A FIRST-HAND ACCOUNT OF THE STRUGGLE FOR POWER IN TODAY'S MIDDLE EAST God Has Ninety-Nine Names is a gripping, authoritative account of the epic battle between modernity and militant Islam that is is reshaping the Middle East. Judith Miller, a reporter who has covered the Middle east for twenty years, takes us inside the militant Islamic movements in ten countries: Egypt, Saudi Arabia, Sudan, Algeria, Libya, Lebanon, Syria, Jordan, Isreal and Iran. She shows that just as there is no unified Arab world, so there is no single Islam: The movements are as different as the countries in which they are rooted. Vivid and comprehensive, Miller's first-and report reveals the meaning of the tumultuous events that will continue to affect the prospects for Arab-Isreali peace and the potential for terrorism worlwide.

The definitive story collection “by one of the most celebrated American short-story writers…. Powerful, important, compassionate, and full of dark humor. This is a book that will be reread with admiration and love many times over” (Vanity Fair). Joy Williams has been celebrated as a master of the short story for four decades, her renown passing as a given from one generation to the next even in the shifting landscape of contemporary writing. At long last the incredible scope of her singular achievement is put on display: thirty-three stories drawn from three much-lauded collections, and another thirteen appearing here for the first time in book form. Forty-six stories in all, far and away the most comprehensive volume in her long career, showcasing her crisp, elegant prose, her dark wit, and her uncanny ability to illuminate our world through characters and situations that feel at once peculiar and foreign and disturbingly familiar. Virtually all American writers have their favorite Joy Williams stories, as do many readers of all ages, and each one of them is available here.

PULITZER PRIZE FINALIST • From one of our most heralded writers comes the “poetic, disturbing, yet very funny” (The Washington Post Book World) life-and-death adventures of three misfit teenagers in the American desert. Alice, Corvus, and Annabel, each a motherless child, are an unlikely circle of friends. One filled with convictions, another with loss, the third with a worldly pragmatism, they traverse an air-conditioned landscape eccentric with signs and portents—from the preservation of the living dead in a nursing home to the presentation of the dead as living in a wildlife museum—accompanied by restless, confounded adults. A father lusts after his handsome gardener even as he's haunted (literally) by his dead wife; a heartbroken dog runs afoul of an angry neighbor; a young stroke victim drifts westward, his luck running from worse to awful; a sickly musician for whom Alice develops an attraction is drawn instead toward darker imaginings and solutions; and an aging big-game hunter finds spiritual renewal through his infatuation with an eight-year-old—the formidable Emily Bliss Pickless. With nature thoroughly routed and the ambiguities of existence on full display, life and death continue in directions both invisible and apparent. Gloriously funny and wonderfully serious, The Quick and the Dead limns the vagaries of love, the thirst for meaning, and the peculiar paths by which all creatures are led to their destiny. A panorama of contemporary life and an endlessly surprising tour de force: penetrating and magical, ominous and comic, this is the most astonishing book yet in Joy Williams's illustrious career. Joy Williams belongs, James Salter has written, "in the company of Céline, Flannery O'Connor, and Margaret Atwood."

A collection of "uncommonly good stories" (The Chicago Tribune) from a true American master of the short story—disturbing, comic, and moving takes that find deeper meanings in ordinary domestic life. With unforgettable characters, places, and events—a young divorcee, a shared summer home, a troubled family, a wedding, the death of a pet—Williams takes her readers on journey after journey, as only she can.

