This collection of new essays by an international group of scholars closely examines the works of Aristotle’s Organon. The Organon is the general title given to the collection of Aristotle’s logical works: Categories, De Interpretatione, Prior Analytics, Posterior Analytics, Topics, and Sophistical Refutations. This extremely influential collection gave Aristotle the reputation of being the founder of logic and has helped shaped the development of logic for over two millennia. The chapters in this volume cover topics pertaining to each of the six works traditionally included in the Organon as well as its manuscript tradition. In addition, a comprehensive introduction by the editors discusses Aristotle and logic, the composition and order of the Organon, and the authenticity, title, and chronology of the treatises that make up these works. As an appendix, the volume includes a new critical edition of the Greek text of Book 8 of the Topics. New Essays on Aristotle’s Organon offers a valuable insight into this collection for students and scholars working on Aristotle, the works of the Organon, or the philosophy of logic more broadly.

"This collection of new essays by an international group of scholars closely examine the works of Aristotle's Organon. The Organon is the general title given to the collection of Aristotle's logical works: Categories, De Interpretatione, Prior Analytics, Posterior Analytics, Topics and Sophistical Refutations. This extremely influential collection gave Aristotle the reputation of being the founder of logic, and has helped shaped the development of logic for over two millennia. The chapters in this volume cover topics pertaining to each of the six works traditionally included in the Organon as well as its manuscript tradition. In addition, a comprehensive introduction by the editors discusses Aristotle and logic, the composition and order of the Organon, and the authenticity, title, and chronology of the treatises that make up these works New Essays on Aristotle's Organon offers a valuable insight into this collection for students and scholars working on Aristotle, the works of the Organon, or the philosophy of logic more broadly"--

This book addresses the issue of natural simultaneity of relatives, discussed by Aristotle in Categories 7, 7b15– 8a12. Natural simultaneity is a form of symmetrical ontological dependence that holds between items that are not causally linked. In this section of the Categories, Aristotle introduces this topic in his analysis of relatives and maintains that although relatives seem to be for the most part simultaneous by nature, there seem to be some exceptions. He mentions two pairs of relatives as exceptions, namely the pairs knowledge/knowable and perception/perceptible, and argues at length for the priority of the second relative over the first one in each case. Through a close reading of this text, the author analyses Aristotle’s arguments for the thesis of the exceptional character of these pairs and shows that all of them are unsuccessful in supporting the thesis. In order to draw this conclusion, the author highlights and carefully considers the properties that Aristotle is committed to attributing to relatives, taking into account the metaphysical framework of the Categories as well as their specificities within the set of nonsubstantial categories. Then, he shows that Aristotle’s mature views on relatives in the Metaphysics can be construed as committing him to the rejection of such a thesis. Although the issue of natural simultaneity is just one of several that Aristotle considers in his discussion of relatives throughout Categories 7, it is a particularly relevant issue, since it involves a number of puzzles whose analysis allows for a better understanding of the very notion of relativity in Aristotle. This is the first book to explore this issue from the perspective of illuminating the Aristotelian views on relatives. Aristotle on Natural Simultaneity of Relatives in the Categories will appeal to scholars and graduate students working on Aristotle, ancient philosophy in general, and metaphysics.

Aristotle's theory of truth, which has been the most influential account of the concept of truth from Antiquity onwards, spans several areas of philosophy: philosophy of language, logic, ontology and epistemology. In this 2004 book, Paolo Crivelli discusses all the main aspects of Aristotle's views on truth and falsehood. He analyses in detail the main relevant passages, addresses some well-known problems of Aristotelian semantics, and assesses Aristotle's theory from the point of view of modern analytic philosophy. In the process he discusses most of the literature on Aristotle's semantic theory to have appeared in the last two centuries. His book vindicates and clarifies the often repeated claim that Aristotle's is a correspondence theory of truth. It will be of interest to a wide range of readers working in both ancient philosophy and modern philosophy of language.

Aristotle's poetics emerge from the book's analytic summaries as responsive to the expressiveness of Greek tragedy, while his rhetoric is brought into a closer relation with the logic of inference, made necessary by the persistence of sophistic reasoning in philosophy, literary criticism, and the discourse of our public sphere.

