Michel de Montaigne begins his magisterial The Essais by telling his readers that he, himself, is the matter of his book. He says that he has written himself so that after death he could remain in the world with chose who knew and loved him. Montaigne's intimate project, meant to be read by friends, has emerged as one of the most surprising and compelling accounts of the human condition ever written. Although Montaigne famously retired from public life to write, neither his concerns nor the activities recounted in The Essais is purely private. Montaigne is engaged in his world as a philosopher, but also as a citizen, gentleman, and friend; so, his wisdom turns outward as well as inward. This volume of essays, based on papers presented at The A.V. Elliott Conference for Great Books and Ideas sponsored by Mercer University's McDonald Center for America's Founding Principles, focuses on the outward oriented political philosophy of Montaigne, which is informed by his probing introspection and thoroughly unsentimental self-observation. Contributors include Ann Hartle, Daniel Cullen, Christine Henderson, Eduardo Velasquez, Kevin Honeycutt, and Christopher Edelman. Book jacket.

The documents in this collection trace the course of the Renaissance in Italy and northern Europe, describing the emergence of a vibrant and varied intellectual and artistic culture in various states, cities, and kingdoms. Voices of the Renaissance: Contemporary Accounts of Daily Life contains excerpts from 52 different documents relating to the period of European history known as the Renaissance. In the 14th century, the rise of humanism, a philosophy based on the study of the languages, literature, and material culture of ancient Greece and Rome, led to a sense of revitalization and renewal among the city-states of northern Italy. The political development and economic expansion of those cities provided the ideal conditions for humanist scholarship to flourish. This period of literary, artistic, architectural, and cultural flowering is today known as the Renaissance, a term taken from the French and meaning "rebirth." The Italian Renaissance reached its height in the 15th and early 16th centuries. In the 1490s, the ideals of the Italian Renaissance spread north of the Alps and gave rise to a series of national cultural rebirths in various states. In many places, this Northern Renaissance extended into the 17th century, when war and religious discord put an end to the Renaissance era.

The Essays of Michel de Montaigne (1877) is a collection of essays and letters by Michel de Montaigne. Originally published in French as Essais (1580), this edition was translated by English poet Charles Cotton in the late-17th century and republished by William Carew Hazlitt, the grandson of renowned English essayist and critic William Hazlitt. “No man living is more free from this passion [of sorrow] than I, who yet neither like it in myself nor admire it in others, and yet generally the world, as a settled thing, is pleased to grace it with a particular esteem, clothing therewith wisdom, virtue, and conscience. Foolish and sordid guise!” In his masterful essays, Michel de Montaigne eschews the typical distancing required of the authorial voice in order to investigate public matters through a personal lens. As the subject of his own musings, he provides both a stirring self-portrait and an invaluable new voice that will resonate throughout Western literature. Unlike the Enlightenment thinkers who would follow in his footsteps, Montaigne is skeptical of the possibility of human certainty and takes an ethical stand against the European colonial project in the Americas and elsewhere. At times serious, at others tongue-in-cheek, his wide-ranging topics include conscience, politics, sorrow, solitude, fear, friendship, war, and poetry. The Essays of Michel de Montaigne were written at a crossroads in human history—between Renaissance and Enlightenment, Catholicism and Protestantism, Montaigne argues that to look outward requires we first look within, and that the quest for happiness requires us to accept what we cannot know. With a beautifully designed cover and professionally typeset manuscript, this edition of The Essays of Michel de Montaigne is a classic of French philosophy reimagined for modern readers.

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