The Spanish Civil War captured the imaginations of writers and readers around the world. �No Pasar�n! collects thirty-eight of the most vivid, poignant stories to come out of the conflict, by writers from across the political, geographical and artistic spectrum. The writers include celebrated international figures such as Jean-Paul Sartre, Leonardo Sciascia and Victor Serge and well known British and American observers such as George Orwell, Gamel Woolsey, Langston Hughes and Muriel Rukeyser. Uniquely, where previous collections privileged the writings of the International Brigades, �No Pasar�n! draws most heavily on writers from Spain itself - including Merc� Rodoreda, Javier Cercas and Lu�s Bu�uel. �No Pasar�n! is the essential anthology of Spain's Civil War writing, and allows the reader to witness life and death, hope and despair at the front lines of one of the century's most bitter wars.

The leftist forces are retreating north as Franco's army advances with the help of German and Italian aviation. Max Friedman approaches the front, posing as a photographer in a small group of foreign journalists. He flashes back to battles fought with his old comrade Guido Treves, who has gone missing and is the object of his mission. Amidst the ruin of war, Claire, the pretty Belgian reporter who got Max his press credentials, is developing a strong attraction to him, arousing the jealousy of her fellow reporter and would-be-boyfriend, Phil Lester. Caught in the middle of a retreat, Max and Claire get separated from the rest of their group. They have to cross a mountain pass and take shelter in a hut -- the romantic tension builds, but gets snuffed by the urgent need to press onward.

A collection written by a who's who of antifascist researchers and theorists in the US, including Tal Lavin (Culture Warlords); Kim Kelly (Fight Like Hell), Hilary Moore (No Fascist USA!), and Daryle Lamont Jenkins (One People's Project). ¡No Pasarán! is an anthology of antifascist writing that takes up the fight against white supremacy and the far-right from multiple angles. From the history of antifascism to today's movement to identify, deplatform, and confront the right, and the ways an insurgent fascism is growing within capitalist democracies, a myriad of voices come together to shape the new face of antifascism in a moment of social and political flux.

"Helen Graham highlights the domestic and international context of the Spanish Civil War, and reveals its origins in the political and cultural anxieties provoked by the rapid modernization of Europe. Using personal narratives, she combines a powerfully human account of the war an its aftermath with a disturbing ethical enquiry into its legacy for the 21st century."--BOOK JACKET.

The six essays collected in this volume are a selection from a number of papers which were given at a one-day colloquium on 'Art, Literature and the Spanish Civil War' which was held in Westfield College on 18 July 1986, precisely fifty years to the day after Franco's military coup in the Canary Islands, which was destined to have such a decisive effect on the course of Spanish history. Though this date subsequently became a Francoist celebration - the so-called 'Dia del Alzamiento' (Day of the Uprising) - the papers collected here do not demonstrate a Francoist bias. The overall approach is intertextual and interdisciplinary, thereby stressing the international nature of the artistic response to the war. For the benefit of the English reader, all foreign quotations are followed by an English translation.

From the homefront to the heat of battle, the first truly international Spanish Civil War anthology. Hope, resignation, despair, sadness, humor, confusion, ruthlessness, compassion, kindness, generosity and love inhabit Pete Ayrton's anthology of writings from the Spanish Civil War: there is little sense of triumphalism among the bewilderingly diverse Republican and Nationalist coalitions, all shades of which are represented here. Previous collections privileged the writings of the International Brigades over those of the Spanish, sometimes excluding them altogether. ¡No Pasarán! corrects the balance: by far the largest contingent of its thirty five writers are Spanish, including Luis Buñuel, Manuel Rivas, Javier Cercas, Arturo Barea, Joan Sales, and Chaves Nogales. The other writers offer contrasting perspectives of participants in the conflict from America (among them John Dos Passos, Muriel Rukeyser and Langston Hughes); Italy (Curzio Malaparte and Leonardo Sciascia); France (Jean-Paul Sartre and André Malraux); Germany (Gustav Regler); Russian (Victor Serge), Great Britain (including Arthur Koestler, George Orwell and Laurie Lee), Cuba, Argentina, and Mexico. Acclaimed editor Pete Ayrton brings together hauntingly vivid stories from a bitterly fought war. This is writing of a high order that allows the reader to witness life from the front lines of this momentous conflict.

A graphic novel in which former soldier and spy Max Friedman enters a world of danger and intrigue when he answers a call from the frantic wife of his old friend, Maj. Guido Treves, who has disappeared while fighting with the anti-Franco Loyalists in the Spanish Civil War.

THE LINCOLN BRIGADE The day after Christmas in 1936, a group of ninety-six Americans sailed from New York to help Spain defend its democratic government against fascism. Ultimately, twenty-eight hundred United States volunteers reached Spain to become the Abraham Lincoln Brigade. Few Lincolns had any military training. More than half were seriously wounded or died in battle. Most Lincolns were activists and idealists who had worked with and demonstrated for the homeless and unemployed during the Great Depression. They were poets and blue-collar workers, professors and students, seamen and journalists, lawyers and painters, Christians and Jews, blacks and whites. The Brigade was the first fully integrated United States army, and Oliver Law, an African American from Texas, was an early Lincoln commander. William Loren Katz and the late Marc Crawford twice traveled with the Brigade to Spain in the 1980s, interviewed surviving Lincolns on old battlefields, and obtained never-before-published documents and photographs for this book.

When three high-school-age video game fanatics purchase a new virtual reality game they have no idea they are about to be transported to the battlefields of Verdun, Guernica, and Bosnia.

Not for King or Country tells the story of Edward Cecil-Smith, a dynamic propagandist for the Communist Party of Canada during the Great Depression. Born to missionary parents in China in 1903, Cecil-Smith came to Toronto in 1919 where he joined the Canadian militia and lived a happy life ensconced in the Protestant missionary community of Toronto. He became increasingly interested in radical politics during the 1920s, eventually joining the Communist Party in 1931. Worried by the growing strength of fascism around the world, particularly in China, Germany, Italy, and Spain during the summer of 1936, Cecil-Smith quietly departed Canada and became among the first volunteers to fight for the Republic in the Spanish Civil War. Cecil-Smith was motivated to fight not out of any sense of traditional patriotism (“for king or country”) but out of a sense that the onward march of fascism had to be stopped, and Spain was where the line had to be drawn. Not for King or Country is the first biography of a Canadian commander in the Spanish Civil War, and is also the first book to critically analyse the major battles in which the Canadian and American volunteers fought. Drawing upon declassified RCMP files, records held in the Russian Archives in Moscow, audio recordings of the volunteers, a detailed survey of maps, and battle records, as well as the Communist Party press, Not for King or Country breaks down the battles and the Party's activities in a way that will be accessible to interested readers and scholars alike.