This book offers the first systematic, up-to-date, cross-cultural, and detailed study of “semi-volitional bodily behaviour” (sneezing, spitting, coughing, burping, vomiting, defecating, etc.) in the classical world. Examining verse and prose texts, fragments, and scholia from the age of Homer to the second century AD, the central argument put forward in this volume is that semi-volitional bodily acts have the potential to betray individual or collective (ethnic/civic and cultural) identities centred on a variety of different themes. Discussions specifically focus on the following five aspects of the interplay between semi-volitional body language and identity construction: sexuality and gender; the link between sexuality and socioeconomic identity of individuals or groups; the embodied markers of civic/ethnic and cultural collectives and the contrast between “we-ness” and “otherness”; ēthos and emotions; and how dietary habits and illnesses indicate the “somo-psychosocial” identity of individuals or groups. The book offers a comprehensive understanding of representations of the human body in ancient Greece and Rome, while reopening the complex and fascinating discussion about the relationship between intention, mind, body, and identity. This book offers a fascinating study suitable for students and scholars of classics and ancient Greek and Roman history. It is also of interest to those in a variety of other disciplines, including body culture studies, gender and sexuality studies, and performance studies, as well as sociology, anthropology, cognitive medicine, and the history of medicine.

Scholars of classical philosophy have long disputed whether Aristotle was a dialectical thinker. Most agree that Aristotle contrasts dialectical reasoning with demonstrative reasoning, where the former reasons from generally accepted opinions and the latter reasons from the true and primary. Starting with a grasp on truth, demonstration never relinquishes it. Starting with opinion, how could dialectical reasoning ever reach truth, much less the truth about first principles? Is dialectic then an exercise that reiterates the prejudices of one's times and at best allows one to persuade others by appealing to these prejudices, or is it the royal road to first principles and philosophical wisdom? In From Puzzles to Principles? May Sim gathers experts to argue both these positions and offer a variety of interpretive possibilities. The contributors' thoughtful reflections on the nature and limits of dialectic should play a crucial role in Aristotelian scholarship.

This is the first book-length exploration of the ways art from the edges of the Roman Empire represented the future, examining visual representations of time and the role of artwork in Roman imperial systems. This book focuses on four kingdoms from across the empire: Cottius’s Alpine kingdom in the north, King Juba II’s Mauretania in the south-west, Herodian Judea in the east, and Kommagene to the north-east. Art from the imperial frontier is rarely considered through the lens of the aesthetics of time, and Roman provincial art and the monuments of allied rulers are typically interpreted as evidence of the interaction between Roman and local identities. In this interdisciplinary study, which explores statues, wall paintings, coins, monuments, and inscriptions, readers learn that these artworks served as something more: they were created to represent the futures that allied rulers and their people foresaw. The pressure of Roman imperialism drove patrons and artists on the empire’s borders to imbue their creations with increasingly sophisticated ideas about the future, as they wrestled with consequential decisions made under periods of intense political pressure. Comprehensively illustrated and providing an important new approach to Roman material culture at the edge of empire, Visions of the Future in Roman Frontier Kingdoms 100 BCE–100 CE is suitable for students and scholars working on Rome and its frontiers, as well as Roman material culture more broadly, and those studying the aesthetics of time in art and art history.

This book explores the ways in which the origins of time, of the gods, and processes associated with time were conceptualised in antiquity, examining a variety of ancient sources from across the ancient world and addressing issues surrounding the sources themselves. Time is a key framework through which we understand the world around us. Shared structures to measure the passage of time reveal certain cultural and societal values, while time’s less concrete forms are evident across art and literature. This volume examines how the tangible and intangible, direct and complex representations of time are used in ancient sources. The chapters in this book are written by scholars whose work focuses on India, Assyria, Greece, and Rome. Their analyses explore poetic and mythological narratives, philosophical discourse, and representations of the divine, allowing us to see how ideas about time and chronology reveal various cultural understandings of our world. Accessibly written, this volume enables scholars from a variety of disciplines to engage effectively with each chapter. Time and Chronology in Creation Narratives offers a fascinating interdisciplinary collection suitable for scholars working in ancient literature, philosophy, and religion across Classics, Ancient History, Indology, and Near Eastern Studies.