Hidden dangers await unsuspecting victims Newspaper reporter, Cali Stevens, boldly walks into Sheriff Nick Justice's office with one goal in mind: To find her best friend who disappeared while vacationing. When the no-nonsense sheriff refuses to give her details of the investigation, Cali takes matters into her own hands and starts her own investigation. She never intends to fall for the sheriff...or into the clutches of Coral Isle's first serial kidnapper. Coral Isle's recent abductions give Nick Justice enough to worry about without adding any complications into the mix, and his attraction to Cali Stevens is definitely a complication. When Nick encourages Cali to leave the island, she refuses. Now he must manage to find the missing women while keeping Cali and the rest of the women on Coral Isle safe.

Off the south of England, an old evil has been set free... While drilling out at sea, the ill-fated crew of a rig have released something old, something that’s been waiting to return to the surface...a hive of sea sirens; Creatures that need human hosts to survive and human faces to lure people to their demise. Kirsten Costello is a model from East London. Bored of her vacuous existence, she leaves her old life of excess behind and moves to Brighton with her cousin Simone. After a random attack one night under Brighton Pier, Kirsten becomes the object of one of the creature's obsession. Psychically linked by its scratch, she becomes a beacon for its desire to use her body as its own and be the face they need. Always knowing where she is, constantly stalking her by night, it seems there is no way to escape. With the help of Simone, her girlfriend Geena, and local Clairvoyant, Melissa Clarke, Kirsten must fight back against the creature, as it tries to drag her back down below into the depths, down into the Night Waves.

From Pulitzer Prize nominee Lawrence Weschler, a fascinating profile of Walter Murch, a film legend and amateur astrophysicist whose investigations could reshape our understanding of the universe. For film aficionados, Walter Murch is legendary--a three-time Academy Award winner, arguably the most admired sound and film editor in the world for his work on Apocalypse Now, The Godfather trilogy, The English Patient, and many others. Outside of the studio, his mind is wide-ranging; his passion, pursued for several decades, has been astrophysics, in particular the rehabilitation of Titius-Bode, a long-discredited 18th century theory regarding the patterns by which planets and moons array themselves in gravitational systems across the universe. Though as a consummate outsider he's had a hard time attracting any sort of comprehensive hearing from professional astrophysicists, Murch has made advances that even some of them find intriguing, including a connection between Titius Bode and earlier notions--going back past Kepler and Pythagorus--of musical harmony in the heavens. Unfazed by rejection, ever probing, Murch perseveres in the highest traditions of outsider science. Lawrence Weschler brings Murch's quest alive in all its seemingly quixotic, yet still plausible, splendor, probing the basis for how we know what we know, and who gets to say. "The wholesale rejection of alternative theories has repeatedly held back the progress of vital science," Weschler observes, citing early twentieth-century German amateur Alfred Wegener, whose speculations about continental drift were ridiculed at first, only to be accepted as fact decades later. Theoretical physicist Lee Smolin says "It is controversy that brings science alive"--and Murch's quest does that in spades. His fascination with the way the planets and their moons are arranged opens up the field of celestial mechanics for general readers, sparking an awareness of the vast and (to us) invisible forces constantly at play in the universe.

A collection of horror stories featuring a spirit hunter from ancient Egypt, two ghosts at a dangerous dam, a woman who sells her husband's soul to the devil, and a mad killer in the woods.

This is a reissue of the novel inspired by Hunter S. Thompson's ether-fuelled, savage journey to the heart of the American Dream: We were somewhere around Barstow on the edge of the desert when the drugs began to take hold... And suddenly there was a terrible roar all around us and the sky was full of what looked like huge bats, all swooping and screeching and diving around the car, which was going about a hundred miles an hour with the top down to Las Vegas.

Rebecca Norris Webb's meditation on fathers and daughters, one's first landscape, caretaking of the land and its inhabitants, and on history that divides us as much as heals us Rebecca Norris Webb (born 1956) first came across W. Eugene Smith's "Country Doctor," his famous Life magazine photo essay, while studying at the International Center of Photography in New York. She was immediately drawn to the subject of Smith's essay, Dr Ernest Ceriani, a Colorado country doctor who was just a few years older than her father. She wondered: How would a woman tell this story, especially if she happened to be the doctor's daughter? In light of this, for the past six years Norris Webb has retraced the route of her 99-year-old father's house calls through Rush County, Indiana, the rural county where they both were born. Following his work rhythms, she photographed often at night and in the early morning, when many people arrive into the world--her father delivered some one thousand babies--and when many people leave it. Accompanying the photographs, lyrical text pieces addressed to her father create a series of handwritten letters told at a slant.

"A dreamtime narrative about high school boys in rural South Pennsylvania in the early 60's."--Publisher's website.

Water is a liar. If you tell a story with water it cannot be trusted and it will wash away in the first hard rain or in the tears of a long good cry. And stories told in blood and stone stick longer by far. Finbar Tanner is telling a story to his son, Isaac. It is a story of love, desire and sacrifice. It is a story of blood and water and stones. It is a story of the deeper currents that flow within a man's heart. It is a story of the sea.

'The best vicar ever' - Caitlin Moran THE NO. 1 SUNDAY TIMES BESTSELLING AUTHOR OF THE CANON CLEMENT SERIES FATHOMLESS RICHES is the Reverend Richard Coles' warm, witty and wise memoir in which he divulges with searing honesty and intimacy his pilgrimage from a rock-and-roll life of sex and drugs in the Communards to one devoted to God and Christianity. The result is one of the most unusual and readable life stories of recent times, and has the power to shock as well as to console. 'Sex, drugs, death, religion, more sex... it has got it all' - Guardian 'All the humour, quirky characters and incidents that life - and death- serve up' - Mail on Sunday 'One of the most immensely readable - and redeemable - memoirs of the year' - Sunday Times 'A frank, worldly-wise, bleakly comic memoir' - The Times 'Full of wit and humour about finding God, and Jimmy Sommerville' - Independent on Sunday