Every major government’s military makes plans for waging wars, hoping that they never have to be employed. In the early part of the last century the US government prepared a number of war contingency plans for invading a number of nations—both hostile and friendly. These color-coded plans were designed for various political and military events, some of which actually unfolded in the Second World War. Never Wars: The US War Plans to Invade the World explores and provides details on a number of these key military invasion plans, their triggers, units involved, etc. Some of these plans, if executed, would have altered the globe or changed the events of the twentieth century and beyond. Included with this was the 1914 war plan against a triumphant Germany, a 1935 plan to attack Great Britain, the 1920s US plans to land forces in Mexico to topple their government, a plan for invading China and even a 1905 strike into the heart of Canada. From a plan to invade the Azores to an incursion into Cuba, Never Wars presents never before published plans for the US to strike out at the world.

Since 1945, the average length of civil wars has increased three-fold. What explains this startling fact? Hironaka points to the crucial role of the international community in propping up new and weak states that resulted from the postwar decolonization movement. These states are prone to conflicts and lack the resources to resolve them decisively.

The story of the Museum of the Second World War in Gdańsk epitomizes one of the most important and dramatic clashes in the European culture of memory and public history in last decades. The museum became the arch-enemy for the nationalist right-wing as “cosmopolitan”, “pseudo-universalistic”, “pacifistic” and “not Polish enough”. Paweł Machcewicz, historian and museum`s founding director, was removed from his position by the Law and Justice government immediately after opening the museum to the public. In his book he presents this story as a part of cultural wars that tear apart not only Poland but also many countries in Europe and on other continents.

An entire generation of young adults has never known an America without the War on Terror. This book contends with the pervasive effects of post-9/11 policy and myth-making in every corner of American life. Never-Ending War on Terror is organized around five keywords that have come to define the cultural and political moment: homeland, security, privacy, torture, and drone. Alex Lubin synthesizes nearly two decades of United States war-making against terrorism by asking how the War on Terror has changed American politics and society, and how the War on Terror draws on historical myths about American national and imperial identity. From the PATRIOT Act to the hit show Homeland, from Edward Snowden to Guantanamo Bay, and from 9/11 memorials to Trumpism, this succinct book connects America's political economy and international relations to our contemporary culture at every turn.

This lively survey of the history of conflict between democracies reveals a remarkable--and tremendously important--finding: fully democratic nations have never made war on other democracies. Furthermore, historian Spencer R. Weart concludes in this thought-provoking book, they probably never will. Building his argument on some forty case studies ranging through history from ancient Athens to Renaissance Italy to modern America, the author analyzes for the first time every instance in which democracies or regimes like democracies have confronted each other with military force. Weart establishes a consistent set of definitions of democracy and other key terms, then draws on an array of international sources to demonstrate the absence of war among states of a particular democratic type. His survey also reveals the new and unexpected finding of a still broader zone of peace among oligarchic republics, even though there are more of such minority-controlled governments than democracies in history. In addition, Weart discovers that peaceful leagues and confederations--the converse of war--endure only when member states are democracies or oligarchies. With the help of related findings in political science, anthropology, and social psychology, the author explores how the political culture of democratic leaders prevents them from warring against others who are recognized as fellow democrats and how certain beliefs and behaviors lead to peace or war. Weart identifies danger points for democracies, and he offers crucial, practical information to help safeguard peace in the future.

