This book was written in Canada. It is mostly fiction, although places and some scenes are based on a true story. I began writing this book in 2010. I hope you have enjoyed the book as much as I enjoyed writing it....

A teen forger and thief forms a criminal crew from her high school friends (and crush) to perform a series of heists leading to the location of her missing mother in this action-packed contemporary YA novel, The Con Code. By day, seventeen-year-old Fiona Spangler runs small cons for her ritzy prep-school classmates: getting them out of tests and forging fake hall passes. But by night, Fiona joins her dad on riskier heists: stealing back the clue-filled forgeries her mom scattered across the country before she disappeared. Fiona desperately hopes that her mother will be waiting at the end of the scavenger hunt she left behind. And they are SO close. Just three more heists remain, but then disaster strikes when Fiona’s dad is captured by the FBI. Desperate to finish the job and save what’s left of her family, Fiona assembles of crew of teen criminals: a master of disguise who can transform into anyone, a talented hacker who only communicates in glares, and a rival con artist with a vendetta against—and possible crush on—Fiona. All they have to do is perform three nearly impossible heists, solve her mother’s incredibly complex clues, and evade the FBI. Easy, right? Praise for Shana Silver's Mind Games: “An edge-of-your-seat thriller that will keep readers guessing. The complex plot, the occasional twists, and the quick pacing make this a difficult read to put down.” —School Library Journal "It's a YA Michael Crichton novel, minus the 100-page master class intro on quantum mechanics, biotech, and string theory...Mind Games is an absolute blast. If you are a fan of Memento or Strange Days, this one's definitely for you!" —NPR

This publication represents the latest Class I (History) to be written for the western slope of Colorado. Our three districts in this region of Colorado now have histories specifically for them. Such works provide a valuable and needed synthesis of history and literature for these areas and also gives our managers data that are used on a daily basis for land-use decision making. Multiple land use is a Bureau mission that is being met. Oil and gas, coal, oil shale and other energy minerals, not to mention rights-of-ways, grazing programs, recreation projects and land-use planning, are all supported by histories such as this. Resource Management Plans and subsequent Environmental Impact Statements that are produced for the Bureau's Area Offices are the foundations for long-term land-use management. The Glenwood Springs, Colorado, Resource Management Plan/Environmental Impact Statement is a Bureau pilot document and serves as a management tool for the Glenwood Springs Resource Area. This history, Volley of Opportunity supports the Resource Management Plan. In addition, a history provides background and support for the upcoming Grand Junction Resource Area Management Plan/Environmental Impact Statement. The Volley of Opportunity has already been used for Oil Shale Environmental Statements and for the Federal Coal Leasing Program in the Grand Junction, Colorado, District. Truly, such histories are not only multiple-use in scope but are also management tools that provide basic understanding for land use decisions. Additionally, this history represents an ongoing effort to provide the public reader with a work that is not only interesting but is also well researched. In this way, another sector is satisfied. These histories are used by schools, libraries, universities and, of course, the general public. Again, multiple-use is served. Finally, as the Volley of Opportunity was being prepared, it happened that the City of Grand Junction's Centennial would occur in 1982. Coincidentally, the Glenwood Springs Resource Management Plan will be published in November 1982. Since this history serves several purposes, it is appropriate that it also is the Bureau's contribution to Grand Junction's Centennial celebration.

With each death, the fairy king is reborn. He is immortal...and alone. Because while a fairy queen reigns by his side, she is forever cursed to betray him. And it's continued like that for two thousand years. Until now. Suddenly faced with an endless stream of monsters upon his latest rebirth, he must seek aid from the new fairy queen. Unlike him, she carries no memories of her past lives. She's tame, thoughtful, seemingly dedicated, and disgustingly human in every way. Yet he cannot resist the inevitable attraction. She assures him this time will be different, but little by little, he discovers that she's hiding a secret that may be fueling these attacks. She's cursed, but he's the one in need of rescue.

