This collection reimagines Melville as both a theorist and a writer, approaching his works as philosophical forms in their own right.

An insightful exploration of Chat GPT and other advanced AI systems—how we got here, where we’re headed, and what it all means for how we interact with the world. In ChatGPT and the Future of AI, the sequel to The Deep Learning Revolution, Terrence Sejnowski offers a nuanced exploration of large language models (LLMs) like ChatGPT and what their future holds. How should we go about understanding LLMs? Do these language models truly understand what they are saying? Or is it possible that what appears to be intelligence in LLMs may be a mirror that merely reflects the intelligence of the interviewer? In this book, Sejnowski, a pioneer in computational approaches to understanding brain function, answers all our urgent questions about this astonishing new technology. Sejnowski begins by describing the debates surrounding LLMs’ comprehension of language and exploring the notions of “thinking” and “intelligence.” He then takes a deep dive into the historical evolution of language models, focusing on the role of transformers, the correlation between computing power and model size, and the intricate mathematics shaping LLMs. Sejnowski also provides insight into the historical roots of LLMs and discusses the potential future of AI, focusing on next-generation LLMs inspired by nature and the importance of developing energy-efficient technologies. Grounded in Sejnowski’s dual expertise in AI and neuroscience, ChatGPT and the Future of AI is the definitive guide to understanding the intersection of AI and human intelligence.

Literary Nonfiction. Art. In SEEING OUT LOUD, Saltz critically engages with notable works of art by over 100 notable artists ranging from Picasso, Matisse, and Warhol to Matthew Barney, Gerhard Richter, and Chris Ofili. These reviews appeared in the Village Voice between November 1998 and winter 2003. "Jerry Saltz is the best informed and hair-trigger liveliest of contemporary art critics, tracking pleasure and jump-starting intelligence on the fly. Jerry's fast takes usually stand up better in retrospect than other people's long views"---Peter Schjedahl. "Jerry Saltz looks at art from the perspective of the viewer, the ignorant, the lover, and the enemy. His writing is overwhelmingly passionate, yet without sentimentality. His words pierce the content and beauty of each work of art to test its endurance in time and memory"---Francesco Bonami, Curator, 2003 Venice Biennale.

"Mrs. Oscar Hammerstein, so the story goes, once overheard someone praise "Ol' Man River" as a "great Kern song." "I beg your pardon," she said, "But Jerome Kern did not write 'Ol' Man River.' Mr. Kern wrote dum dum dum da; my husband wrote ol' man river." It's easy to understand her frustration. While the years between World Wars I and II have long been hailed as the "golden age" of American popular song, it is the composers, not the lyricists, who always usually get top billing. "I love a Gershwin tune" too often means just that-the tune-even though George Gershwin wrote many unlovable tunes before he began working with his brother Ira in 1924. Few people realize that their favorite "Arlen" songs each had a different lyricist-Ted Koehler for "Stormy Weather," Yip Harburg for "Over the Rainbow," Johnny Mercer for "That Old Black Magic." Only Broadway or Hollywood buffs know which "Kern" songs get their wry touch from Dorothy Fields, who would flippantly rhyme "fellow" with "Jello," and which of Kern's sonorous melodies got even lusher from Otto Harbach, who preferred solemn rhymes like "truth" and "forsooth." Jazz critics sometimes pride themselves on ignoring the lyrics to Waller and Ellington "instrumentals," blithely consigning Andy Razaf or Don George to oblivion"--

The first book on Virginia O'Brien, the most unique talent under contract to Metro Goldwyn Mayer.

CHRIS PRATT is now one of the world's most sought-after actors. As the breakout star of Marvel's Guardians of the Galaxy and The Lego Movie (two of 2014's biggest box-office hits), as well as landing the lead role in the 2015 Jurassic Park franchise re-boot, Jurassic World, his meteoric rise to fame is proof that anything is possible in Hollywood.Chris's journey to the movie-star A-list may just make him the ultimate 'zero to hero', but it certainly wasn't an overnight success story. A chance encounter transformed Chris's life from living in a van and waiting tables to make enough money to survive, to the bright lights of Los Angeles and his first tentative steps into the acting world.After years as a supporting player in both comedy and dramatic roles, on television (Everwood, Parks and Recreation) and in movies (The Five-Year Engagement, Delivery Man), Chris finally started to attract superstar buzz after appearing in three Best Picture Oscar-nominated films between 2011 and 2013. Along the way he's shown that nice guys don't always finish last, juggling a successful movie career and life as a devoted family man, and somehow finding time to develop killer abs along the way.

Adopting artist-poet Joe Brainard as its principal focus, this project presents "Pop poetics" not as a minor, coterie movement meriting a sympathetic footnote in accounts of the postwar era's literary history, but as a missing link that confounds and potentially unites any number of supposedly rigid critical distinctions (authenticity versus formalism, the "personal" versus the mechanical). Pop poetics matter, argues Andrew Fitch, not just to the occasional aficionado of Brainard's I Remember, but to anybody concerned with reconstructing the dynamic aesthetic exchange between postwar art and poetry.

* ABA "Indie Next List" pick for March 2022. * 2022 Best Young Australian Novelists awards, Winner. * Readings Prize for New Australian Fiction, Shortlist. * "A Best Book of 2022" —NYLON, Glamour, Refinery29 UK, Harpers BAZAAR UK * "A Most Anticipated Book" —Lit Hub, The Millions New Animal is a poignant, darkly comedic look at human connection from a biting and original new voice in Ella Baxter. Amelia Aurelia is approaching thirty and her closest relationships — other than her mother — are through her dating apps. She works at the family mortuary business as a cosmetic mortician with her eccentric step-father and older brother, whose throuple’s current preoccupation is with what type of snake to adopt. When Amelia’s affectionate mother passes away without warning, she is left without anchor. Fleeing the funeral, she seeks solace with her birth-father in Tasmania and stumbles into the local BDSM community, where her riotous attempts to belong are met with confusion, shock, and empathy. Hilarious and heartfelt, New Animal reveals hard-won truths as Amelia struggles to find her place in the world without her mother, with the help of her two well-intentioned fathers and adventures at the kink club.

Poetry. Carefully edited by his friends, Clark Coolidge and Craig Watson, the COLLECTED POEMS includes all of Michael Gizzi's books, and more than 100 pages of unpublished poetry covering the years 1975-2010, with a useful, informative introduction by William Corbett. "Through the mad clutter of everyday life the poet's voice speeds along and isn't going to let you off the hook till the end of the poem, if then. Razor sharp but also rich and generously compelling, Michael Gizzi's poetry lambastes as it celebrates, bringing us finally to a place of poignant irresolution where 'This music that for the moment/Takes on the work of youth' is 'Held for life in fluttering devastation.'" John Ashbery "It'd harsh my mellow if people didn't glom the candlewastings of Michael Gizzi who bought the farm maybe because no one knew how swift as Galatea you had to be to get a cup of jo while overhearing this place's language, ave atque vale gravitas, Michaelmas Michael and gracias." Bernadette Mayer"