Published In cooperation with the American Indian Studies Research Institute, Indiana University, Bloomington.

In The New Voice, Amos Wilder carries forward and combines two areas of activity represented in his earlier, groundbreaking publications. One of these is that of the theological critic, concerned with modern literature as it illuminates the quests of our age and the vicissitudes of our religious tradition, as found in his Modern Poetry and the Christian Tradition and Theology and Modern Literature. The other area is that of biblical scholarship, especially in its recent concern with hermeneutics and the modes of language, as represented by his volume on early Christian rhetoric, The Language of the Gospel. Wilder seeks in the present book to deepen and correct the approach of the theological critic by urging that rhetorical criteria should receive primary attention and that language should be explored in new ways. Wilder therefore examines certain aspects of biblical genre and style as ways of illuminating modern rhetoric and its underlying assumptions. It is a main theme of the work that the disorders and travail of our time should be construed in a positive light, and that the most significant writing of the period not only illuminates contemporary reality but fashions a language in which the abiding legacies and archetypes of the past can again be brought to speech. Writers specially discussed in the book range from Musil, Proust, Eliot, and Gide to Sartre, Perse, Beckett, Lowell, David Jones, and the exponents of open verse. The work of many others is brought into relation with the task defined by Pound as naming things accurately and by Stevens as "making the bread of faithful speech."

Shakti’s New Voice is the first comprehensive study of Anandmurti Gurumaa, a widely popular contemporary female guru from north India known for offering spiritual teachings and music on satellite television and the Internet. Based on extensive ethnographic fieldwork and religious-historical research—as well as unexpected and unprecedented outsider contact with the guru—Angela Rudertoffers an intimate portrait of “Gurumaa” that will be of interest to the guru’s admirers as well as to scholars. To examine Gurumaa’s innovation, Rudert turns to examples drawn from fieldwork research in the guru’s ashram and from other locations in India and in the United States. These examples specifically discuss Gurumaa’s religious pluralism, her gender activism, and her embrace of new media, in order to illuminate elements of continuity and change within the time-honored South Asian tradition of guru-bhakti, devotion to the guru. Raised in a Sikh family, educated in a Catholic convent school and understood to have attained her enlightenment in Vrindavan, the famous Hindu pilgrimage site of Lord Krishna’s divine play, Gurumaa refuses identification with any particular religious tradition, or “ism,” yet her teachings draw from many. She speaks strongly, often harshly, about contemporary issues of gender inequality, while calling for women’s empowerment, and she has established a non-governmental organization called Shakti to promote girls’ education in India. In the case of Anandmurti Gurumaa and those spiritual seekers in her fold, innovations and re-interpretations of tradition come from within the pluralistic setting of Indian religiosity, while they exist and act within a global religious milieu.

Before European settlers arrived in North America, more than 300 distinct languages were being spoken among the continent's Indigenous peoples. But the Euro-American emphasis on alphabetic literacy has historically hidden the power and influence of Indigenous verbal and nonverbal language diversity on encounters between Indigenous North Americans and settlers. In this pathbreaking work, Phillip H. Round reveals how Native North Americans sparked a communications revolution in their adaptation and resistance to settlers' modes of speaking and writing. Round especially focuses on communication through inscription—the physical act of making a mark, the tools involved, and the social and cultural processes that render the mark legible. Using methods from history, literary studies, media studies, linguistics, and material culture studies, Round shows how Indigenous graphic practices embodied Native epistemologies while fostering linguistic innovation. Round's broad theory of graphogenesis—creating meaningful inscription—leads to new insights for both the past and present of Indigenous expression in a range of forms. Readers will find powerful new insights into Indigenous languages and linguistic practices, with important implications not just for scholars but for those working to support ongoing Native American self-determination.

Film, Negation and Freedom: Capitalism and Romantic Critique explores cinema in relation to the critical tradition in modern philosophy and its heritage in Romantic aesthetics. Synthesising a variety of discursive fields and traditions - including Early German Romanticism, Frankfurt School critical theory and the aesthetic philosophy of Jacques Rancière - Film, Negation and Freedom outlines a radical new approach to film by re-examining the work of Arthur Penn and Lindsay Anderson. A distinction between Light and Dark Romanticism is introduced as a means of interpreting cinema's relationship with capitalism, as well as dualistic concepts such as stillness and motion, passivity and activity, pain and pleasure. Film, Negation and Freedom revitalises our understanding of modern audio-visual media, as well as the aesthetic, philosophical and political conditions of Romantic subjectivity, artistic practice and spectatorship.

Every faith community knows the challenges of inviting new members and the next generation into its shared life, without falling into an arid traditionalism or a shallow relativism. Walter Brueggemann finds a framework for education in the structure of the Hebrew Bible canon, with its assertion of center and limit (in the Torah), of challenge (in the Prophets), and of inquiry (in the Writings). Incorporating best insights from canonical criticism, Old Testament theology, and pedagogical theory, this revised edition is introduced by Amy Erickson of Iliff School of Theology.

Transition is the word we use to describe the time following significant change. In congregations, that change might be the departure of the pastor, a catastrophe such as Hurricane Katrina or 9/11, or simply the changes caused by growth. Transition calls for clergy with special training to respond to the needs generated by the special time. “Task, training, and time limit” are the hallmarks of transitional ministry. Trained intentional interim clergy must have the skill and experience to lead congregations during transition. However, transitional or interim ministry has a bad reputation in some places. As one diocesan leader said, “We have never had a church in this diocese that was so bad off that an interim was needed.” Indeed, there are some “sick” churches, but most congregations have some good things happening and some things that need attention. Intentional interim ministry can be medicine for the sick, but in most cases it is better compared to vitamins that are taken to promote health. This book seeks to clear up misconceptions about transitional ministry and present an accurate and up-to-date picture of transitional ministry and to describe the various settings in which this specialized ministry can be helpful. Chapter authors, all expert in transitional ministry in mainline Protestant denominations, include: Robert Friedrich, John Keydel, George Martin, Loren Mead, Barry Miller, Nancy Miller, Ineke Mitchell, Ken Ornell, Molly Dale Smith, and Rob Voyle.

In this monumental work, Laurence Senelick and Sergei Ostrovsky offer a panoramic history of Soviet theater from the Bolshevik Revolution to the eventual collapse of the USSR. Making use of more than eighty years’ worth of archival documentation, the authors celebrate in words and pictures a vital, living art form that remained innovative and exciting, growing, adapting, and flourishing despite harsh, often illogical pressures inflicted upon its creators by a totalitarian government. It is the first comprehensive analysis of the subject ever to be published in the English language.

"Are Legislatures Parliament? A Study and Review" by Fennings Taylor. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.