The Genesis Faction has colonized a new world of primitive humans, hoping to hide from intelligence-hunting aliens lurking between the stars. These newly primitive inhabitants of the Land of Eden are dubbed “neoprims”. One neoprim per tribe every three generations is selected to join the world of advanced humans in the Land of Nod. Enter Zeta of the Scorpion Tail Tribe — a neoprim who must replay her past experiences to piece together her fractured memory. Oraxis and Genevieve worry they have taken on more than they can handle when Zeta breaks out of beta bootstrapping early, forcing them to call on the headstrong Jamji and her monster-pooch, Pepper, for help. When Zeta faces the unthinkable truths of the past, she is forced to decide between living in a fantasy world of her own creation or accepting her fate and finding her purpose in this new reality. Neoprim is Rob Grafrath’s debut novel. It is the first novel in the Zeta Trilogy, and the first work of the Sapiens^6 Universe.

Henry Cowell: A Man Made of Music is the first complete biography of one of the most innovative figures in twentieth-century American music. It explores in detail the complexities and impact of his life, work, and teachings.

In this engaging inquiry, originally published in 1989 and now fully updated for the twenty-first century, Warren J. Belasco considers the rise of the "countercuisine" in the 1960s, the subsequent success of mainstream businesses in turning granola, herbal tea, and other "revolutionary" foodstuffs into profitable products; the popularity of vegetarian and vegan diets; and the increasing availability of organic foods. From reviews of the previous edition: "Although Red Zinger never became our national drink, food and eating changed in America as a result of the social revolution of the 1960s. According to Warren Belasco, there was political ferment at the dinner table as well as in the streets. In this lively and intelligent mixture of narrative history and cultural analysis, Belasco argues that middle-class America eats differently today than in the 1950 because of the way the counterculture raised the national consciousness about food."—Joan Jacobs Brumberg, The Nation "This book documents not only how cultural rebels created a new set of foodways, brown rice and all, but also how American capitalists commercialized these innovations to their own economic advantage. Along the way, the author discusses the significant relationship between the rise of a 'countercuisine' and feminism, environmentalism, organic agriculture, health consciousness, the popularity of ethnic cuisine, radical economic theory, granola bars, and Natural Lite Beer. Never has history been such a good read!"—The Digest: A Review for the Interdisciplinary Study of Food "Now comes an examination of . . . the sweeping change in American eating habits ushered in by hippiedom in rebellion against middle-class America. . . . Appetite for Change tells how the food industry co-opted the health-food craze, discussing such hip capitalists as the founder of Celestial Seasonings teas; the rise of health-food cookbooks; how ethnic cuisine came to enjoy new popularity; and how watchdog agencies like the FDA served, arguably, more often as sleeping dogs than as vigilant ones."—Publishers Weekly "A challenging and sparkling book. . . . In Belasco's analysis, the ideology of an alternative cuisine was the most radical thrust of the entire counterculture and the one carrying the most realistic and urgently necessary blueprint for structural social change."—Food and Foodways "Here is meat, or perhaps miso, for those who want an overview of the social and economic forces behind the changes in our food supply. . . . This is a thought-provoking and pioneering examination of recent events that are still very much part of the present."—Tufts University Diet and Nutrition Letter

Number of Exhibits: 22

Zeta Telson has found her purpose: defeating the Specters! Those absolute black, ameboid aliens with an appetite for abduction have haunted the Surya system for long enough! When things don’t go as planned at the Guardian Embassy, Zeta must find another path to her goal. Luckily, Pip-Rho and Pip-Tau have just what Zeta needs. They’re running this year’s EoE sponsored project — Interra, a medieval fantasy gameworld employing a clever tactic to discover solutions to the Specter problem. As Interrans, the Telson party battles the Specters’ in-game analogs, the wraiths, revealing the path to victory in the real world. But how far will Zeta go to reach her goals? Will she forego the promise of love for the sake of vengeance? Nobody ever said fighting aliens would be all fun and games. Interran is Rob Grafrath’s second novel. It is the second novel in the Zeta Trilogy, and the second work of the Sapiens⁶ Universe.

Examining contemporary poetry by way of ethnicity and gender, Kenneth Lincoln tracks the Renaissance invention of the Wild Man and the recurrent Adamic myth of the lost Garden. He discusses the first anthology of American Indian verse, The Path on the Rainbow (1918), which opened Jorge Luis Borges' university surveys of American literature, to thirty-five contemporary Indian poets who speak to, with, and against American mainstream bards. From Whitman's free verse, through the Greenwich Village Renaissance (sandwiched between the world wars) and the post-apocalyptic Beat incantations, to transglobal questions of tribe and verse at the century's close, Lincoln shows where we mine the mother lode of New World voices, what distinguishes American verse, which tales our poets sing and what inflections we hear in the rhythms, pitches, and parsings of native lines. Lincoln presents the Lakota concept of "singing with the heart of a bear" as poetry which moves through an artist. He argues for a fusion of estranged cultures, tribal and émigré, margin and mainstream, in detailing the ethnopoetics of Native American translation and the growing modernist concern for a "native" sense of the "makings" of American verse. This fascinating work represents a major new effort in understanding American and Native American literature, spirituality, and culture.

Leading media scholars consider the social and cultural changes that come with the contemporary development of ubiquitous computing. Ubiquitous computing and our cultural life promise to become completely interwoven: technical currents feed into our screen culture of digital television, video, home computers, movies, and high-resolution advertising displays. Technology has become at once larger and smaller, mobile and ambient. In Throughout, leading writers on new media--including Jay David Bolter, Mark Hansen, N. Katherine Hayles, and Lev Manovich--take on the crucial challenges that ubiquitous and pervasive computing pose for cultural theory and criticism. The thirty-four contributing researchers consider the visual sense and sensations of living with a ubicomp culture; electronic sounds from the uncanny to the unremarkable; the effects of ubicomp on communication, including mobility, transmateriality, and infinite availability; general trends and concrete specificities of interaction designs; the affectivity in ubicomp experiences, including performances; context awareness; and claims on the "real" in the use of such terms as "augmented reality" and "mixed reality."

Addressing a century of change from late nineteenth-century realism to late 1970s Sots Art, this volume presents new research on how art making, criticism, and promotion responded dynamically to the fast-moving social, cultural, and political contexts of the Russian Empire and Soviet Union. Case studies of artists reveal how figures such as Viktor Vasnetsov and Kazimir Malevich [Kazymyr Malevych] incorporated contemporary debates into their artworks and expanded their visual expressiveness. Analyses of writings by Wassily Kandinsky and Nikolai Punin illustrate the central role played by critics, theorists, and artists' societies in catalyzing new approaches. Lastly, essays focusing on the Society of Art Exhibitions (1874-83), the diverse displays at exhibitions in the Soviet era, and national themes in Ballets Russes productions rethink binaries between collaboration and enmity, between nationalism and internationalism, and between east and west in art presentation and promotion. This analytical triad is complemented by an epilogue by Russian émigré artist Pavel Otdelnov, who shares how his personal history and identity shape his art, especially since Russia's war of aggression against Ukraine.