We are guessing that you enjoyed the first book and that you liked the trivial and the terrible. We are also guessing that you have time on your hands, so rest assured, Never Mind the Bluebirds is back! You can believe the hype – this IS a sequel! Treat yourself to round after round of irresistible teasers. The 'El Clarkico' round! The 'Cardiff Born & Bread' round and the unparalleled 'On the Spot', as well as that old favourite , 'Current Affairs'. Whether you are a grey-haired City diehard who stood for years on the Bob Bank, or a brand new youngster in a red shirt . . . then this book if for you. Stuff this book in your pocket when you jump on the coach to your next away match. You won't regret it.

Through Townsend's easy reminiscences, the guitarist Lonnie Johnson, the pianists Walter Davis and Roosevelt Sykes, and the promoter Jessie Johnson come vividly to life, along with scores of other individuals both remembered and forgotten who left their mark on a key musical genre."--BOOK JACKET.

Talkin' to Myself: Blues Lyrics, 1921-1942 is a compendium of lyrics by the great blues recording artists of the classic blues era. It includes over 2000 songs, transcribed directly from the original recordings, making it by far the most comprehensive and accurate collection of blues lyrics available.

In this dazzling literary collection, writers explore and celebrate their lives with and love for birds—detailing experiences from Alaska to Bermuda, South Dakota to Panama. In When Birds Are Near, fresh new voices as well as seasoned authors offer tales of adventure, perseverance, and fun, whether taking us on a journey down Highway 1 to see a rare California Condor, fighting the destruction of our grasslands, or simply watching the feeder from a kitchen window. But these essays are more than just field notes. The authors reflect on love, loss, and family, engaging a broad array of emotions, from wonder to amusement. As Rob Nixon writes, "Sometimes the best bird experiences are defined less by a rare sighting than by a quality of presence, some sense of overall occasion that sets in motion memories of a particular landscape, a particular light, a particular choral effect, a particular hiking partner." Or, as the poet Elizabeth Bradfield remarks, "We resonate with certain animals, I believe, because they are a physical embodiment of an answer we are seeking. A sense of ourselves in the world that is nearly inexpressible." When Birds Are Near gives us the chance to walk alongside these avid appreciators of birds and reflect on our own interactions with our winged companions. Contributors: Christina Baal, Thomas Bancroft, K. Bannerman, R. A. Behrstock, Richard Bohannon, Elizabeth Bradfield, Christine Byl, Susan Cerulean, Sara Crosby, Jenn Dean, Rachel Dickinson, Katie Fallon, Jonathan Franzen, Andrew Furman, Tim Gallagher, David Gessner, Renata Golden, Ursula Murray Husted, Eli J. Knapp, Donald Kroodsma, J. Drew Lanham, John R. Nelson, Rob Nixon, Jonathan Rosen, Alison Townsend, Alison Világ

As a musician who grew up in New Orleans, and later worked in New York with the major swing orchestras of Lucky Millinder and Cab Calloway, Barker is uniquely placed to give an authoritative but personal view of jazz history. In this book he discusses his life in music, from the children's 'spasm' bands of the seventh ward of New Orleans, through the experience of brass bands and jazz funerals involving his grandfather, Isidore Barbarin, to his early days on the road with the blues singer Little Brother Montgomery. Later he goes on to discuss New York, and the jazz scene he found there in 1930. His work with Jelly Roll Morton, as well as the lesser-known bands of Fess Williams and Albert Nicholas, is covered before a full account of his years with Millinder, Benny Carter and Calloway, including a description of Dizzy Gillespie's impact on jazz, is given. The final chapters discuss Barker's career from the late 1940s. Starting with the New York dixieland scene at Ryan's and Condon's he talks of his work with Wilbur de Paris, James P. Johnson and This is Jazz, before discussing his return to New Orleans and New Orleans Jazz Museum. A collection of Barker's photographs,