This collection unravels the stereotypical images of gender and space and presents a series of new explorations into both 'lived' and 'imagined' spaces. In New Frontiers of Space, Bodies and Gender leading contemporary writers from across an eclectic mix of disciplines, examine an exciting array of issues such as: * Jamaican Ragga music and female performance * Feminist anti-violence work * Pregnant women's experience of shopping centres * The fear of crime felt by women using urban greenspace * Implications of technology in gendering identities This book forges new parameters for debates of gender and space, leaving behind the simple focus on women-as-victim in the public arena and remapping considerations of space which look beyond bricks and mortar. Contributors: Aylish Wood, Robyn Longhurst, Ali Grant, Lesley Klein, Affrica Taylor, Inga-Lisa Sangregorio, Jacqueline Leavitt, Tracey Skelton, Nina Wakeford, Jos Boys, Sally R. Munt, Doreen Massey, Jacquie Burgess, Maher Anjum, Lynne Walker.

This collection unravels the stereotypical images of gender and space and presents a series of new explorations into both 'lived' and 'imagined' spaces. In New Frontiers of Space, Bodies and Gender leading contemporary writers from across an eclectic mix of disciplines, examine an exciting array of issues such as: * Jamaican Ragga music and female performance * Feminist anti-violence work * Pregnant women's experience of shopping centres * The fear of crime felt by women using urban greenspace * Implications of technology in gendering identities This book forges new parameters for debates of gender and space, leaving behind the simple focus on women-as-victim in the public arena and remapping considerations of space which look beyond bricks and mortar. Contributors: Aylish Wood, Robyn Longhurst, Ali Grant, Lesley Klein, Affrica Taylor, Inga-Lisa Sangregorio, Jacqueline Leavitt, Tracey Skelton, Nina Wakeford, Jos Boys, Sally R. Munt, Doreen Massey, Jacquie Burgess, Maher Anjum, Lynne Walker.

Drawing together apparently disparate strands of theory from feminism, critical psychology, contemporary psychoanalysis and post-Jungian thought, this books succeeds in providing a new insight into the phenomenon of female violence and aggression.

This Reader provides students with a comprehensive overview of differing feminist approaches to the body. Its wide range of contributions locate the important historical developments, interdisciplinary perspectives, and key discourses that have shaped this dynamic area of feminist theory.

The 6th edition of this highly respected text builds upon the successful structure, engaging writing style and clear presentation of previous editions. Examining urban social geography from a theoretical and historical perspective, it also explores how it has developed into the modern day. Taking account of recent critical work, whilst simultaneously presenting well established approaches to the subject, it ensures students are well-informed about all the issues. The result is a topical book that is clear and accessible for students

Few words have generated as much debate and controversy as the word race. Through a critical examination of this complex subject, this anthology brings together essential contributions to the study of race and racialization. An excellent compilation of classic and contemporary works by academic and activist writers, Race and Racialization provides historical, comparative, and global perspectives on race and its intersection with gender, class, ethnicity, indigeneity, and sexuality. This well-updated second edition includes a new section on state multiculturalism and a diverse ensemble of Canadian and international contributors who explore such relevant themes as colonialism, institutional racism, ethnocentrism, privilege, marginalization, and resistance. Featuring introductions to each piece written by the editors, annotated lists of supplementary readings to encourage further exploration, and contributions by activists from Idle No More and Black Lives Matter, this comprehensive and highly accessible anthology is perfect for students studying race, racism, cultural diversity, identity and belonging, social inequality, and social justice.

The distinction between the spaces considered public and private or work and home is becoming more blurred. Our streets, parks, dwellings and tools are designed to a "one-size-fits-all" standard, and the responses of the design community to meet diverse needs have been mixed at best. Design and Feminism offers feminist critiques of these inadequate design standards, and suggest ideas, projects, and programs for change.

Building the South Side explores the struggle for influence that dominated the planning and development of Chicago's South Side during the Progressive Era. Robin F. Bachin examines the early days of the University of Chicago, Chicago’s public parks, Comiskey Park, and the Black Belt to consider how community leaders looked to the physical design of the city to shape its culture and promote civic interaction. Bachin highlights how the creation of a local terrain of civic culture was a contested process, with the battle for cultural authority transforming urban politics and blurring the line between private and public space. In the process, universities, parks and playgrounds, and commercial entertainment districts emerged as alternative arenas of civic engagement. “Bachin incisively charts the development of key urban institutions and landscapes that helped constitute the messy vitality of Chicago’s late nineteenth- and early twentieth-century public realm.”—Daniel Bluestone, Journal of American History "This is an ambitious book filled with important insights about issues of public space and its use by urban residents. . . . It is thoughtful, very well written, and should be read and appreciated by anyone interested in Chicago or cities generally. It is also a gentle reminder that people are as important as structures and spaces in trying to understand urban development." —Maureen A. Flanagan, American Historical Review

Highly innovative and long overdue, this study analyzes the visual culture of addiction produced in Britain during the long nineteenth century. The book examines well-known images such as William Hogarth's Gin Lane (1751), as well as lesser-known artworks including Alfred Priest's painting Cocaine (1919), in order to demonstrate how visual culture was both informed by, and contributed to, discourses of addiction in the period between 1751 and 1919. Through her analysis of more than 30 images, Julia Skelly deconstructs beliefs and stereotypes related to addicted individuals that remain entrenched in the popular imagination today. Drawing upon both feminist and queer methodologies, as well as upon extensive archival research, Addiction and British Visual Culture, 1751-1919 investigates and problematizes the long-held belief that addiction is legible from the body, thus positioning visual images as unreliable sources in attempts to identify alcoholics and drug addicts. Examining paintings, graphic satire, photographs, advertisements and architectural sites, Skelly explores such issues as ongoing anxieties about maternal drinking; the punishment and confinement of addicted individuals; the mobility of female alcoholics through the streets and spaces of nineteenth-century London; and soldiers' use of addictive substances such as cocaine and tobacco to cope with traumatic memories following the First World War.

Presenting a state-of-the-art assessment of the key questions informing cultural geography in the 21st century, this handbook emphasises the intellectual diversity of the discipline and is cross-referenced throughout.