First Published in 1968. Routledge is an imprint of Taylor & Francis, an informa company.

Steven Earnshaw traces the many roles of the drinking house in literature from Chaucer's time to the end of the 20th century, taking in the better-known hostelries, such as Hal's and Falstaff's Boar's Head in Henry IV, and the inns of Dickens.

First published in 1972, this is the first detailed study of the milieu of the eighteenth-century literary hack and its significance in Augustan literature. Although the modern term ‘Grub Street’ has declined into vague metaphor, for the Augustan satirists it embodied not only an actual place but an emphatic lifestyle. Pat Rogers shows that the major satirists – Pope, Swift and Fielding – built a potent fiction surrounding the real circumstances in which the scribblers lived, and the importance of this aspect of their writing. The author first locates the original Grub Street, in what is now the Barbican, and then presents a detailed topographical tour of the surrounding area. With studies of a number of key authors, as well as the modern and metaphorical development of the term ‘Grub Street’, this book offers comprehensive insight into the nature of Augustan literature and the social conditions and concerns that inspired it.

A collection of essays detailing how individuals remapped race, gender, and sexuality through their lived experiences and in the cultural imagination For centuries the Atlantic world has been a site of encounter and exchange, a rich point of transit where one could remake one's identity or find it transformed. Through this interdisciplinary collection of essays, Laura R. Prieto and Stephen R. Berry offer vivid new accounts of how individuals remapped race, gender, and sexuality through their lived experience and in the cultural imagination. Crossings and Encounters is the first single volume to address these three intersecting categories across the Atlantic world and beyond the colonial period. The Atlantic world offered novel possibilities to and exposed vulnerabilities of many kinds of people, from travelers to urban dwellers, native Americans to refugees. European colonial officials tried to regulate relationships and impose rigid ideologies of gender, while perceived distinctions of culture, religion, and ethnicity gradually calcified into modern concepts of race. Amid the instabilities of colonial settlement and slave societies, people formed cross-racial sexual relationships, marriages, families, and households. These not only afforded some women and men with opportunities to achieve stability; they also furnished ways to redefine one's status. Crossings and Encounters spans broadly from early contact zones in the seventeenth-century Americas to the postcolonial present, and it covers the full range of the Atlantic world, including the Caribbean, North America, and Latin America. The essays examine the historical intersections between race and gender to illuminate the fluid identities and the dynamic communities of the Atlantic world.

Writers of the late seventeenth and early eighteenth centuries—a period of vast economic change—recognized that the global trade in alcohol and tobacco promised a brighter financial future for England, even as overindulgence at home posed serious moral pitfalls. This engaging and original study explores how literary satirists represented these consumables—and related anxieties about the changing nature of Britishness—in their work. Riley traces the satirical treatment of wine, beer, ale, gin, pipe tobacco, and snuff from the beginning of Charles II’s reign, through the boom in tobacco’s popularity, to the end of the Gin Craze in libertine poems and plays, anonymous verse, ballad operas, and the satire of canonical writers such as Gay, Pope, and Swift. Focusing on social concerns about class, race, and gender, Consuming Anxieties examines how satirists championed Britain’s economic strength on the world stage while critiquing the effects of consumable luxuries on the British body and consciousness.

A COMPANION TO & EIGHTEENTH-CENTURY POETRY A COMPANION TO & EIGHTEENTH-CENTURY POETRY Edited by Christine Gerrard This wide-ranging Companion reflects the dramatic transformation that has taken place in the study of eighteenth-century poetry over the past two decades. New essays by leading scholars in the field address an expanded poetic canon that now incorporates verse by many women poets and other formerly marginalized poetic voices. The volume engages with topical critical debates such as the production and consumption of literary texts, the constructions of femininity, sentiment and sensibility, enthusiasm, politics and aesthetics, and the growth of imperialism. The Companion opens with a section on contexts, considering eighteenth-century poetry’s relationships with such topics as party politics, religion, science, the visual arts, and the literary marketplace. A series of close readings of specific poems follows, ranging from familiar texts such as Pope’s The Rape of the Lock to slightly less well-known works such as Swift’s “Stella” poems and Lady Mary Wortley Montagu’s Town Eclogues. Essays on forms and genres, and a series of more provocative contributions on significant themes and debates, complete the volume. The Companion gives readers a thorough grounding in both the background and the substance of eighteenth-century poetry, and is designed to be used alongside David Fairer and Christine Gerrard’s Eighteenth-Century Poetry: An Annotated Anthology (3rd edition, 2014).

