This book focuses on the comparatively unknown cults of new saints in late-mediaeval Venice. These new saints were near-contemporary citizens who were venerated by their compatriots without official sanction from the papacy. In doing so, the book uncovers a sub-culture of religious expression that has been overlooked in previous scholarship. The study highlights a myriad of hagiographical materials, both visual and textual, created to honour these new saints by members of four different Venetian communities: The Republican government; the monastic orders, mostly Benedictine; the mendicant orders; and local parishes. By scrutinising the hagiographic portraits described in painted vita panels, written vitae, passiones, votive images, sermons and sepulchre monuments, as well as archival and historical resources, the book identifies a specifically Venetian typology of sanctity tied to the idiosyncrasies of the city’s site and history. By focusing explicitly on local typological traits, the book produces an intimate and complex portrait of Venetian society and offers a framework for exploring the lived religious experience of late-mediaeval societies beyond the lagoon. As a result, it will be of keen interest to scholars of Venice, lived religion, hagiography, mediaeval history and visual culture.

This is a book that explores the nature of sainthood in a region at the margins of medieval Latin Christendom. Defining the model of sanctity that characterized Transylvania between the fourteenth and sixteenth centuries, the study considers how the cults of saints functioned within specific local social and cultural contexts. Analyzing case studies from a multi-ethnic region influenced by both the Latin and Eastern Christian traditions, this book provides a close reading of little-surveyed primary sources and offers a comprehensive understanding of sainthood in Transylvania, enhancing the broader study of medieval saints’ cults and their relationship to social power structures. It will be of great interest to scholars of medieval religion, researchers in medieval studies, and religious studies scholars engaged in comparative research.

Venice, one of the world's most storied cities, has a long and remarkable history, told here in its full scope from its founding in the early Middle Ages to the present day. A place whose fortunes and livelihoods have been shaped to a large degree by its relationship with water, Venice is seen in Dennis Romano's account as a terrestrial and maritime power, whose religious, social, architectural, economic, and political histories have been determined by its unique geography.

A common objective of saint veneration in all three Abrahamic religions is the recovery and perpetuation of the collective memory of the saint. Christianity, Judaism, and Islam all yield intriguing similarities and differences in their respective conceptions of sanctity. This edited collection explores the various literary and cultural productions associated with the cult of saints and pious figures, as well as the socio-historical contexts in which sainthood operates, in order to better understand the role of saints in monotheistic religions. Using comparative religious and anthropological approaches, an international panel of contributors guides the reader through three main concerns. They describe and illuminate the ways in which sanctity is often configured. In addition, the diverse cultural manifestations of the cult of the saints are examined and analysed. Finally, the various religious, social, and political functions that saints came to play in numerous societies are compared and contrasted. This ambitious study covers sanctity from the Middle Ages until the contemporary period, and has a geographical scope that includes Europe, Central Asia, North Africa, the Americas, and the Asian Pacific. As such, it will be of use to scholars of the history of religions, religious pluralism, and interreligious dialogue, as well as students of sainthood and hagiography.

This book explores the making of saints’ cults in the early modern world from an interdisciplinary perspective, considering the entangled roles of materiality and globalization processes. It brings together work across diverse media, objects, and materials as well as communities, cultures, and geographies to reframe a more synoptic, materials-centric, and comparative history of the making and remaking of saints’ cults, with a special focus on the long Counter-Reformation. The contributions engage with dynamics of local and universal and draw attention to the vital role of textual, visual, and material hagiographies in the creation and promotion of saints’ and would-be saints’ cults. The book fosters novel conceptualizations and cross-pollination of ideas across traditions, regions, and disciplines and expands hagiography’s horizons by reconsidering canonical saintly figures and reframing lesser-known cults of saints and would-be saints. The book will be of interest to scholars of religious and early modern history as well as art history and visual and material studies.

In The Lay Saint, Mary Harvey Doyno investigates the phenomenon of saintly cults that formed around pious merchants, artisans, midwives, domestic servants, and others in the medieval communes of northern and central Italy. Drawing on a wide array of sources—vitae documenting their saintly lives and legends, miracle books, religious art, and communal records—Doyno uses the rise of and tensions surrounding these civic cults to explore medieval notions of lay religiosity, charismatic power, civic identity, and the church's authority in this period. Although claims about laymen's and laywomen's miraculous abilities challenged the church's expanding political and spiritual dominion, both papal and civic authorities, Doyno finds, vigorously promoted their cults. She shows that this support was neither a simple reflection of the extraordinary lay religious zeal that marked late medieval urban life nor of the Church's recognition of that enthusiasm. Rather, the history of lay saints' cults powerfully illustrates the extent to which lay Christians embraced the vita apostolic—the ideal way of life as modeled by the Apostles—and of the church's efforts to restrain and manage such claims.

Publisher description

Discussing medieval and early modern 'disembodied heads' this collection questions the why and how of the primacy of the head in the bodily hierarchy during the premodern period. On the basis of beliefs, mythologies and traditions concerning the head, they come to an ‘cultural anatomy’ of the head.

Popular Politics in an Aristocratic Republic explores the different aspects of political actions and experiences in late medieval and early modern Venice. The book challenges the idea that the city of Venice knew no political conflict and social contestation during the medieval and early modern periods. By examining popular politics in Venice as a range of acts of contestation and of constructive popular political participation, it contributes to the broader debate about premodern politics. The volume begins in the late fourteenth century, when the demographical and social changes resulting from the Black Death facilitated popular challenges to the ruling class’s power, and finishes in the late eighteenth century, when the French invasion brought an end to the Venetian Republic. It innovates Venetian studies by considering how ordinary Venetians were involved in politics, and how popular politics and contestation manifested themselves in this densely populated and diverse city. Together the chapters propose a more nuanced notion of political interactions and highlight the role that ordinary people played in shaping the city’s political configuration, as well as how the authorities monitored and punished contestation. Popular Politics in an Aristocratic Republic combines recent historiographical approaches to classic themes from political, social, economic, and religious Venetian history with contributions on gender, migration, and urban space. The volume will be essential reading for students of Venetian history, medieval and early modern Italy and Europe, political and social history.

Giovanni Villani’s New Chronicle traces the history of Europe, Italy, and Florence over a vast sweep of time – from the Tower of Babel to the great earthquake of 1348. In the eleventh and twelfth books, Villani depicts a particularly eventful period in the history of Florence, whose grandeur is illustrated in several famous chapters describing the city’s income, expenses, and magnificence. The dramatic account follows Florence’s internal affairs as well as its conflicts with powerful lords like Castruccio Castracani and Mastino della Scala. The chronicler’s perspective, however, ranges beyond his city, as he documents such events as the imperial coronation of Louis of Bavaria, the penitential pilgrimage of Venturino da Bergamo, and the first campaigns of the Hundred Year’s War.