In her first novel since the Pulitzer Prize–nominated The Quick and the Dead, the legendary writer takes us into an uncertain landscape after an environmental apocalypse, a world in which only the man-made has value, but some still wish to salvage the authentic. "She practices ... camouflage, except that instead of adapting to its environment, Williams’s imagination, by remaining true to itself, reveals new colorations in the ecology around her.” —A.O. Scott, The New York Times Book Review Khristen is a teenager who, her mother believes, was marked by greatness as a baby when she died for a moment and then came back to life. After Khristen’s failing boarding school for gifted teens closes its doors, and she finds that her mother has disappeared, she ranges across the dead landscape and washes up at a “resort” on the shores of a mysterious, putrid lake the elderly residents there call “Big Girl.” In a rotting honeycomb of rooms, these old ones plot actions to punish corporations and people they consider culpable in the destruction of the final scraps of nature’s beauty. What will Khristen and Jeffrey, the precocious ten-year-old boy she meets there, learn from this “gabby seditious lot, in the worst of health but with kamikaze hearts, an army of the aged and ill, determined to refresh, through crackpot violence, a plundered earth”? Rivetingly strange and beautiful, and delivered with Williams’s searing, deadpan wit, Harrow is their intertwined tale of paradise lost and of their reasons—against all reasonableness—to try and recover something of it.

This picture book for young readers, rich in the details of Middle Eastern village life, tells the warm story of a bond between a father, a son, and the son's favorite camel, as well as their devotion to the Muslim faith, and the power of prayer in their daily life. Salah and his camel, Qadiim, are constant companions. They work together, eat together, and sleep together. Salah is distressed, however, because his camel always seems so sad and downcast, hanging his head low. But in middle of one night, Salah remembers what his father has told him -- that while mankind knows only ninety-nine names for Allah, there are actually one hundred names. What if Qadiim, the camel, could learn the hundredth name? Under the stars Salah prays "to Allah with all his strength." The next day-- a seeming miracle! -- the camel Quadiim carries his head high with a most knowing look. Does Quadiim know the one hundredth name? Beautifully written and complemented by illustrations that portray the lush, verdant landscape of the Middle East, from the banks of the Nile to its luminous starlit nights, here is a spiritual and touching story of an Islamic family.

The parable, a short story told to impart a lesson to the listener, was the chief teaching tool of Jesus Christ. In this delightful and inspirational book, author Michael Manning, the TV host of The Word in the World, takes readers on a journey through fifteen of the most beloved parables from the New Testament, in order to enlighten the many different ways seekers can understand God’s presence in their daily lives. From the parable of the talents to the stories of the wedding feast and the Good Samaritan, Manning shows us that God has many faces to meet the diverse challenges we all experience. Certainly God can be seen as a parent or an authority figure, but as the parables demonstrate, God is also a humble servant, a conversationalist, a friend, a risk taker, and an optimist, to name just a few. Knowing this and experiencing God’s many faces can dramatically change your life forever. In our fast-paced, hectic society, Manning’s practical guide for walking a spiritual path is an illuminating, multidimensional work that will help readers to slow down, stop, look, listen, and gaze upon the beautiful faces of God and all his creation.

When we first meet Pearl - young in years but advanced in her drinking - she's sitting at a hotel bar in Florida, throwing back gin and tonics. Cradled in the crook of her arm is her infant son. But the relief she feels at having fled her abusive husband, and the Northeastern island his family calls home, doesn't last for long. Soon she's being shepherded back. The island, for Pearl, is a place of madness and pain, and her drinking might dull the latter but it spurs on the former. Through the lens of Pearl's fragile consciousness, readers encounter the horror and triumph of both childhood and motherhood. With language that flits between exuberance and elegy, the plainspoken and the poetic, Joy Williams has created a modern fairy-tale, entirely original and entirely consuming.

Reprint of the original, first published in 1877.

In this refreshing, funny, and startling collection of stories, Lucy Corin veers far from the path of staid contemporary fiction. She masterfully weaves traditional and experimental topics and techniques, creating a fictional world where people behave normally in the most extreme situations, and in bizarrely with almost no provocation at all. But thanks to her vivid, sharp prose and insightful first-person voices, even the oddest behavior is utterly believable. Unpredictable and playful, these stories transcend their apocalyptic feel to offer a vision that is clear, humane, and completely engaging.The Entire Predicamentsecures Corin’s reputation as an original, stylistically courageous voice in contemporary avant-garde fiction.