A number one Irish bestseller, and winner of the Popular Non-Fiction Book of the Year at the Irish Book Awards In this fascinating and thought-provoking book, Professor Luke O'Neill grapples with life's biggest questions and tells us what science has to say about them. Covering topics from global pandemics to gender, addiction to euthanasia, Luke O'Neill's easy wit and clever pop-culture references deconstruct the science to make complex questions accessible. Arriving at science's definitive answers to some of the most controversial topics human beings have to grapple with, Never Mind the B#ll*ocks, Here's the Science is a celebration of science and hard facts in a time of fake news and sometimes unhelpful groupthink. 'A celebration of scientific fact in an era characterised by nebulous subjectivity' Irish Times

'...short, sharp, to the point, minimal. 'Never Mind the Bollocks' is a blackmail note - and we got you all to pay up!' - JOHN LYDON 'When we first went in Wessex [recording studios] we went in through this side door. Freddie Mercury was there doing a vocal take and we walked right through with our guitars. He threw a wobbler.' - STEVE JONES 'God Save The Queen' was definitely the pinnacle. It all went sour after that.' - PAUL COOK 'Malcolm was a s***-stirrer. I think he's got a short attention span. He played this game of pitching me against John. Now we realise there was a lot of false information going between us.' - GLEN MATLOCK On the 40th anniversary of the release of 'Never Mind the Bollocks, Here's the Sex Pistols', The Sex Pistols - 1977: The Bollocks Diaries is the official, inside story of the whirlwind year of 1977- the recording and release of 'Never Mind the Bollocks...' and the year the Sex Pistols changed everything. From 'God Save the Queen' to 'Holidays in the Sun' and everything in between, it was a year of chaos and creation. Straight from the mouths of the Sex Pistols and their collaborators, with first-hand stories of secret gigs, recording sessions, fights, record label meltdowns and a media storm like nothing ever seen before, The Sex Pistols - 1977: The Bollocks Diaries is the inside line, told by the people who were there. Packed with photography and rare items from the Sex Pistols archives - from gig posters and early album art to master tapes

The Sex Pistols exploded onto the music scene in 1976, paving the way for the deluge of punk rock that would change the face of modern rock music forever. Their debut album, Never Mind the Bollocks, Here’s The Sex Pistols, proved one of the most important rock albums of all time, fusingslammed rock chords with searing vocals. The Sex Pistols simply, and seemingly effortlessly, blew awayall that had come before them, setting an entirely new bar for rock acts that followed in their wake. In Sex Pistols: The Pride of Punk, Peter Smith explores the impact the band had on launching the punk movement, beginning in 1976 with their debut single and ending in 1978 with their American tour. Despite their brief career, the Sex Pistols illustrate an important set of political and cultural elements of 1970s UK and US culture: disaffected youth, strained international relations, and rapid changes in culture. Peter Smith digs deep to collate the factors that fueled the Sex Pistols and the punk revolution.

Never Mind the Bollocks was the Sex Pistols' first album - and with it came a new genre of music - punk rock. The Sex Pistols influenced a generation of musicians including the Clash, Talking Heads, Nirvana, and Green Day. For the first time, get the real story behind the making of this album. Never revealed photographs and interviews with the participants shed new light on the making of Never Mind the Bollocks.

Without the Sex Pistols there would be no punk. And without Steve Jones there would be no Sex Pistols. It was Steve who, with his schoolmate Paul Cook, formed the band that eventually went on to become the Sex Pistols and who was its original leader. As the world celebrates the 40th anniversary of punk -- the influence and cultural significance of which is felt in music, fashion, and the visual arts to this day--Steve tells his story for the very first time. Steve Jones's modern Dickensian tale began in the street of Hammersmith and Shepherd's Bush, West London, where as a lonely, neglected boy living off his wits and petty thievery he was given purpose by the glam art rock of David Bowie and Roxy Music. He became one of the first generation of ragamuffin punks taken under the wings of Malcolm McLaren and Vivienne Westwood. In Lonely Boy, Steve describes the sadness of never having known his real dad, the abuse he suffered at the hands of his stepfather, and how his interest in music and fashion saved him from a potential life of crime spent in remand centers and prisons. He takes readers on his journey from the Kings Road of the early '70s through the years of the Sex Pistols, punk rock, and the recording of "Anarchy in the UK" and Never Mind the Bollocks. He recounts his infamous confrontation on Bill Grundy's Today program -- the interview that ushered in the "Filth and the Fury" headlines that catapulted punk into the national consciousness. And he delves into the details of his self-imposed exile in New York and Los Angeles, where he battled alcohol, heroin, and sex addiction but eventually emerged to gain fresh acclaim as an actor and radio host. Lonely Boy is the story of an unlikely guitar hero who, with the Sex Pistols, transformed twentieth-century culture and kick-started a social revolution.

