After three years of study and training, Marie is now officially a member of the UN Special Forces. But she’s barely had time to celebrate her graduation when an extraordinary event forces her to leave for her first mission: an alien ship of unknown origin has just arrived in orbit of Earth. As no contact can be established with its crew, Marie and her team are sent to board the vessel and investigate ...

"Astronomy and Astrophysics Abstracts" appearing twice a year has become oneof the fundamental publications in the fields of astronomy, astrophysics andneighbouring sciences. It is the most important English-language abstracting journal in the mentioned branches. The abstracts are classified under more than a hundred subject categories, thus permitting a quick survey of the whole extended material. The AAA is a valuable and important publication for all students and scientists working in the fields of astronomy and related sciences. As such it represents a necessary ingredient of any astronomical library all over the world.

What stories are told about teaching and learning on TV and in film? And how do these stories reflect, refract and construct myths, anxieties and pleasures about teaching and learning? This collection looks at how pedagogy is represented on screen, and how TV programs and films translate pedagogic ideas into stories and relationships. International in scope, with case studies and analysis from the UK, US, Australia, Turkey and Brazil—the book adopts a critical stance in relation to the ways in which theories of learning and myths about education are mobilized on screen. Teaching and Learning on Screen: Mediated Pedagogies provides a stimulating addition to the field of media and cultural studies, while also promoting debate about particular pedagogic models and strategies that will contribute to the professional development of educators and those involved in teacher education.

When John Bandicut encounters an alien intelligence on Neptune’s moon Triton, his life changes irrevocably. Urged by the alien quarx now sharing his mind, he accepts an audacious mission—to steal a ship and hurtle across the solar system in a desperate bid for Earth’s survival. Book 1 of The Chaos Chronicles, by the Nebula-nominated author of Eternity’s End—with an Afterword by the author. Appeared in print from Tor Books. DRM-free ebook edition. REVIEWS: One of the best SF novels of the year — Science Fiction Chronicle “Masterfully captures the joy of exploration.” — Publishers Weekly “One of the very best things Carver has written, a traditional adventure filled with mystery and wonder and featuring a likable and believable protagonist thrust onto a stage for which he is ill prepared.” — Science Fiction Chronicle “Jeff Carver is a hard sf writer who gets it right—his science and his people are equally convincing. Neptune Crossing combines his strengths, from a chilling look at alien machine intelligence, to cutting-edge chaos theory, to the pangs of finite humans in the face of the infinite. If you like intriguing ideas delivered in an exciting plot, this is your meat.” —Gregory Benford, author of the Galactic Center series “Reveals an alien encounter brushing hard against a soul, and takes us from there to the far reaches of the cosmos, all with the sure touch of a writer who knows his science. Jeff Carver has done it again!” —David Brin, author of Existence “A complex and believable protagonist—an ordinary man rising to extraordinary circumstances—and an alien presence that is at once convincingly strange and deeply real. I’m really glad to have read this one.” —Melissa Scott, author of Dreamships and Trouble and Her Friends “A roaring, cross-the-solar-system adventure of the first water. The kind of stuff that made us all love science fiction.” —Jack McDevitt, author of Seeker and Chindi “High-octane space adventure: mystery, humor, theoretical physics, and one of the more interesting SF aliens you’ve likely encountered in a long while.” —Allen Steele “With works such as The Infinity Link... and his popular Star Rigger novels, Carver won acclaim as a master craftsman of compelling hard science fiction. This captivating opener to a new series incorporating the emerging science of chaos theory should keep that reputation flourishing... Carver has created yet another electrifying scenario as well as a winning combination in Bandicut and the sometimes vulnerable yet superintelligent quarx. First-rate entertainment.” — Booklist

“A literary tour de force that is destined to become one of the . . . definitive works about the battle for Guadalcanal . . . [James D.] Hornfischer deftly captures the essence of the most pivotal naval campaign of the Pacific war.”—San Antonio Express-News The Battle of Guadalcanal has long been heralded as a Marine victory. Now, with his powerful portrait of the Navy’s sacrifice, James D. Hornfischer tells for the first time the full story of the men who fought in destroyers, cruisers, and battleships in the narrow, deadly waters of “Ironbottom Sound.” Here, in stunning cinematic detail, are the seven major naval actions that began in August 1942, a time when the war seemed unwinnable and America fought on a shoestring, with the outcome always in doubt. Working from new interviews with survivors, unpublished eyewitness accounts, and newly available documents, Hornfischer paints a vivid picture of the officers and enlisted men who opposed the Japanese in America’s hour of need. The first major work on this subject in almost two decades, Neptune’s Inferno does what all great battle narratives do: It tells the gripping human stories behind the momentous events and critical decisions that altered the course of history and shaped so many lives. Praise for Neptune’s Inferno “Vivid and engaging . . . extremely readable, comprehensive and thoroughly researched.”—Ronald Spector, The Wall Street Journal “Superlative storytelling . . . the masterwork on the long-neglected topic of World War II’s surface ship combat.”—Richard B. Frank, World War II “The author’s two previous World War II books . . . thrust him into the major leagues of American military history writers. Neptune’s Inferno is solid proof he deserves to be there.”—The Dallas Morning News “Outstanding . . . The author’s narrative gifts and excellent choice of detail give an almost Homeric quality to the men who met on the sea in steel titans.”—Booklist (starred review) “Brilliant . . . a compelling narrative of naval combat . . . simply superb.”—The Washington Times

Neptune Noir is a collection of essays on the hit drama Veronica Mars, and is not authorized by CW, the creators or producers of Veronica Mars, or any entity associated with the show. More than just a high school drama, Veronica Mars is a smart and savvy teen detective show that offers complex mysteries and rapier wit, engaging social commentary, and noir sensibilities—with the occasional murder thrown in for good measure. This collection, edited by the creator and executive producer of the show, offers supreme insight into the class struggles and love stories of the series. Essays by top writers intelligently address a multitude of questions, such as Is Veronica a modern-day vigilante? Why is a show that features rape, potential incest, and a teen girl outsmarting local authorities so popular with America's conservative population? and Why is Veronica and Logan's relationship the most important story-driving factor in the show?

This is the first in a two-volume retrospective―collecting full comics stories, unpublished art, ads, etc.―and biography of the famous Mad cartoonist. This is the first of two volumes reprinting copious amounts of comics stories and recounting the career of cartoonist Basil Wolverton. Based on his correspondence and journals, the biographical portion of the books follow Wolverton from childhood to adult day-to-day life as freelance cartoonist, itinerant handyman, persistent contest enterer, and local pastor of the Radio Church of God. Wolverton lived and worked in the Pacific Northwest, unique among the first generation of comic book pioneers. In the precious period before the industry calcified into a commercial institution, Wolverton was free to work under the radar to explore in detail his weird tales of the future. The book collects all of Wolverton’s non-humorous comic stories and a substantial selection of his humorous comics, alongside dozens of pages of unpublished artwork, unsold features, and never-before-seen correspondence, including rejection letters!