Fourteen of history’s longest-running military conflicts, from the Greco-Persian Wars to the Sudanese Civil War. Sometimes the causes of war are so intractable, the opponents so unyielding, and the rivalries so deep-rooted that the combat continues for years, decades, even centuries. And often when it does abate, the resentments still smolder, so that the slightest spark might reignite the conflagration. An at once captivating and unsettling volume, Why Some Wars Never End shines a spotlight on fourteen of history’s longest-running conflicts. They range from the almost century-long Punic Wars, which saw ancient Rome achieve dominance over the Mediterranean and lay the foundations of its world-changing empire, to the seventy years of uprisings and bloody encounters that triggered the Jewish Diaspora in the second century CE, to the nineteenth-century Seminole Wars, which virtually wiped out the Seminole Indians, to the violent British suppression of Afghan self-rule that set the stage for that nation’s distressing contemporary plight. Each of these wars had consequences and influences far beyond its source and the reach of its battles, not only redrawing political boundaries, but also coloring the worldview of generations of participants and bystanders, and thereby refashioning entire cultures. And all demonstrate, in harrowing fashion, why violence still stains our modern world, and why warfare shows no sign of ending any time soon. Praise for Joseph Cummins “This book is worthy of a place in the libraries of historians and politicians alike. Its stories of the past warn us about the future. Recommended.” —Armchair General on The World’s Bloodiest History “Gripping stories and lively writing.” —Library Journal on History’s Greatest Untold Stories

War never changes. The rivalry between Pacific Trails Middle School and Carmel Valley Middle School hasn't either. With the new mango embargo on Carmel Valley imports, economic, political, and academic kingpin Yaj Jhajhria organizes his troops for war as he loses his patience with a rival's shenanigans. The result: an epic four-location campaign encompassing San Diego County, including Highway 56, Miramesa, Anza-Borrego State Park, and Downtown San Diego. Follow their epic journey as romances, betrayals, random facts, and obscure inside jokes fill their journey. Some excerpts by various Carmel Valley Middle School students are featured, their original work directed by director and plot constructor Yaj Jhajhria and enhanced and added to by Hans Yang, primary author and editor, sharing role of director with Yaj. It's been quite a year. Never Forget.

Finalist for the Pulitzer Prize (Biography) A New York Times bestseller, this “epic and elegant” biography (Wall Street Journal) profoundly recasts our understanding of the Vietnam War. Praised as a “superb scholarly achievement” (Foreign Policy), The Road Not Taken confirms Max Boot’s role as a “master chronicler” (Washington Times) of American military affairs. Through dozens of interviews and never-before-seen documents, Boot rescues Edward Lansdale (1908–1987) from historical ignominy to “restore a sense of proportion” to this “political Svengali, or ‘Lawrence of Asia’ ”(The New Yorker). Boot demonstrates how Lansdale, the man said to be the fictional model for Graham Greene’s The Quiet American, pioneered a “hearts and minds” diplomacy, first in the Philippines and then in Vietnam. Bringing a tragic complexity to Lansdale and a nuanced analysis to his visionary foreign policy, Boot suggests Vietnam could have been different had we only listened. With contemporary reverberations in Iraq, Afghanistan, and Syria, The Road Not Taken is a “judicious and absorbing” (New York Times Book Review) biography of lasting historical consequence.

A mysterious former Sith wanders the galaxy in this stunning Star Wars tale. An original novel inspired by the world of The Duel from the Star Wars Visions animated anthology. The Jedi are the most loyal servants of the Empire. Two decades ago, Jedi clans clashed in service to feuding lords. Sickened by this endless cycle, a sect of Jedi rebelled, seeking to control their own destiny and claim power in service of no master. They called themselves Sith. The Sith rebellion failed, succumbing to infighting and betrayal, and the once rival lords unified to create an Empire . . . but even an Empire at peace is not free from violence. Far on the edge of the Outer Rim, one former Sith wanders, accompanied only by a faithful droid and the ghost of a less civilized age. He carries a lightsaber, but claims lineage to no Jedi clan, and pledges allegiance to no lord. Little is known about him, including his name, for he never speaks of his past, nor his regrets. His history is as guarded as the red blade of destruction he carries sheathed at his side. As the galaxy's perpetual cycle of violence continues to interrupt his self-imposed exile, and he is forced to duel an enigmatic bandit claiming the title of Sith, it becomes clear that no amount of wandering will ever let him outpace the specters of his former life.