Canons are central to our understanding of our culture, and yet in the last thirty years there has been much conflict and uncertainty created by the idea of the canon. In essence, the canon comprises the works and artists that are widely accepted to be the greatest in their field. Yet such an apparently simple construct embodies a complicated web of values and mechanisms. Canons are also inherently elitist; however, Carys Wyn Jones here explores the emerging reflections of values, terms and mechanisms from the canons of Western literature and classical music in the reception of rock music. Jones examines the concept of the canon as theorized by scholars in the fields of literary criticism and musicology, before moving on to search for these canonical facets in the reception of rock music, as represented by ten albums: Bob Dylan's Highway 61 Revisited, The Beach Boys' Pet Sounds, The Beatles' Revolver, The Velvet Underground's The Velvet Underground & Nico, Van Morrison's Astral Weeks, Marvin Gaye's What's Going On, The Rolling Stones' Exile on Main St., Patti Smith's Horses, The Sex Pistols' Never Mind the Bollocks: Here's the Sex Pistols, and Nirvana's Nevermind. Jones concludes that in the reception of rock music we are not only trying to organize the past but also mediate the present, and any canon of rock music must now negotiate a far more pluralized culture and possibly accept a greater degree of change than has been evident in the canons of literature and classical music in the last two centuries.

The story behind rockmusics most famous record covers as told by some of music business' most profilic rockstars.

The product of decades of work and multiple self-published editions, Going Underground, written by 1980s scene veteran George Hurchalla, is the most comprehensive look yet at America’s nationwide underground punk scene. Despite the mainstream press declarations that “punk died with Sid Vicious” or that “punk was reborn with Nirvana,” author Hurchalla followed the DIY spirit of punk underground, where it not only survived but thrived nationally as a self-sustaining grassroots movement rooted in seedy clubs, rented fire halls, Xeroxed zines, and indie record shops. Rather than dwell solely on well-documented scenes from Los Angeles, New York, and Washington, DC, Hurchalla delves deep into the counterculture, rooting out stories from Chicago, Philadelphia, Austin, Cincinnati, Miami, and elsewhere. The author seamlessly mixes his personal experiences with the oral history of dozens of band members, promoters, artists, zinesters, and scenesters. Some of the countless bands covered include Articles of Faith, Big Boys, Necros, Hüsker Dü, Bad Brains, Government Issue, and Minutemen, as well as many of the essential zines of the time such as Big Takeover, Maximum RocknRoll, Flipside, and Forced Exposure. Going Underground features over a hundred unique photos from Marie Kanger-Born of Chicago, Dixon Coulbourn of Austin, Brian Trudell of LA, Malcolm Riviera of DC, Justina Davies of New York, Ed Arnaud of Arizona, and many others, along with flyers from across the nation.

A landmark history of post-punk, the basis of the documentary film directed by Nikolaos Katranis Renowned music journalist Simon Reynolds celebrates the futurist spirit of such bands as Joy Division, Gang of Four, Talking Heads, and Devo, which resulted in endless innovations in music, lyrics, performance, and style and continued into the early eighties with the video-savvy synth-pop of groups such as Human League, Depeche Mode, and Soft Cell, whose success coincided with the rise of MTV. Full of insight and anecdotes and populated by charismatic characters, Rip It Up and Start Again re-creates the idealism, urgency, and excitement of one of the most important and challenging periods in the history of popular music.

The ultimate listening party guide, Booze and Vinyl shows you how to set the mood for 70 great records from the 1950s through the 2000s. From modern craft cocktails to old standbys, prepare to shake, stir, and just plain pour your way through some of the best wax ever pressed. Wickedly designed and featuring photography throughout, Booze & Vinyl is organized by mood, from Rock to Chill, Dance, and Seduce. Each entry has liner notes that underscore the album's musical highlights and accompanying "Side A" and "Side B" cocktail recipes that complement the music's mood, imagery in the lyrics, or connect the drink to the artist. This is your guide to a rich listening session for one, two, or more. Among the 70 featured albums are: Sgt. Pepper's Lonely Hearts Club, Purple Rain, Sticky Fingers, Born To Run, License to Ill, Appetite for Destruction, Thriller, Like a Virgin, Low End Theory, The Rise and Fall of Ziggy Stardust, Hotel California, Buena Vista Social Club, Back to Black, Pet Sounds, Vampire Weekend, and many more