neighborhood, and did everything he could to put the force behind him and come to terms with the change. Then Frankie Rivas, a student in Ray's class and a baseball phenom, stops showing up to school. With Frankie in danger of failing and missing out on a scholarship, Ray goes looking for him, only to find Frankie's father bludgeoned to death in their apartment. Frankie and his younger sister are gone, possibly on the run. But did Frankie really kill his father? Ray can't believe it. But then who did, and where are Frankie and his sister? Ray doesn't know, but if he's going to have any chance of bringing them home safely, he's going to have to return to the life, the people, and the demons he walked out on all those years ago. Intense, authentic, and completely gripping, Tim O'Mara's Sacrifice Fly is an outstanding debut from a stellar new voice in crime fiction.

Stanton is in love with Serena. But it is a relationship that can never be. Stanton is committed to the Atrox, an ancient evil that has been around since the beginning of time. And Serena is a Daughter of the Moon, a force of good whose mission is to stop Stanton and his kind.

"First published in the United States of America by Viking, an imprint of Penguin Random House LLC, 2018"--Title page verso.

"Follows the dual storylines of Small Sam on his search for Ella and of Shadowman's discoveries about Saint George and the Disease itself"--

Follows the dual storylines of Small Sam on his search for Ella and of Shadowman's discoveries about Saint George and the Disease itself.

LIZABET They called her the Blood Countess. From her home in the Carpathian Mountains, she enjoyed pleasures so profane no human could even imagine them. Even now, centuries later and an ocean away, the old ones cross themselves at the mention of her name. And she will happily show them true fear now that she is reunited with the golden-eyed girl, the beauty the Dark One promised would be her most faithful pupil and servant... CHLOE She knows her name, but she can't remember anything else from her past. Her only memories are of Lizabet, feeding in the darkness. But ever since meeting Johnny, she knows she must stop Lizabet's depraved cruelty...no matter what the cost.

In this book, J. C. Heesterman attempts to understand the origins and nature of Vedic sacrifice—the complex compound of ritual practices that stood at the center of ancient Indian religion. Paying close attention to anomalous elements within both the Vedic ritual texts, the brahmanas, and the ritual manuals, the srautasutras, Heesterman reconstructs the ideal sacrifice as consisting of four moments: killing, destruction, feasting, and contest. He shows that Vedic sacrifice all but exclusively stressed the offering in the fire—the element of destruction—at the expense of the other elements. Notably, the contest was radically eliminated. At the same time sacrifice was withdrawn from society to become the sole concern of the individual sacrificer. The ritual turns in on the individual as "self-sacrificer" who realizes through the internalized knowledge of the ritual the immortal Self. At this point the sacrificial cult of the fire recedes behind doctrine of the atman's transcendence and unity with the cosmic principle, the brahman. Based on his intensive analysis Heesterman argues that Vedic sacrifice was primarily concerned with the broken world of the warrior and sacrificer. This world, already broken in itself by the violence of the sacrificial contest, was definitively broken up and replaced with the ritrualism of the single, unopposed sacrificer. However, the basic problem of sacrifice—the riddle of life and death—keeps breaking too surface in the form of incongruities, contradictions, tensions, and oppositions that have perplexed both the ancient ritual theorists and the modern scholar.