The wizards of the Cold War must uncover a secret cabal responsible for the Kennedy assassination in The Shadow Commission, New York Times bestselling author David Mack's globe-spanning historical fantasy sequel to The Iron Codex. November 1963. Cade and Anja have lived in hiding for a decade, training new mages. Then the assassination of President Kennedy trigger a series of murders whose victims are all magicians—with Cade, Anja, and their allies as its prime targets. Their only hope of survival: learning how to fight back against the sinister cabal known as the Shadow Commission. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Eight dead men. Eight grieving widows… After a series of particularly nasty home invasions, Blackwood Security is hired to catch the killers. With the company’s reputation at stake, everyone on the team is desperate to solve the mystery, unaware that there’s a traitor in their midst. Cade Duchamp’s eager to help, but a minor indiscretion with the wrong girl leaves him banished to undercover duty. He’s always liked motorbikes, but he doesn’t like being a biker. Uncomfortable leather, an itchy beard, a lack of soap—need he say more? Cade wants to be back at head office, hunting down the real bad guys. At least, he does until five-year-old Scarlet turns up. The daughter he never knew he had. Taylor Hancock likes to fade into the background. As an office cleaner, she can come to work, do her job, and avoid those dreaded social interactions. But nobody says no to Emmy Black, and as Scarlet’s new nanny, Taylor’s forced way out of her comfort zone into a world of shopping trips, parties, and playdates. The only problem? She’s the traitor. The Scarlet Affair is a standalone romantic suspense novel in the Blackwood Security series—no cliffhanger!

Elm Howells has a loving family and a distinguished career at an elite Manhattan art auction house. But after a tragic loss throws her into an emotional crisis, she pursues a reckless course of action that jeopardizes her personal and professional success. Meanwhile, talented artist Gabriel Connois wearies of remaining at the margins of the capricious Parisian art scene. Desperate for recognition, he embarks on a scheme that threatens his burgeoning reputation. As these narratives converge, with disastrous consequences, A Nearly Perfect Copy boldly challenges our presumptions about originality and authenticity, loss and replacement, and the perilous pursuit of perfection.

Henry Mancini's Peter Gunn theme. Lalo Schifrin's Mission: Impossible theme. Isaac Hayes' theme from Shaft. These iconic melodies have remained a part of the pop culture landscape since their debuts back when movie studios and TV production companies employed full orchestral ensembles to provide a jazz backdrop for the suspenseful adventures of secret agents, private detectives, cops, spies and heist-minded criminals. Hundreds of additional films and television shows made from the mid-1950s and beyond have been propelled by similarly swinging title themes and underscores, many of which have (undeservedly) faded into obscurity. This meticulously researched book begins with Hayes' game-changing music for Shaft, and honors the careers of traditional jazz composers who--as the 1970s gave way to the '80s and beyond--resolutely battled against the pernicious influx of synth, jukebox scores and a growing corporate disinterest in lavish ensembles. Fans frustrated by the lack of attention paid to jazz soundtrack composers--including Mort Stevens, Laurie Johnson, Mike Post, Earle Hagen, David Shire, Elmer Bernstein and many, many others--will find solace in these pages (along with all the information needed to enhance one's music library). But this is only half the story; the saga's origins are discussed in this book's companion volume, Crime and Action Jazz on Screen: 1950-1970.

Thumbs Up, V for Victory, I Love You chronicles a special time, from the early 1940s through the mid-50s. It reveals how people moved forward in a world in tumult, and the payoff they received having survived it. Its about a handful of kids who because they were in the right place at the right time were provided an education well above the norms of the day. It reflects the melodrama that is real life, when young and old lived each day to the fullest while making the most of what they had. Its an oral history that tells how the wonders of discovery, communication, education and the opposite sex changed an impressionable boy into a determined young man. A period that has not been afforded the coverage it deserves, Thumbs Up, V for Victory, I Love You reveals a softer time, but one no less significant or singular than any other.