Once upon a time in 2001 at the FBI Academy in Quantico. 4 women are in the final week, in an exercise, in a team. Each team must pin other teams. Everyone has a practice weapon. In 2023, Lucas Devereaux begins his first day at NCIS in New York City. How could he have guessed that his first day is so closely linked to that fateful night at the FBI Academy. And what happened back then anyway?

A secret romance sends three estranged sisters to the Amalfi Coast to follow clues about their mother’s past, and challenges them to a whole new future, in this emotional novel from New York Times bestselling author Jennifer Probst. Priscilla, Devon, and Bailey haven’t been close in years, but when the sisters are forced to come together to settle their mother’s estate, they discover a secret. In an old trunk, they happen upon ownership papers for a house on the Amalfi Coast, along with a love letter to their mother from an anonymous man, promising to meet her in Italy during the summer of her sixty-fifth birthday. Now they’re questioning everything they knew about her history. In order to get answers about the woman they thought they knew, they’ll have to go back to where it all started. The sisters embark on a trip to the stunning cliffside village of Positano, Italy, to track down the mysterious ex-lover, and figure out who their mother really was. As Priscilla, Devon, and Bailey unearth the truth, they also experience the magic of Italy, the power of sisterly love, a little unexpected romance, and newfound hope for the future.

Chris Comerford explores cinematic digital television as an artistic classification and an academic object of study, and illuminates the slippage in definitions of previously understood media forms. The growth of television as an artistic, informative medium has given rise to shifts in the aesthetic style of the programmes we watch, and this book outlines these shifts along with the contemporary debates and critical theory surrounding them. Comerford looks at the forms and aesthetics of television, the production standards influencing streaming television and the agency of audiences, and provides case studies of key TV shows illustrating these shifts, including Twin Peaks: The Return, WandaVision, Hacks and Russian Doll. Navigating the levels of production and reception in cinematic digital television, the book uses film-inspired TV as a lightning rod for understanding our narrative screen media landscape and the classifications we use to negotiate it. As an essential reading for both scholars and students of media and television studies, this book provides a much-needed consideration of the changing landscape of television.

"The Widow of Rose House is close to perfection and any lover of historical romance will adore this debut." - Smart Bitches Trashy Books It’s 1875, and Alva Webster is ready for a fresh start. After three years of being pilloried in the presses for fleeing her abusive husband, his sudden death allows her to return to New York where she is determined to restore a dilapidated Hyde Park mansion, and hopefully her reputation at the same time. She is decidedly not supposed to fall in love. But when a haunting at her new home threatens her careful plans, she must seek help from the eccentric and brilliant and - much to her dismay - very handsome Professor Samuel Moore. Alva doesn’t need more complications in her life, especially not a convention-flouting, scandal-raising one like Sam. Unfortunately, Sam is the only one who can help. Together, the two delve into the tragic secrets wreathing Alva’s new home while Sam attempts to unlock Alva’s history—and her heart. Set during the Gilded Age in New York City, The Widow of Rose House is a gorgeously romantic debut by Diana Biller, with an intrepid and resilient American heroine guaranteed to delight readers as she starts over and finds true love. "A chemistry-fueled debut with a bit of a ghost story, great for readers of gothic romance." - Booklist "Biller mirrors Wharton's genius for revealing the emotional gold lying beneath the Gilded Age, which motivates the novel's massive romantic turmoil." - Bookpage (Most Anticipated Romances)

The American Comic Book Industry and Hollywood traces the evolving relationship between the American comic book industry and Hollywood from the launch of X-Men, Spider-Man, and Smallville in the early 2000s through the ascent of the Marvel Cinematic Universe, the Arrowverse, and the Walking Dead Universe in the 2010s. Perren and Steirer illustrate how the American comic book industry simultaneously has functioned throughout the first two decades of the twenty-first century as a relatively self-contained business characterized by its own organizational structures, business models, managerial discourses, production cultures, and professional identities even as it has remained dependent on Hollywood for revenue from IP licensing. The authors' expansive view of the industry includes not only a discussion of the “Big Two,” Marvel/Disney and DC Comics/Time Warner, but also a survey of the larger comics ecosystem. Other key industry players, including independent publishers BOOM! Studios, IDW, and Image, digital distributor ComiXology, and management-production company Circle of Confusion, all receive attention. Drawing from interviews, fieldwork, archival research, and trade analysis, The American Comic Book Industry and Hollywood provides a road map to understanding the operations of the comic book industry while also offering new models for undertaking trans- and inter-industrial analysis.

