Never Without a Song focuses on the centrality of folksong in the life of Jennie Devlin, a woman who worked for fourteen years as a "bound-out girl" along the New York-Pennsylvania border and later lived in Philadelphia and Gloucester, New Jersey. Katharine Newman met Devlin in 1936 and compiled information about the older woman's life and music. Half a century later, Newman returned to her collection in retirement-with her own perspective of age. The result is a unique biography of an American working-class woman, told with depth and candor. It includes "I Wish I'd Been Born a Boy," "James Bird," "Martha Decker," "My Grandmother's Old Armchair," and other pieces, both British and American, most with tunes.

He signed up to fight with visions of honour and glory, of fighting for king and country, of making his family proud at long last. But on a battlefield during the Great War, Robert Jones is shot, and wonders how it all went so very wrong, and how things could possibly get any worse. He'll soon find out. When the attacking enemy starts to shapeshift into a nightmarish demonic force, Jones finds himself fighting an impossible war against an enemy that shouldn't exist. Andy Remic's A Song for No Man's Land is the first in an ongoing series. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

At age 34, Shea discovered that he had been deaf since childhood despite somehow maintaining a prestigious legal career.

"Music is the second most important thing," I say. That was something my mother would always say. We've stopped saying it out loud, but I think it all the same. The most important thing is love. From the author of the New York Times and USA Today Bestselling If He Had Been With Me comes a captivating novel about navigating—and protecting—the loves and friendships that sustain us. Ramona fell for Sam the moment she met him. It was like she had known him forever. He's one of the few constants in her life, and their friendship is just too important to risk for a kiss. Though she really wants to kiss him... Sam loves Ramona, but he would never expect her to feel the same way-she's too quirky and cool for someone like him. Still, they complement each other perfectly, both as best friends and as a band. Then they meet Tom. Tom makes music too, and he's the band's missing piece. The three quickly become inseparable. Except Ramona's falling in love with Tom. But she hasn't fallen out of love with Sam either. How can she be true to her feelings and herself without losing the very relationships that make her heart sing? This Song is (Not) for You is perfect for readers looking for: Contemporary teen romance books Unputdownable & bingeworthy novels Complex emotional YA stories Novels that explore monogamy, polyamory, and asexuality Characters with a passion for music Performance art

The daughters of a newspaper tycoon suffer the aftermath of Pearl Harbor on three different continents.

Turning thirty leaves scars. It's like watching the odometer roll over on you car. For Kevin Andrews, the morning of his thirtieth birthday signals another nail in his coffin. When his wife tells him that morning that she's pregnant, Kevin knows his days of youth are slowly coming to an end. In an attempt to recapture those glory days, Kevin embarks on a trek to make Odysseus hang his head in shame. Kevin meets drunken neighbors, receives advice from an old hippy, and nearly ruins his marriage when he runs into an old girlfriend. This novel proves what women already know. Men are idiots.

A funny thing happened on the way home from the wedding…. Pawnee Walker was desperately seeking a husband. And, as luck would have it, handsome Ezra Jagger couldn't land his dream job without a wife. But the morning after she said "I do," Pawnee's pressing need for a groom suddenly disappeared! Despite that, she was duty-bound to honor her vows, because Ezra still needed a blushing bride—and Pawnee soon found she couldn't deny her sexy new husband anything….

This is the second volume in the series of American University Publi cations in Philosophy. It, like the first volume, moves significantly beyond what other books have done before it. The first volume's original ity lay in its bringing together essays that explored important new directions in the explanation of behavior, language, and religion. The originality of the present volume lies in its collecting, for the first time in book form, essays at the interface between analytic philosophy and phenomenology. In this volume there are essays about a number of the most seminally influential philosophers among both the analysts and the phenomenologists. Barry L. Blose, for the editors of American University Publications in Philosophy EDITOR'S PREFACE Philosophy inevitably creates divisions and this anthology deals with what is perhaps the central division in twentieth century Western philo sophy. The collection, originally the foundation for a seminar in com parative philosophy which I offered at The American University in 1971 and 1974, was sufficiently suggestive to students of both traditions to lead me to initiate its publication. The future development of Western philosophy is far from clear, but I am convinced that it will inevitably involve a more open conversation between phenomenologists and analytic philosophers, between the current dominant orientations among both European and Anglo-Saxon philosophers. This volume of essays is offered as an attempt to stimulate that conversation.

This volume collects essays from an international body of leading scholars in Old Testament studies, focused upon the key concepts of the question of historicity of biblical stories, the archaeology of Israel/Palestine during the Bronze and Iron Ages, and the nature of biblical narratives and related literature. As a celebration of the extensive body of Thomas L. Thompson's work, these essays enable a threefold perspective on biblical narratives. Beginning with 'method', the contributors discuss archaeology, cultural memory, epistemology, and sociology of knowledge, before moving to 'history, historiography and archaeology' and close analysis of the Qumran Writings, Josephus and biblical rewritings. Finally the argument turn to the narratives themselves, exploring topics including the possibility of invented myth, the genre of Judges and the depiction of Moses in the Qu'ran. Presenting an interdisciplinary analysis of the historical issues concerning ancient Israel/Palestine, this volume creates an updated body of reference to fifty years' worth of scholarship.

First published in 1950, this is a late work by Charles Baudouin, world-famous French psychologist, and takes its title from the opening chapter which examines the transformation of the myth of Progress, characteristic of the eighteenth and nineteenth centuries, into the myth of Modernity, characteristic of the time of writing. The author has little sympathy for a development which he regards as essentially vulgar; the myth of Progress, he says, had its aspiration and gave man reasons for reaching out for better things, but the myth of Modernity ‘seems to give humanity reasons only for fleeing from itself, reasons for unhappiness, inasmuch as the man who runs away from himself is an unhappy man’. This chapter is characteristic of those that follow – on Baudelaire, Verlaine and other literary topics; on Art and the Epoch, The Prestige of Action, Technique versus Mysticism, Opinion and Tolerance, etc. A broad humanity and a gentle irony are the characteristic features of this stimulating book, now available again to be enjoyed in its historical context.