Although much has been written about how the novel relates to the epic, the drama, or autobiography, no one has clearly analyzed the complex connections between prose fiction as it evolved before 1800 and the literature of travel, which by that date had a long and colorful history. Percy Adams skilfully portrays the emergence of the novel in the fiction of the seventeenth and eighteenth centuries and traces in rich detail the history of travel literature from its beginnings to the time of James Cook, contemporary of Richardson and Fielding. And since the recit de voyage and the novel were then so international, he deals throughout with all the literatures of Western Europe, one of the book's chief themes being the close literary ties among European nations. Equally important in the present study is its demonstration that, just as early travel accounts were often a combination of reporting and fabrication, so prose fiction is not a dichotomy to be divided into the "adult" novel on the one hand and the "childish" romance on the other, but an ambivalence—the marriage of realism and romanticism. Travel Literature and the Evolution of the Novel not only shows the novel to be amorphous and changing, it also proves impossible the task of defining the recit de voyage with its thousand forms and faces. Often the two types of literature are almost indistinguishable; even before Don Quixote, Adams writes, many travel accounts could have been advertised as having "the endless fascination of a wonderfully observed novel." This study by Percy Adams will both modify opinions about the novel and its history and provide an excellent introduction to the travel account, a form of literature too little known to students of belles lettres.

Poets of labouring class origin were published in Britain in the 18th and 19th centuries. Some were popular and important in their day but few are available today. This is a collection of some of those poems from the 18th century.

For more than two centuries, Edward Hyde, Viscount Cornbury--royal governor of New York and New Jersey from 1702 to 1708--has been a despised figure, whose alleged transgressions ranged from raiding the public treasury to scandalizing his subjects by parading through the streets of New York City dressed as a woman. Now, Patricia Bonomi offers a challenging reassessment of Cornbury. She explores his life and experiences to illuminate such topics as imperial political culture; gossip, Grub Street, and the climate of slander; early modern sexual culture; and constitutional perceptions in an era of reform. In a tour de force of scholarly detective work, Bonomi also reappraises the most "conclusive" piece of evidence used to indict Cornbury--a celebrated portrait, said to represent the governor in female dress, that hangs today in the New-York Historical Society. Stripping away the many layers of "the Cornbury myth," this innovative work brings to life a fascinating man and reveals the conflicting emotions and loyalties that shaped the politics of the First British Empire. "A tour de force of historical detection.--Tim Hilchey, New York Times Book Review "Bonomi's book is more than an exoneration of Cornbury. It is a case study of what she aptly calls the politics of reputation." --Edmund S. Morgan, New York Review of Books "A fascinating, authoritative glimpse into the seamy underside of imperial politics in the late Stuart era.--Timothy D. Hall, Pennsylvania Magazine of History and Biography "An intriguing detective story that....casts light upon the operation of political power in the past and the nature of history writing in the present.--Alan Taylor, New Republic For more than two centuries, Edward Hyde, Viscount Cornbury--royal governor of New York and New Jersey from 1702 to 1708--has been a despised figure whose alleged transgressions ranged from looting the colonial treasury to public cross dressing in New York City. Stripping away the many layers of "the Cornbury myth," Patricia Bonomi offers a challenging reassessment of this fascinating figure and of the rough and tumble political culture of the First British Empire--with its muckraking press, salacious gossip, and conflicting imperial loyalties. -->