In a nightmarish new york city, life is there for the taking in the fourth Cal Leandros novel from New York Times bestselling author Rob Thurman. Half-human Cal Leandros and his brother Niko are barely getting by with their preternatural investigative agency when the vampire Seamus hires them. He’s being followed, and he wants to know by whom. But the Leandros brothers have to do more than they planned when Seamus turns up dead (or un-undead). Worse still is the return of Cal's nightmarish family—the Auphe. The last time Cal and Niko faced them, they were almost wiped out. Now, the Auphe want revenge. And Cal knows that before they get to him, they will destroy everything and everyone he holds dear. Because, for the Auphe, Cal's pain is a pleasure. And they’re feeling good...

Isabel Sterling's gripping sequel to These Witches Don't Burn is equal parts sweet romance and thrilling mystery. Hannah Walsh just wants to finish high school. It’s her senior year, so she should be focusing on classes and hanging out with her new girlfriend, Morgan. But it turns out surviving a murderous Witch Hunter doesn’t exactly qualify as a summer vacation, and now the rest of the Hunters seem more intent on destroying her magic than ever. Of course, Hannah knows a thing or two about juggling romance and recon missions, so when she learns the Hunters have armed themselves with a serum capable of taking out entire covens at once, she doesn’t think twice about helping. Hannah could be the best shot at finally defeating the Hunters. After all, she’s one of the only Witches to escape a Hunter with her magic intact. Or so everyone believes… As the Hunters get dangerously close to their final target, and Hannah is at risk of losing everything she’s ever known, will all the witches in Salem be enough to stop an enemy determined to destroy magic for good?

Aspiring young naturalist Celeste Rossan is determined to live a life of adventure and scientific discovery. But when her father loses everything, Celeste’s hopes of ever leaving her home town are dashed… until she sees a narrow opportunity to escape to Paris and attend the 1867 Exposition Universelle. Celeste seizes her chance, but the elements overwhelm her before she can make it five miles. In desperation, she seeks refuge in an abandoned chateau only to find herself trapped inside the den of an unknown species: a predator with an intelligence that rivals any human. It’s the discovery of a lifetime. Or, it will be, if Celeste can earn the beast’s trust without losing her nerve – or her heart – to her in the process. The Misadventures of an Amateur Naturalist is a queer historical fantasy for adventurers of all ages.

Lock your doors and gather close . . . if you dare! Once a rising TV journalist, Jerri Bartman has returned to her small Midwest hometown station. Demoted to hosting the nightly Creature Feature, Jerri's professional humiliation is eclipsed by the discovery that her new job comes with a secret, supernatural duty. Her missing predecessor, Count Crowley, was one of the last "Appointed" hunters of monsters. Yes. Monsters. They're real and they're hell bent on controlling the news and information consumed by humans. Everything we've ever been taught about monsters is a lie and Jerri's only possible advisor is a senile male chauvinist. It's 1983 and the outlook for humanity is getting . . . gnarly and their only hope is an alcoholic, acerbic horror host from Missouri. David Dastmalchian's authorial comics debut with artist Lukas Ketner--this terrifying trade collects issues #1-#4 of the Dark Horse Comics series Count Crowley: Reluctant Midnight Monster Hunter!

A fabulously off-beat collection of short stories about love—the best and worst thing in the universe—written by the creator of BoJack Horseman with his hallmark scathing dark humor “Transcendent tragicomedy.... Prepare to be devastated and made whole again.” —The A.V. Club Featuring: • A young engaged couple forced to deal with interfering relatives dictating the appropriate number of ritual goat sacrifices for their wedding. • A pair of lonely commuters who ride the subway in silence, forever, eternally failing to make that longed-for contact. • A struggling employee at a theme park of U.S. presidents who discovers that love can’t be genetically modified. And fifteen more tales of humor, romance, whimsy, cultural commentary, and crushing emotional vulnerability.