Evgenii E. Berthels' compelling book describes the life, work and context of Nizami Ganjavi and his poems. His book not only details fascinating stories about the history of Azerbaijan but also portrays Nizami as a remarkable figure, not only in literature and art, but also human civilization in general. Berthel's evaluation of Nizami reveals how his work transcends national, racial, religious and geographical borders, and explores how Nizami's poetry is still relevant 750 years later.

The work of Nizami Ganjavi, a classical poet of the twelfth century, is fueling new cultural debate in Iran in recent years. The dominant discourse encourages the reading of the texts in light of biographical or theological conventions and religious motives. These essays explore Nizami s influential role and his portrayal of issues related to love, women, and science, stressing his preoccupation with the art of speech as a major impetus behind his literary activity.

"It was a refreshing, old-fashioned pleasure to read Julie Scott Meisami’s verse translation of, and introduction and notes to, this twelfth-century Persian allegorical romance." —Orhan Pahmuk, in the Times Literary Supplement

This book fills a void in the field of pre-modern literature written in Persian. It is the first scholarly publication in English language on and around the poet Nizami Ganjavi written by important Western and Non-Western scholars, enriching the field with an awareness of their knowledge and research interests. The multidisciplinary volume initiates a much-needed dialogue it initiates a much-needed dialogue between the metropolitan and postcolonial academic points of view. By the example of Nizami's poems it shows how different academic circles interpret Medieval authors in relation to modern-day national identity and national cultures. Unlike in Europe and USA, in the USSR citizenship and ethnicity, like two modern official different criteria of identity, became a stumbling block in the division of cultural heritage of the past. Irredentism is a central topic in the post-Soviet Union world and gives a voice to the peripheral rather than to the metropolis with its colonial arguments. The richness and usefulness of this volume is that the contributions that take this innovative standpoint are put side by side with others, which remain within the traditional literary analysis and examine Nizami's creative thoughts on human, society, women, or justice.

The definitive translation by Dick Davis of the great national epic of Iran—now newly revised and expanded to be the most complete English-language edition A Penguin Classic Dick Davis—“our pre-eminent translator from the Persian” (The Washington Post)—has revised and expanded his acclaimed translation of Ferdowsi’s masterpiece, adding more than 100 pages of newly translated text. Davis’s elegant combination of prose and verse allows the poetry of the Shahnameh to sing its own tales directly, interspersed sparingly with clearly marked explanations to ease along modern readers. Originally composed for the Samanid princes of Khorasan in the tenth century, the Shahnameh is among the greatest works of world literature. This prodigious narrative tells the story of pre-Islamic Persia, from the mythical creation of the world and the dawn of Persian civilization through the seventh-century Arab conquest. The stories of the Shahnameh are deeply embedded in Persian culture and beyond, as attested by their appearance in such works as The Kite Runner and the love poems of Rumi and Hafez. For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

NIZAMI: SELECTED POEMSTranslation & Introduction Paul SmithNizami (d. 1208) is a true Sufi Master Poet who is most famous for his six books in masnavi form: The Treasury of the Mysteries, Layla and Majnun, Khrosrau and Shirin, The Seven Portraits and his two books on Alexander. He also composed a Divan of approximately 20,ooo couplets mostly in ghazals and ruba'is… tragically only 200 couplets survive. His influence on Attar, Rumi, Sadi, Hafiz and Jami and all others that followed was profound. Here is the largest number of his ghazals and ruba'is and qasidas translated into English and a good selection from his masnavis. Included in the Introduction… the life and Times and Poetry of Nizami and on the various forms of poetry he used and a Selected Bibliography. The correct rhyme-structure has been kept as well as the beauty and meaning of these beautiful, mystical poems. 235 pages. COMMENTS ON PAUL SMITH'S TRANSLATION OF HAFIZ'S 'DIVAN'.“It is not a joke... the English version of ALL the ghazals of Hafiz is a great feat and of paramount importance. I am astonished. If he comes to Iran I will kiss the fingertips that wrote such a masterpiece inspired by the Creator of all and I will lay down my head at his feet out of respect.” Dr. Mir Mohammad Taghavi (Dr. of Literature) Tehran.“Superb translations. 99% Hafiz 1% Paul Smith.” Ali Akbar Shapurzman, translator of many mystical works in English into Persian and knower of Hafiz's Divan off by heart.“Smith has probably put together the greatest collection of literary facts and history concerning Hafiz.” Daniel Ladinsky (Penguin Books author). “I was very impressed with the beauty of these books.” Dr. R.K. Barz. Faculty of Asian Studies, Australian National University.Paul Smith is a poet, author and translator of over 80 books of Sufi poets from the Persian, Arabic, Urdu, Turkish, Pashtu and other languages… including Hafiz, Sadi, Nizami, Rumi, 'Attar, Sana'i, Jahan Khatun, Obeyd Zakani, Nesimi, Kabir, Anvari, Ansari, Jami, Khayyam, Rudaki, Yunus Emre and many others, as well as poetry, fiction, plays, biographies, children's books and screenplays.

The Persian epic that inspired Eric Clapton's unforgettable love song "Layla" and that Lord Byron called "the Romeo and Juliet of the East," in a masterly new translation A Penguin Classic The iconic love story of the Middle East, by a twelfth-century Persian poet who has been compared to Shakespeare for his subtlety, inventiveness, and dramatic force, Layli and Majnun tells of star-crossed lovers whose union is tragically thwarted by their families and whose passion continues to ripple out across the centuries. Theirs is a love that lasts a lifetime, and in Nezami's immortal telling, erotic longing blends with spiritual self-denial in an allegory of Sufi aspiration, as the amenities of civilization give way to the elemental wilderness, desire is sublimated into a mystical renunciation of the physical world, and the soul confronts its essence. This is a tour de force of Persian literature, in a translation that captures the extraordinary power and virtuosity of the original.

Ah, I told myself, these houris must have a queen! And I was right, for there she came, looking as beautiful as the moon on a starry night.

In this volume three stories from Persian poem the Khamseh - "Khosrow and Shirin," "Layla and Majnum," and "The Seven Princesses" - have been told with abridgement in prose. They are augmented by color reproductions of Persian miniatures based on an early 16th manuscript dated 1524/25.

Includes thirteen essays by eminent scholars in the field of Persian Studies, each focusing on different aspects of the Khamsa, which is a collection of five long poems written by the Persian poet Nizami of Ganja. Nizami (1141-1209) lived and worked in Ganja in present-day Azerbaijan.